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118 of 120 people found the following review helpful:
5.0 out of 5 stars
Essential Short Book for Serious Photographers, June 13, 2005
This review is from: Real World Camera Raw with Adobe Photoshop CS2 (Paperback)
Fraser's previous version of this book was excellent. This one is even better. It remains short and to the point but he has improved the illustrations and his text is clearer than ever. Plus he illuminates the powerful new features of ACR and the new "light table" called Bridge. In reading it I felt like he invited me into his mind to follow along with him, watching the decision making of a Master.
This book is for serious Photographers who want to squeeze every last drop of quality out of their image capture, in other words for anyone who is going to be using the RAW processor built into Photoshop CS2.
He does not throw in a lot of unnecessary fluff; just clear "Real World" examples that you can use in your day-to-day work.
One idea that I have picked up already and will use every day is "Highlight recovery" using the exposure slider. I had always figured that burned out highlights meant a trip to the trashcan. "Not necessarily so" he says and not something other RAW processors can do.
Highly recommended for intermediate to advanced users.
He has given me more useful advice for Photoshop than all other writers combined.
Henry Domke
www.henrydomke.com
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33 of 33 people found the following review helpful:
4.0 out of 5 stars
Decent guide for pros, but needs tighter editing and better printing, January 2, 2006
This review is from: Real World Camera Raw with Adobe Photoshop CS2 (Paperback)
You need to understand RAW mode to get the most out of your digital photos. The fundamental reason is that they contain more editing headroom. By shooting in RAW, you can ignore all the camera settings other than ISO, exposure and shutter. This book also explains the linearity of camera sensors versus the non-linearity of our perception, which is why you want to expose as close to clipping highlights as possible. All of the other corrections are done by the camera to the RAW image, including sharpening, contrast and brightness control, noise reduction, spectral correction, barrel/pincushion distortion correction, color correction (tint, saturation and especially white balance), etc. etc. This effectively means I can ignore 90% of the menu options on my camera and only worry about exposure.
For me, the RAW converter can grab an extra stop of highlight detail over Canon's in-camera converter (EOS 5D) and does a better job at noise reduction. That alone is worth shooting in RAW.
I came to this book after seeing it recommended in Martin Evening's "Photoshop CS2 for Photographers" (an absolute gem) and the Adobe classroom in a book (a dud). Like Evening's book, this one assumes you're serious: you have print or web customers, need to calibrate color, need to archive, and want to automate as much as possible yet still retain creative options. Most of it's about gamma (digital's Zone System for contrast and highlight/mid/shadow detail) and color correction.
I found this book to be rather repetitious and far too filled with rah-rah-RAW prose. An even bigger chunk just walks you through the menus, buttons, etc. The remaining bit is worth the price of admission -- it tells you how to understand the conversions and then set up your workflow for the best balance (for you) between automation and creative control. I also like that it's written for photographers; if you don't understand histograms and gamma, this is probably not a good starter book.
Ironically, the images in this book are horrible. They're about the size of medium format transparencies (60mm or 2 1/4 inch square). I couldn't tell the difference between most of the compare-and-contrast pairs. Nor could my wife. The other drawback is that it's another Photoshop book that's being sold by the pound -- heavy paper, huge font, and very wide margins. Please make the pictures bigger next time.
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47 of 51 people found the following review helpful:
4.0 out of 5 stars
Very good primer for the new Raw features, July 29, 2005
This review is from: Real World Camera Raw with Adobe Photoshop CS2 (Paperback)
CS2 introduce a lot more functionality in camera Raw and this book I think was the 3rd book out on the subject after cs2 was released. The 2 main things this book will give you are
1. How to use the new features in Camera Raw and Adobe bridge to do some work on your images before you pass them into photoshop, this includes cropping and curves.
2. A good introduction to workflow- in fact if you have this book I don't think you need the other cs2 workflow book out there. This one is pretty through even including automation techniques.
Overall I'm pretty happy with this book, I found some the information a bit useless for me, but someone else may find it invaluable. The whole metadata section and how to edit the xml file for example.
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