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Reading Like a Writer (P.S.)
 
 

Reading Like a Writer (P.S.) [Kindle Edition]

Francine Prose
4.2 out of 5 stars  See all reviews (113 customer reviews)

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Editorial Reviews

From Publishers Weekly

Savard has a pleasant voice, a good vocal range and the important ability to emphasize for clarity and drama. She's especially good at the long and very varied quotes Prose has selected to illustrate the elements of close reading, i.e., paying careful attention to words, sentences, paragraphs, narration, character, dialogue, details and gesture (her chapter headings). Prose has taught writing classes for more than 20 years and published 14 books. To be a good writer—or a good reader—she argues, you must develop the ability to focus on language and explore line by line how the best writers use each element of language to create unique and powerful people and stories. She pulls out words and phrases from various authors to show us, for example, precisely how Flannery O'Connor creates the literary equivalent of a fireworks display while Alice Munro writes with the simplicity and beauty of a Shaker box. This is a an excellent listen that belongs in any reader's or writer's library next to Strunk and White's The Elements of Style.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

Adult/High School–Life is precious, and much of that preciousness lies in the details: the sights, the sounds, the scents we too often ignore in our busy lives. Prose makes a superb application of that concept for readers of fiction. To know how the great writers create their magic, one needs to engage in a close reading of the masters, for that is precisely what successful writers have done for thousands of years. College programs in creative writing and summer workshops serve a purpose, but they can never replace a careful reading of the likes of Austen, Dostoyevsky, Flaubert, Kafka, Salinger, Tolstoy, and Woolf. In this excellent guide, Prose explains exactly what she means by close reading, drawing attention to the brick and mortar of outstanding narratives: words, sentences, paragraphs, character, dialogue, details, and more. In the process, she does no less than escort readers to a heightened level of appreciation of great literature. Many will want to go to the shelves to read again, or for the first time, the books she discusses. And to aid them, she thoughtfully adds a list at the end: Books to Be Read Immediately.–Robert Saunderson, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • Format: Kindle Edition
  • File Size: 248 KB
  • Print Length: 320 pages
  • Publisher: HarperCollins e-books (March 17, 2009)
  • Sold by: HarperCollins Publishers
  • Language: English
  • ASIN: B000JMKSWE
  • Text-to-Speech: Enabled
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (113 customer reviews)
  • Amazon Best Sellers Rank: #44,829 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

113 Reviews
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3 star:
 (7)
2 star:
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Average Customer Review
4.2 out of 5 stars (113 customer reviews)
 
 
 
 
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146 of 149 people found the following review helpful:
5.0 out of 5 stars "Putting every word on trial for its life.", October 2, 2006
Francine Prose, in "Reading Like a Writer," argues that creative writing cannot be taught in a classroom. A workshop may provide valuable encouragement and support for a fledgling writer, and a good instructor may show a novice how to edit his work more effectively. However, a writer learns his craft by reading and rereading the books, novels, plays, and short stories of great writers, and he improves his skills through practice. Prose recommends studying "meter with Ovid, plot construction with Homer, comedy with Aristophanes." She backs up her thesis by giving a host of examples from writers she admires, such as Austen, Hemingway, Joyce, Chekhov, and others who are a bit more obscure.

Prose discusses the basics, including the use of the exact word, sentence building, paragraphing, point of view, character, and dialogue. Close reading, she asserts, enables us to understand not only what the writer is stating, but also what he is implying. The subtext is often as important, if not more important, than the text itself. Throughout "Reading Like a Writer" are excerpts, some brief, some lengthy, from a variety of sources, followed by Prose's witty, insightful, and informative commentary. Why does the writer choose one particular word or phrase rather than another? How do the seemingly minor details and gestures in a scene sometimes convey more information than the characters' statements?

"Reading Like a Writer" is not a handbook or a manual. It is a love letter to the mysterious alchemy, the magic that occurs when a reader encounters a book, poem, or story that not only entertains him, but also moves and transforms him. Francine Prose's favorite writers may not be our favorites, but all readers who love literature will appreciate her enthusiasm and respect for the written word. Her suggestions about how to read more effectively are useful not just for budding writers but for anyone who would like to come away from a book with a deeper appreciation of the author's craft. As Prose says, "Reading this way requires a certain amount of stamina, concentration, and patience."" The reward for all of this effort lies in "the excitement of approaching, as nearly as you can hope to come, the hand and mind of the artist."
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170 of 191 people found the following review helpful:
5.0 out of 5 stars Be a Better Reader in Order to Become a Better Writer, August 31, 2006

You certainly are a person who enjoys reading. The beauty of this book is that its author teaches us how to read carefully, deliberately and slowly in order to digest and extract the ideas behind the words, and also to identify the style of an specific writer. By doing so Francine Prose gives us the tool that we may require to become a better writer. Basically is a process of learning by example, and Prose goes all the way to select and bring us a lot of examples, both from classical and contemporary authors.

As you advance through the chapters you will find examples covering the fundamentals of writing, including aspects related to narrative, plot development, characters creation, as well as the basics of sentence and paragraph structure.

Even if you have no intention at all of becoming a writer you will love this book, since it also teaches us how to have a better appreciation of what we read.
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128 of 153 people found the following review helpful:
5.0 out of 5 stars Prose on Prose, August 28, 2006
By 
Robert W. Kellemen "Doc. K." (Crown Point, IN United States) - See all my reviews
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Francine Prose knows prose. In "Reading Like a Writer," she presents the timeless truth that great writers are great readers of great writers. More than that, Prose parses how to read well, which in our hurried, image-driven age, has become something of a lost art, even for literature lovers.

She not only encourages and explains the reading of the classics, Prose also offers a diet rich in vignettes from an egalitarian menu of authors. She is like a chef who tells you to eat great food, teaches you how to cook five-star meals, and then takes you to a five-star restaurant to become a connoisseur.

As the subtitle suggests, two primary audiences will enjoy "Reading Like a Writer." Anyone who loves books, will glean insights into great books and how to enjoy them. Anyone who wants to write books, will learn how to write better--more creatively, powerfully, and yet still personally.

Reviewer: Bob Kellemen, Ph.D., is the author of "Soul Physicians," "Spiritual Friends," and "Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction."
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More About the Author

Francine Prose is the author of sixteen books of fiction. Her novel A Changed Man won the Dayton Literary Peace Prize, and Blue Angel was a finalist for the National Book Award. Her most recent works of nonfiction include the highly acclaimed Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer. A former president of PEN American Center, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, Francine Prose lives in New York City.



Popular Highlights

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&quote;
There are many occasions in literature in which telling is far more effective than showing. &quote;
Highlighted by 88 Kindle users
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Part of a readers job is to find out why certain writers endure. &quote;
Highlighted by 82 Kindle users
&quote;
With so much reading ahead of you, the temptation might be to speed up. But in fact its essential to slow down and read every word. Because one important thing that can be learned by reading slowly is the seemingly obvious but oddly underappreciated fact that language is the medium we use in much the same way a composer uses notes, the way a painter uses paint. I realize it may seem obvious, but its surprising how easily we lose sight of the fact that words are the raw material out of which literature is crafted. &quote;
Highlighted by 68 Kindle users

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