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Reality Hunger: A Manifesto [Deckle Edge] [Hardcover]

David Shields (Author)
4.1 out of 5 stars  See all reviews (68 customer reviews)

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Book Description

February 23, 2010
"Reality Hunger" is a manifesto for a burgeoning group of interrelated but unconnected artists who, living in an unbearably artificial world, are breaking ever larger chunks of 'reality' into their work. The questions Shields explores - the bending of form and genre, the lure and blur of the real - play out constantly around us, and "Reality Hunger" is a radical reframing of how we might think about this 'truthiness': about literary licence, quotation, and appropriation in television, film, performance art, rap, and graffiti, in lyric essays, prose poems, and collage novels. Drawing on myriad sources, Shields takes an audacious stance on issues that are being fought over now and will be fought over far into the future. Converts will see "Reality Hunger" as a call to arms; detractors will view it as an occasion to defend the status quo. It is certain to be one of the most controversial and talked about books of the season.
--This text refers to an alternate Hardcover edition.

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Editorial Reviews

Amazon.com Review

Sarah Manguso Reviews Reality Hunger

Sarah Manguso is the author of The Two Kinds of Decay, a memoir, and two books of poetry, Siste Viator and The Captain Lands in Paradise. Read Manguso's guest review of Reality Hunger:

"I doubt very much that I’m the only person who’s finding it more and more difficult to want to read or write novels," David Shields acknowledges in Reality Hunger, then seeks to understand how the conventional literary novel has become as lifeless a form as the mass market bodice-ripper. Shields provides an ars poetica for writers and other artists who, exhausted by the artificiality of our culture, "obsessed by real events because we experience hardly any," are taking larger and larger pieces of the real world and using them in their work. Reality Hunger is made of 600-odd numbered fragments, many of them quotations from other sources, some from Shields’s own books, but none properly sourced--the project being not a treasure hunt or a con but a good-faith presentation of what literature might look like if it caught up to contemporary strategies and devices used in the other arts, and allowed for samples (that is, quotation from art and from the world) to revivify existing forms. Shields challenges the perceived superiority of the imagination and exposes conventional literary pieties as imitation writing, the textual equivalent of artificial flavoring, sleepwalking, and small talk. I can’t name a more necessary or a more thrilling book. --Sarah Manguso

(Photo © Marion Ellinger)


Review

"In his new book, Reality Hunger, David Shields makes a case that a new literary form has arrived. [He] challenges our most basic literary assumptions about originality, authenticity, and creativity. Reality Hunger has caused a stir in literary circles. [The book] has struck a nerve."—Andrew Richard Albanese, Publishers Weekly (cover article)

"Reality Hunger is an exhilarating smash-up. . . . a work of virtuoso banditry that promises to become, like Lewis Hyde’s The Gift for earlier generations, the book that artists in all media turn to for inspiration, vindication, and altercation as they struggle to reinvent themselves against the headwinds of our time."—Rob Nixon, Chronicle of Higher Education

"Maybe he’s simply ahead of the rest of us, mapping out the literary future of the next generation."—Susan H. Greenberg, Newsweek

"The driving force behind this entertaining and highly persuasive polemic is a frustration with the contemporary mainstream novel. . . . I can’t stop recommending it to my friends. There is no more effective description (and example) of the aesthetic concerns of the internet age than this."—Edward King, The Times of London

"Shields has a point. He gives a damn. He's trying to make a difference. He's using the best of his formidable talents to do that."—Wayne Alan Brenner, The Austin Chronicle   

"I love this book and am amused to see some of the hysterical reactions it’s provoked—proof, I think, of its radical truthfulness. Shields is utterly uninterested in providing intellectual comfort; he bravely, uncompromisingly delivers the news."—Walter Kirn
 
“On the one hand: Who does this guy think he is? On the other: It’s about time someone said something this honest in print. . . . [I am] grateful for this beautiful (yes, raw and gorgeous) book.”—Susan Salter Reynolds, Los Angeles Times
 
“This is the most provocative, brain-rewiring book of 2010. It’s a book that feels at least five years ahead of its time and teaches you how to read it as you go.”—Alex Pappademas, GQ
 
“I’ve just finished reading Reality Hunger: A Manifesto and I’m lit up by it—astonished, intoxicated, ecstatic, overwhelmed.”—Jonathan Lethem
 
“Good manifestos propagate. Their seeds cling to journals and blogs and conversations, soon enough sprawling sub-manifestoes of acclamation or rebuttal. After the opening call to action, a variety of minds turn their attention to the same problem. It’s the humanist ideal of a dialectic writ large: ideas compete and survive by fitness, not fiat. David Shields’s Reality Hunger has just the immodest ambition and exhorter’s zeal to bring about this happy scenario.”—Sam Sacks, The Wall Street Journal
 
Reality Hunger, by David Shields, might be the most intense, thought-accelerating book of the last 10 years.”—Chuck Klosterman (on Twitter)
 
“The subtitle of David Shields’s Reality Hunger categorizes it as ‘a manifesto,’ which is a little like calling a nuclear bomb ‘a weapon.’”—Don McLesse, Kirkus Reviews
 
“Thrilling to read, even if you disagree with much of it.”—Zadie Smith, The Guardian
 
“I find Shields’s book absorbing, even inspiring. The ideas he raises are so important, his ideas are so compelling, that I raved about this book the whole time I was reading it and have regularly quoted it to friends in the weeks since.”—Jami Attenberg, Bookforum
 
“A collection of wisdoms and aphorisms, some borrowed/stolen/appropriated from others, some written by Shields himself—which layer one upon the other to shimmer with an insistence on a literature that reflects modern’s life’s many complexities and contradictions.”—Debra Gwartney, Portland Oregonian
 
“This is the book our sick-at-heart moment needs—like a sock in the jaw or an electric jolt in the solar plexus—to wake it up.”—Wayne Koestenbaum
 
“It’s already become required reading in university spheres, galleys passed from one student to the next like an illicit hit of crack cocaine. I came away from Reality Hunger excited about writing my own fiction, and impatient about books that don’t offer these same thrills.”—Sarah Weinman, Flavorwire
 
“David Shields has put a bullet in the brain of our ridiculously oversimplified compulsion to think of everything as a narrative.”—Paul Constant, The Stranger
 
“One of the most provocative books I’ve ever read. . . . I think it’s destined to become a classic.”—Charles D’Ambrosio

"Thank goodness for David Shields and his new book, Reality Hunger: A Manifesto, which, among other things, is a literary battle cry for the creation of a new genre, one that doesn't draw distinctions between fiction and nonfiction, originality and plagiarism, memoir and fabrication, scripted and unscripted. . . . Shields, brilliant, thoughtful, and yes, original, is calling for an 'ars poetica for the burgeoning group of interrelated but unconnected artists in a variety of forms and media.'"—Cathy Alter, Atlantic

"David Shields’s radical intellectual manifesto, Reality Hunger, is a rousing call to arms for all artists to reject the laws governing appropriation, obliterate the boundaries between fiction and nonfiction, and give rise to a new modern form."--Elissa Schapell, Vanity Fair

"A book that defends plagiarism, champions faked memoirs, and declares fiction dead has the literary world up in arms."—Laura Miller, Salon

"I don’t think it would be too strong to say that Shields’s book will be a sort of bible for the next generation of culture-makers."—David Griffith, Bookslut

"This dude’s book is the hip-hop album of the year."—Peter Macia, Fader

". . . a guidebook for where literary writing could go in the future. . . . You might not agree with Shields’s broadside or his hardheaded conclusions, but it’s difficult not to fall under the sway of this voracious and elegantly structured book. Reality Hunger is ultimately an invigorating shakedown of the literary status quo: recommended for readers, essential for writers."”—Scott Indrisek, Time Out New York

“A mind-bending manifesto.”—The New York Times

Reality Hunger urgently and succinctly addresses matters that have been in the air, have relentlessly gathered momentum, and have just been waiting for someone to link them together. . . . [Shields’s] book probably heralds what will be the dominant modes in years and decades to come.”—Luc Sante, The New York Times Book Review

Sam Tanenhaus: “Every once in awhile a loud shout comes from the literary world that tells us that everybody is doing everything wrong. . . . Shields has done something ambitious here, and he has done it in an unusual way. . . . Will Reality Hunger have an impact on the way fiction writers and essay writers go about their work?” Luc Sante: “I think it might.” The New York Times Book Review podcast

“With an assist from others’ quotations, Shields argues that our deep need for reality is not being met by the old and crumbling models of literature.”—Editors’ Choice, The New York Times Book Review

“Give him credit. Here’s a manifesto that goes for broke. His book . . . champions his vision of a new avant-garde by enacting it.”—Wen Stephenson, The New York Times Book Review  

“His complaints about the tediousness and terminality of current fictional convention are well-taken: it is always a good time to shred formulas.”—James Wood, The New Yorker  

“The phrase ‘paradigm shift’ is one that induces my gag reflex, but that’s what he’s up to here. And, dear readers, shift happens.”—Kimberly Marlowe Hartnett, Seattle Times  

“One of the great books of the year. The book, quite simply, is a marvel, far more provocative and revelatory than annoying . . . and very much a part of the community of writers who are determined to be infinitely smarter than we may all deserve . . . Here’s a guy who actually thinks he knows what’s happening, Mr. Jones. I tell you it’s pretty exciting. Here, at last, is the extraordinary writer David Shields with a book that’s the equivalent of a mall ‘you are here’ map. Reading Shields maybe be the first time I’ve actually liked looking at the map and learning where we are.”—Jeff Simon, Buffalo News

“America is losing faith with its fictions. Such is the thesis of David Shields, whose new book, Reality Hunger: A Manifesto, lays out a compelling case for the prosecution.”—Tom Shone, The Daily Beast

“As is true of any good manifesto, [Shields] clocks or locks a feeling in the air, something already everywhere, familiar but not fully formed.”—Alexandra Juhasz, The Huffington Post

“David Shields has set the culture class abuzz with his attack on an obsession with reality that doesn’t exist. Reality Hunger refuses to sit still, leaping among ideas, arguments, programmatic declarations, aphorisms, personal asides, history, and etymology. For anyone frustrated, disappointed, or confused about the purpose of literature in the 21st century, . . . for anyone who . . .  is a member of the ‘rarefied world of literary culture’ (or would like to join), Reality Hunger is a must-read.—Ryan Bigge, Toronto Star

“A small new book  that’s been making a very big splash. . . . It’s clear . . . why Shields’s self-proclaimed manifesto is making so much noise: its ostensible blast is at the fiction in every novel, but its reverberating echoes can be felt in the facts of any magazine, any newspaper.”—Rick Groen, Toronto Globe and Mail

“How can we create a literature that’s urgent and vital and true to this particular here and now? Practices of writing, and reading, are shifting. None of us should take current modes of expression for granted. I want people to read [Shields’s]  book and passionately debate these issues. I want this discussion to matter. And I want to be part of it.”—Catherine Bush, Toronto Globe and Mail

“Shields is the literary equivalent of a frenetic DJ, trolling through vinyl albums, turning other people’s music into his on-stage creation. … For an egghead like me, he is loads of fun to read. Reality Hunger is a feverish collage of insights, often paraphrased and mashed up from other writers.”—Richard Handler, CBC Canada

“A spirited polemic on behalf of nonfiction. . . . an important book. The fiction vs. nonfiction debate has become intense in recent years, and Shields cranks it up a notch. . . smart, stimulating, and aphoristic . . . a provocative and entertaining manifesto.”—Blake Morrison, The Guardian, “Book of the Week”

“Essential reading for both readers and writers. Bold, entertaining, contentious, it pushes us to think about the processes and future of fiction-making, as well as its relation to nonfiction. In short, it shakes us up a bit.”—Stephen Emms, The Guardian

“He manages to give bourgeois traditionalists a right good kicking. One cannot help but admire his verve as well as his nerve.”—Sean O’Hagan, London Observer

“The book is anything but a monograph; it’s a polygraph.”—Toby Litt, Financial Times

Reality Hunger is more than thought-provoking; it’s one of the most beautiful books I’ve read in a long time.”—Jonathan Safran Foer

Reality Hunger is brilliant. It keeps the reader alert and attentive and excited through sheer intelligence, epigrammatic concision, wit, and sheer rightness, as when a pronouncement is so correct that it just pulls all the clouds aside. . . . There’s a feeling of the imminence of violence in these perceptions. This is a great compliment.”—Charles Baxter

Reality Hunger is witty, insightful, and compulsively readable. Every page abounds in fresh observations.”—Lydia Davis

“I think Reality Hunger is absolutely wonderful. Exhilarating.”—Mark Leyner

Product Details

  • Hardcover: 240 pages
  • Publisher: Knopf; 1 edition (February 23, 2010)
  • Language: English
  • ISBN-10: 0307273539
  • ISBN-13: 978-0307273536
  • Product Dimensions: 5.9 x 1 x 8.6 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Best Sellers Rank: #151,213 in Books (See Top 100 in Books)

More About the Author

David Shields is the author of twelve books, including Reality Hunger (Knopf, 2010), which was named one of the best books of the year by more than thirty publications. GQ called it "the most provocative, brain-rewiring book of 2010"; the New York Times called it "a mind-bending manifesto." His previous book, The Thing About Life Is That One Day You'll Be Dead (Knopf, 2008), was a New York Times bestseller. His other books include Black Planet: Facing Race During an NBA Season, a finalist for the National Book Critics Circle Award; Remote: Reflections on Life in the Shadow of Celebrity, winner of the PEN/Revson Award; and Dead Languages: A Novel, winner of the PEN Syndicated Fiction Award. His essays and stories have appeared in the New York Times Magazine, Harper's, Yale Review, Village Voice, Salon, Slate, McSweeney's, and Utne Reader; he's written reviews for the New York Times Book Review, Los Angeles Times Book Review, Boston Globe, and Philadelphia Inquirer. His work has been translated into fifteen languages.

Shields has received a Guggenheim fellowship, two NEA fellowships, an Ingram Merrill Foundation Award, a Ludwig Vogelstein Foundation grant, and a New York Foundation for the Arts Fellowship. He now lives with his wife and daughter in Seattle, where he is the Milliman Distinguished Writer-in-Residence at the University of Washington. Since 1996 he has also been a member of the faculty in Warren Wilson College's low-residency MFA Program for Writers, in Asheville, North Carolina.

 

Customer Reviews

68 Reviews
5 star:
 (45)
4 star:
 (8)
3 star:
 (3)
2 star:
 (4)
1 star:
 (8)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (68 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

177 of 217 people found the following review helpful:
2.0 out of 5 stars Still Hungry, March 1, 2010
By 
This review is from: Reality Hunger: A Manifesto (Hardcover)
1. Despite this book's praise for collage and appropriation, cutting passages from the jacket copy and/or Shields' own description of the book, then pasting as a five-star Amazon review, isn't valuable in any way.

2. Speaking of the jacket copy, by writing a negative review of this book it seems I will be "defending the status quo." Always useful to caricature your opponents in advance. And I thought the status quo totally depressed me ...

3. What is this "conventional literary novel" Shields keeps talking about? Yeah, I also have no desire to read Olive Kittredge, but my lack of interest in the latest celebrity memoir hardly discredits the genre of memoir as a whole. Is Shields reading Hemon, Javier Marias, Percival Everett, Kathryn Davis? For someone who persuasively writes of the novel as a hybrid genre and wants to stake out an indefinite space for his own work, Shields really likes drawing lines in the sand.

4. When Shields does admire a fiction writer (i.e. Bernhard, Coetzee, Sebald) he pretends the writer is a sort of essayist in disguise. This is bizarre. All of the above writers create imaginary characters and involve them in invented narratives. Photos in Sebald do not make him a documentarian. The reason their books do not seem like fiction is that they are incredibly well executed, that is to say artistic. Fiction that does not seem like fiction is simply good fiction. Shields can't admit that the magic is working.

5. How can a book about reality-based forms of art and writing not mention historical fiction even once? Is it because historical fiction sounds staid and proves that Shields' ideas aren't as new and exciting as they want to be? Anybody remember postmodernism, by the way?

6. "Elizabeth Costello," a book Shields recommends several times, would surely create much less cross-genre frisson (would be much less interesting in Shields' own terms) if it was just a series of lectures, if it didn't have its so-called fictional rigging. The fictional elements of it are what create the epistemological uncertainty -- a fact that was certainly remarked upon when Coetzee delivered the stories as lectures at universities.

7. It's funny that a writer tries to be au courant by citing 40-50-year-old quotes announcing the death of fiction. Doesn't this undermine the case a little? No doubt he's right ... about fiction's irrelevance to the culture, anyway, but surely it will be displaced by more meaningless chatter, social networking, and noise, not the lyric essay. Actually this book seems to be in many ways a manifesto for the blogosphere. I kept thinking, blogs are what you want to read, man. Brevity, appropriation, truthiness, the self in all its mangy glory.

8. The part where he tells his writer friends what their books are really about is insufferable. Even the original recipients must have winced when they got these letters, and it is painful to eavesdrop on them. The chapter is of a piece with Shields' bewildering theory that fiction has a sort of extractable essence. If only Ballard did away with all those drained swimming pools and crashed cars and told us what he really meant about technology and modernity! If only Kafka cut the atmospherics and philosophized! Surely Shields thinks "The Zurau Aphorisms" is Kafka's best book.

9. I realize I am getting carried away here. This is to Shields' credit. He has not instructed but provoked my soul, to paraphrase him paraphrasing Emerson. Ultimately this is a book about the lit David Shields likes, which is stuff I also like. I don't define it the way he does. I resent the sophistries and the posturing. I suspect his argument against fiction is more personal than I understand, much like Franzen's jeremiad against difficult books. But the aesthetics here seem pretty egocentric and narrow in the end. (When you read a novel you are participating in someone else's imagined reality, and it amazes me that someone so averse to this generous, beautiful act would comment on fiction at all.) However, "Reality Hunger" is a seriously intended book and it should provoke a serious debate. Let's stop essentially blurbing this book -- it's been blurbed more than enough already -- and actually discuss it.






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45 of 53 people found the following review helpful:
5.0 out of 5 stars the revolution will be mashed up, April 4, 2010
This review is from: Reality Hunger: A Manifesto (Hardcover)
To enjoy Reality Hunger: A Manifesto, you need three things: 1) a love of abstraction, 2) an interest in contemporary art and culture, and 3) a willingness to keep turning pages even though you don't have the best grasp on what's happening. If you have these, you're in for a treat.

Shields brings his customary intelligence and expansiveness to a dizzying array of topics, including Oprah Winfrey, independent filmmakers, Thomas Jefferson, America's Next Top Model, Facebook, and Plutarch. He says he looks increasingly to literature to offer all the epiphanies but none of the machinery (like that dowdy old matron, plot) that storywriters typically use to produce them.

Form preoccupies him, especially as it applies to nonfiction. In a few passages, he considers a current trend: the lyric essay. Some lyric essayists seem not to be writing essays at all; they fabricate details and leave events unexplained--usually the privileges of the fiction writer. Some lyric essays flirt with becoming poems, and some make collages. Shields favors collage in particular, describing it as "not a refuge for the compositionally disabled" but as "quite simply an evolution beyond narrative." Reality Hunger itself takes a collage-like structure, and there are noticeable gaps between some sections. All this cutting and pasting can annoy. It's lovely, though, for what Shields wants to do.

Shields is "over" the traditional novel, and he implies that those of us who aren't are behind. While I am not about to throw away my McEwan in order to hold myself to some arbitrary standard of postmodern hipness, I think questioning the norm, seeing what's possible in the arrangement of words, is ennobling. We all gain from the energy such questioning releases, and I'm glad this insightful, entertaining book is here to do it.
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15 of 18 people found the following review helpful:
5.0 out of 5 stars New Form, New Reflections, New World, February 25, 2010
This review is from: Reality Hunger: A Manifesto (Hardcover)
I was captivated by this slender, smart book. Part cultural studies. Part personal narrative. Part philosophical pursuit. In it, Shields attempts to digest the interactive 21st century, finding meaning in the mess of our disjointed experience. In many ways, this work continually seeks to ascribe human meaning to a world filled with non-human experiences. The book is beautifully written, a series of short, notes and reflections. In many ways, the book tells us, as readers: we're all going to die someday, and with that in mind, here are some things that might help us better understand our lives and how to find fulfillment and meaningful complexity in it. Hip hop. Reality TV. Proust. Becket. Deadwood. Art as deeply personal expression. It's all there. A book that slowly, seductively invites readers into deeply intellectual and completely accessible conversation.

-Todd Pierce
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