12 of 12 people found the following review helpful:
5.0 out of 5 stars
Released in 1979 and Really Prophetic About 2001, June 15, 2001
Writer-director-comic actor Albert Brooks has done consistently solid work since this film but it remains his very best. It is a parody, astonishingly enough, of TODAY'S work on tv yet he made this film in 1979! Tv today is parlaying extensive money out of real life situations, whether based on survival or marrying millionaires or some other new trend of the day. These are big reasons why I don't watch tv anymore. If you are unfamiliar with Brooks, who also plays the "auteur" director in the film, you must understand two things about him. One, he always plays obnoxious characters and this is perhaps his most obnoxious ever. Two, he is absolutely merciless on portraying himself as obnoxious. His delivery is straight on and deadpan and totally works. Brooks's character does not have an iota of real self awareness and this too is typical of the roles he creates for himself in all of his films. This is Brooks's satiric look at a documentary purportedly capturing a year in the life of a typical American family. Charles Grodin, low key as usual, is fantastic as Warren Yeager, the Phoenix, Arizona, veterinarian who is largely passive and ineffectual. He, his wife and two children are easily overwhelmed by the callous Brooks as auteur. There are so many delights to this film that it is hard to name them all so here are just a few. Brooks showing you his choice of camera, a piece of headgear that looks like a robot suit and is all but extinct; Brooks kicking off his film in AZ before an audience of townspeople by breaking into song; Brooks capturing the wife's OB-GYN md on camera and unmasking him as a "60 Minutes" subject; Brooks capturing Yeager (Grodin) malpracticing on a horse patient on camera and Yeager's trying to remove that segment from the film; the production meetings Brooks conducts with his producer sitting in by speaker phone, telling him what's wrong with his movie and why showing real life will not "play" in America and that what he really needs is James Caan (who was hot in 1979). I saw this movie when it first opened at a film festival and have seen it many times in succeeding years. It is always absolutely hilarious and unfortunately prophetic about the "thrills" audiences of the future would want from the media.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Don't miss the Trailer, July 5, 2003
This has got to be Albert Brooks near his best. A real funny movie. Make sure to get the DVD version of this with the extra interview with brooks (circa 2001)
and don't forget to watch the trailer for this movie also on the DVD. It is hysterically funny and as good as any scene of the movie.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
If not another side of Albert Brooks, at least another facet, December 10, 2001
As a (comparative) young'n, I first experienced Albert Brooks through his movie Defending Your Life, which I adored for years (still do). I checked out each movie after that ("Mother" and "The Muse") with equal glee. Having finally checked out his previous films, I was amazed to find that "Real Life" and especially "Modern Romance" are rather different beasts from the inventive but largely harmless later works. Brooks in his prime is not just a brilliant satirist, but a master of the goulishly uncomfortable situation!
Observe the palpable fear given off by Charles Grodin as he tries to dissuade Brooks from showing the footage of him losing one of his patients (he's a veterinarian, so he loses a horse. Big animals are funnier than little ones.) on the table due to his error. Or check out the "put your couch pillow over your face and scream silently" scene in "Modern Romance" where Albert calls a random woman in his roladex, having just broken up with his on-again, off-again girlfriend. Of course, the uncomfortable nature of the scene is intensified by the fact that Albert has just taken two quaaludes before making the call. Watch him confess his love to a woman who he later admits, "I'm not QUITE sure who she is or where I know her from." Wow! A long way from the clever but unassuming takes on the afterlife and the misadventures of a greek muse in the 20th century. The closest he's come in recent films is "Mother," which I had the mis/fortune of seeing with my own mother! What a relief that my own laughs of recognition were covered up by hers, as she related all of the matronly satire to her own mom!
Since everybody in this set of reviews is naming their favorite lines from "Real Life," I'd like to mention two of mine, during the great "testing possible candidates for the project" section of the film. More than just about any humorist I can think of, Brooks' jokes here are so under-the-rader, they're almost invisible.
"The participants were put through an enormous battery of tests. How many tests? Well, if you were to convert the tests to eggs, there would be enough eggs to feed the entire city of New York for three weeks, based on a two egg per person per week diet. Sound confusing? It was."
"Participants were given fifteen tests, such as this one here, Test #85."
Albert Brooks is such an underrated comedian and filmmaker, he's probably always going to be seen as a second-tier artist (at best). Admittedly, just about all of his films contain some sort of flawed element or something that just doesn't really work, but my God, the man just keeps on trying SO HARD. Every three to five years, he releases a new and completely entertaining and remarkable film to a society that might vaguely remember him from Saturday Night Live, and who seem to be slightly miffed that he hasn't taken the hint and quietly disappeared. I'm so admirous of him.
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