Reading the Rabbit: Explorations in Warner Bros. Animation [Paperback]

Kevin S. Sandler (Editor)

Product Details

• Paperback: 288 pages
• Publisher: Rutgers University Press (June 1, 1998)
• Language: English
• ISBN-10: 0813525381
• ISBN-13: 978-0813525389
• Product Dimensions: 9.2 x 6.1 x 0.6 inches
• Shipping Weight: 15.2 ounces (View shipping rates and policies)
• Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #616,235 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

4.0 out of 5 stars Serious, but still fun, May 10, 1999

By A Customer

This review is from: Reading the Rabbit: Explorations in Warner Bros. Animation (Paperback)

Over the last few years, academics have discovered the joy of writing about pop culture phenomena. Some (like the contributors to the book Enterprise Zones, a collection of papers on Star Trek) get lost in a fog of postmodernist critical/cultural theory, churning out abstruse and obtuse collections of quotations from French philosophers, ignoring as much as possible the text under study.

Thankfully, the contributors to this book don't do that. They're writing some serious history and commentary, but the Warner Bros. cartoons remain the focus, not what Jameson said about what Derrida said about what Foucault said. More to the point, even when criticizing elements of the cartoons (as in the paper on representation of black characters), the reader senses that the writers are fans of the Warner Bros. cartoons, flawed though some may be. There's always the sense that, no matter how serious the discussion, this is ultimately about something fun.

Oh, and the editor's comments in the introduction, about the recent dumbing down of the classic characters into friendly TV commercial shills and merchandise movers, is right on the money (so to speak).

13 of 21 people found the following review helpful:

2.0 out of 5 stars Makes the less scholarly among us feel like a "maroon", May 29, 2001

By 

Rachel Newstead "finder of forgotten animation" (Appleton, WI United States) - See all my reviews
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This review is from: Reading the Rabbit: Explorations in Warner Bros. Animation (Paperback)

Animation fans be warned--this is anything but light reading.

While I consider myself to be a reasonably intelligent person, I must admit I had considerable trouble slogging through the dense, polysyllabic prose. Once I did so, however, I found the book did contain some interesting observations:

In one installment, one of the book's many co-contributors examines the deconstruction--and reassertion--of gender roles. No news to those of us who are transgendered--the book points out things that many in the TG community find obvious. Namely the main premise, that gender roles are ridiculed (as with Bugs Bunny's crossdressing) in order to reinforce them. Whether the animators themselves had this intention is questionable--they were merely following a formula as old as vaudeville-- but it does make one think. A related essay covers the lampooning of heterosexual behavior in the Pepe Le Pew cartoons. The contributor noticed what I discovered many years ago--that "gay panic" in straight males forces them into the same sort of blissful denial as poor Pepe. They, like Pepe, try to convince the world they are irresistible to women, because that is what defines them as men. Most of all, however, they're trying to convince themselves.

There is also an excellent overview of the portrayal of blacks in Warner Brothers cartoons--it contends, as I have always believed, that the animators themselves were not necessarily racist even if their cartoons sometimes were. The fact that Bob Clampett went so far as to take his animators to a black jazz club in L.A. (as preparation for the brilliant "Coal Black and De Sebben Dwarfs") shows a sincere, if naive, sensitivity on his part. Rather, it was the enforced racial separation of the time--and the resulting ignorance of whites toward black people--that were the real culprits. Those who participated in the making of such cartoons now wish they hadn't--they would hardly have been so contrite if they truly were racist. It is a period they--and we--are now trying too hard to live down.

Given the sometimes insightful essays contained in this book, I wanted desperately to give it a higher rating, but it is weighed down too much by wordy "pedagoguese" for me to give it a higher recommendation. The whole in this case is less than the sum of its parts, and no book that requires one to have a dictionary within arm's reach is fun reading.