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69 of 80 people found the following review helpful:
5.0 out of 5 stars
If you have a chance, you should definitely check H.I.M. out, March 10, 2004
What's Good About It?Remember when Billy's chocolate bar fell into Sally's peanut butter? Get you're mind out of the gutter, it's an old Reese's commercial. H.I.M.'s combination of glam and goth are a similar sweet treat. H.I.M. may brandish their music as "love metal," but their not talking about healthy relationships. "Your Sweet Six Six Six" is about an attraction with the spawn of Satan that our singer cannot turn away from. Ville's vocals are seductive and somewhat creepy. The bass line driven hook of "Poison Girl" delves into the seductive powers of a woman's kiss. If you can't see where these relationships are going yet, you will on "Join Me In Death." Ville transforms into a sinister monster vocally, as the group adds eerie piano to their dark rhythms. My favorite track is a pumped up reworking of the Chris Isaac classic "Wicked Game." You don't know the song? I'll bet you remember the black and white video with the half naked brunette running down the beach. This song about a painful love fits the group's style to a tee. This time around it's darker and heavier. "Razorblade Kiss" has a rock radio feel to it. It's loaded with razor sharp riffs, a melodic chorus, and a silvery solo section. "Death is in Love With Us" has a more breakneck rhythm to it and we find Ville a little more cocksure in his vocal delivery. How does one end a tortured relationship? "Sigillum Diaboli" answers that question. This track finds the group mixing it up with a little punk rock flow. If you can call it a love ballad, "One Last Time" is an acoustic track with distant, melancholy vocals, which propositions a final affair before these lovers go their separate ways. Anything Bad? Could they print the lyrics any smaller?! Bottom Line H.I.M.'s combination of deep, seductive, melodic vocals and dark gothic rhythms are a unique twist in the rock genre. Their guitar tone is simply awesome. It's the main reason I liked this CD so much. I can forgive Ville for his brief falsettos. They seem to fit the sinister, tortured love theme he's creating.
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