1 of 1 people found the following review helpful:
5.0 out of 5 stars
Argonautica gets Its Due, July 27, 2004
This review is from: Reading of Apollonius Rhodius' Argonautica: The Poetics of Uncertainty (Studies in Classics, V. 20) (Hardcover)
Apollonius has few enthusiasts. Ever since its first appearance, when Callimachus called it a great evil, Argonautica has been regarded as a weak imitation of Homer. And yet all the critics (except perhaps Callimachus) have agreed that Apollonius' treatment, in Book III, of Medea's falling in love is sensitive, skillful, and shows a deep understanding of human psychology. How can a blunderer like Apollonius have created something so sublime?
In this work Byre gives this neglected some refreshing analysis, if not dispelling the distain with which it is held, then at least demonstrating that this text has more literary levels than previously supposed.
Byre raises the daring suggestion that perhaps Apollonius was not a blunderer and that perhaps he was not trying to be Homer. Byre further suggests that much of what has been criticized in Argonautica- Jason's indecisiveness, the confused and conflicting aims of the gods-reflect the same skillful psychology for which his portrait of Medea is praised; an awareness of the conflicts that are a continual part of all our behavior, and our uncertainty about the respective roles of fate and chance in our careers.
Byre shares with Apollonius a shrewd appreciation of the human mind, combined with the kind of scholarly meticulousness that shaped Argonautica. In this book he reveals Argonautica to be a poem of surprising depth and complexity, in which things are seldom what they seem and never to completely understood. Perhaps Apollonius would have approved.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No