In recent years, the popularity and availability of Japanese films in the West—including but not limited to those belonging to the animation and horror genres—have resulted in new, more diverse audiences for some of the most critically acclaimed and thoroughly entertaining films ever made. Reading a Japanese Film, written by a pioneer of Japanese film studies in the United States, provides many of these viewers with the necessary tools to construct a deeper understanding of Japanese cinema. In her introduction, Keiko McDonald presents a historical overview for those with little or no knowledge of Japanese cinema and outlines a unified approach to film analysis. Sixteen "readings" of films currently available on DVD with English subtitles put theory into practice as she considers a wide range of work, from familiar classics by Yasujiro Ozu (Floating Weeds), Kenji Mizoguchi (Sisters of Gion), and Akira Kurosawa (Drunken Angel), to the films of a younger generation of directors, including Hirokazu Koreeda’s Maboroshi, Yoshimitsu Morita’s The Family Game, Takeshi Kitano’s Kids Return, and Naomi Kawase’s Suzaku. Specific genres are also represented. Shiro Toyoda’s melodramatic The Mistress adapts a work of Japanese literature. Kaneto Shindo’s Onibaba is a horror film with socio-political overtones. My Neighbor Totoro is a beloved anime by Oscar-winner Hayao Miyazaki. The Japanese commitment to period film is examined via Hiroshi Inagaki’s classic Musashi trilogy. Suitably analytic yet thoroughly accessible, this work will become a staple of Asian film studies courses and enrich any cinema lover’s appreciation of Japanese film.
--This text refers to an out of print or unavailable edition of this title.
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Book Description
Editorial Reviews
From the Back Cover
"Here is a much needed book, an expert’s explication of the Japaneseness of the Japanese film, and an adroit teaching on how to read and to savor the ensuing experience." —Donald Richie
--This text refers to an out of print or unavailable edition of this title.
About the Author
Keiko McDonald is professor of Japanese cinema and literature at the University of Pittsburgh.
--This text refers to an out of print or unavailable edition of this title.
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