This book is one of the all-time greatest works of fiction, combining suspense, romance, and character development, all wrapped up in a mystery that is literally not resolved until the last page.
Modern readers should treat this story as a period piece of sorts; American readers in particular should bear in mind the differences between British and American cultures, and also the historical differences (Rebecca was published in 1938), otherwise they are apt to find the story 'slow' or 'dull.'
Like any great mystery writer, du Maurier throws out subtle clues in the first third of the story; about halfway through, she begins to resolve these clues, and from then on, the story races at full steam. *Don't let* the seemingly slow introduction stop you from finishing the book; patient readers will be well- rewarded when they see how brilliantly du Maurier sets up her surprises.
The story revolves around the unusual marriage of the young, unworldly narrator (whose first name is never revealed, one of the book's charming idiosyncrasies)to the brooding 'landed gentleman,' Maxim de Winter. When she arrives at his grand country manor, Manderly (the house is perhaps the book's most potent character), she is immediately confronted by the other characters' feelings about Rebecca, Maxim de Winter's flamboyant late wife.
Perhaps du Maurier's greatest accomplishment, character-wise, is the way she develops Rebecca, who is already dead when the main action of the story begins, and never really appears 'on-screen,' so to speak. Rebecca is very much alive in the memories of Maxim, the house servants, friends and family members, but most crucially, of her personal maid, Mrs. Danvers (and also of Rebecca's sleazy cousin, Jack Favel). It is Mrs. Danvers who becomes the greatest nemesis of the narrator, and who makes the frightened young woman feel utterly unwanted and unloved in her new home. If Rebecca truly does haunt Manderly, Mrs. Danvers is her conduit to the world of the living.
After a treacherous episode that almost brings the narrator to the breaking point, a string of coincidences alters everything; the narrator learns the truth about what turns out to be a lot of mistaken assumptions. In the process, she herself grows into a far more confident person. The last quarter of the story is an absolute masterpiece, as the action takes one turn, then another, then another. And even when it seems that all the clues have been resolved, du Maurier saves one last whammy for the final page.
I first read this book twenty years ago, and it made more of an impression on me than just about anything else I've read since. I re-read it from time to time, and gain a new insight with every perusal.
In short, Rebecca is a wonderful, wonderful novel, and not to be missed. I can't recommend it highly enough-- read it, linger over it, enjoy it, and read it again. It's a true literary achievement.
