The trouble with best of compilations is that they can never quite satisfy everyone. Devoted fans are usually disappointed because some of the more obscure favorites inevitably don't make the album. Conversely, the casual fan is often left puzzled by "greatest hits" they've never even heard of. More often than not, it the serious fan who is left wanting, because as a general rule, these things aren't made for the serious fan, as they already own all the songs on the compilation. In the case of "rearviewmirror" this dynamic is rather exacerbated by the fact that it is being produced by Epic, which owns these masters, but no longer has a contract with the band. So, while I don't think Pearl Jam is upset by this release, neither has it received the attention that the incredible "Lost Dogs" did just a year ago.
Actually, to the band's credit, they haven't thrown on one or two new songs for the sole purpose of selling the compilation to their core audience. So there is nothing on these two discs that you can't find elsewhere; even the relatively obscure "Man of the Hour" is available as a single. Plus, the arrangement is nice with the more up tempo songs on Disc 1 and slower ones on Disc 2. There are some that could go either way (like "Breath"), but all in all this set-up makes for a listening experience that feels new. Which brings me to my first point, the package promises re-mixed versions of "Once", "Black" and "Jeremy", but don't get your hopes up. These are re-mixes, not re-recordings, so if you were looking for new arrangements, you're out of luck. Actually, the differences are hardly worth mentioning; I'm by no means an expert, but all I noticed were slightly stronger percussions, with Ed's voice being somewhat more prominent in spots.
So what's good and what's bad? Well, I'm going to try not to be a snob, but there are a few noticeable oversights. I'm sure they didn't want to overload on songs from "Ten", but "Porch" is rather glaring in its absence. Alternately, "Once" in the place of "Porch" might have made sense if "Footsteps" had been included, which is a fairly well known b-side, and which would have also completed the "Mamasan" trilogy with "Alive". From "Vs." "Dissident" seemed like an odd choice as "Blood", "Glorified G" and "Leash" are all absent. However, given the popularity of the eponymous bootleg from the mid-90's, I suppose this shouldn't come as a surprise.
"Vitalogy" is well represented; in particular I was thrilled to see that "Immortality" was included as it is one of Pearl Jam's best songs and is sorely underappreciated by radio. Personally, I would have left off "Nothingman" in order to make room for other songs, but it's a good tune in and of itself, so that's not much of a complaint. As well represented as "Vitalogy" is, I found "No Code" to be grossly underappreciated. While "Hail, Hail", "Who You Are" and "Off He Goes" are to be found, the absence of "In My Tree" is just terrible. Likewise, "Habit" and "Present Tense" at the least should have made it on.
With "Yield" it's the same story, while "Do The Evolution" and "Given to Fly" are eminently deserving of being included, I could take or leave "Wishlist", and "Faithfull", "Low Light" and "In Hiding" all would have been better choices. "Binaural" didn't really have any breakout hits, so it's hard to argue with only including "Nothing as it Seems" and "Light Years", but it would have been nice to see "Insignificance" or "Breakerfall" on Disc 1. The same is true of "Riot Act" although I think "Can't Keep" and particularly "Thumbing My Way" would have been great choices for inclusion.
"State of Love and Trust", "Breath" and "Man of the Hour" are all outstanding non-album contributions and definitely add to the set. The same goes for "I Got Id"; over the years the "Merkinball" single has fallen off the radar, but it was huge at the time. And finally, while I think most of us have grown a little weary of "Last Kiss" over the years, it's hard to argue with its inclusion given the phenomenon it turned into.
One puzzling aspect of this set is that for a band that has made its name playing live, there are no live performances on "rearviewmirror". I can understand why Epic wouldn't have wanted to include a completely different sounding version (i.e. "Jeremy" from Red Rocks) but any number of live versions of "Even Flow" or "Do The Evolution" would have been a real treat for the casual fan.
So, in the end, what is "rearviewmirror"? Well, it's basically what it claims to be, a "best of"; there are oversights, but generally speaking this is a fairly thorough set. While diehard fans (like myself) may bemoan the absence of certain songs, for less than twenty dollars, it's hard to argue with 33 tracks on two discs. And for the fan who loved the band early and lost track of them over the years, this is a great buy. Not only does it reintroduce old favorites, but it offers a smorgasbord of Pearl Jam's newer stuff. In addition, the fast/slow arrangement makes this a good buy even for the hardcore fan, because, as I said before, it creates a new listening experience and saves you from fiddling with discs in the car if you just want to tear through some of your favorites.
Jake Mohlman