Most Helpful Customer Reviews
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107 of 115 people found the following review helpful:
5.0 out of 5 stars
And de Winter Is ..., July 14, 2000
A sumptuous film version of Daphne du Maurier's Gothic suspense novel. Brilliant direction by Alfred Hitchcock (his first American-made feature), dazzling cinematography by Oscar-winner George Barnes, and splendid art direction by Lyle Wheeler underscore impeccable performances by the entire cast. Laurence Olivier is excellent as the enigmatic Maxim, whose brooding ambivalance masks a dark secret; Joan Fontaine hits all the right notes as the confused and insecure Second Mrs. de Winter; and Judith Anderson (made up very much like Gloria Holden in Universal's "Dracula's Daughter") is chillingly repellant as the malevolent housekeeper Mrs. Danvers. These three Oscar nominees are ably abetted by George Sanders playing Rebecca's cad of a cousin, and Florence Bates as the vitriolic social butterfly Edyth Van Hopper. In what must have been an incredibly close race, this film beat out 20th Century-Fox's landmark "The Grapes of Wrath" for the 1940 Best Picture Oscar.The Anchor Bay DVD offers a fine video transfer of this classic mystery. The picture is sharp and clear with excellent contrast throughout, and the soundtrack is clean and crisp. Although the package doesn't mention it, the DVD does offer Chapter Search (always a welcome plus). There aren't any bonus materials like theatrical trailers, cast biographies, photo galleries, etc., but this is still a worthy edition of a genuine film classic.
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59 of 65 people found the following review helpful:
5.0 out of 5 stars
"I'm asking you to marry me, you little fool.", August 20, 2004
Joan Fontaine stars as a miserably shy and awkward lady's companion who meets the sophisticated and recently widowed Maxim de Winter in Monte Carlo. They seem an odd couple, yet after a few short weeks they marry and come home to his imposing English country estate, Manderley. The young bride is overwhelmed with her new, lavish lifestyle and is especially intimidated by the forbidding housekeeper who keeps her first mistress' memory and influence alive. Maxim reveals a terrible secret which forever alters the couple's life, and affects the very existence of Manderley.
This wonderfully atmospheric tale, complete with swirling fog and spooky organ music, will take you away to a world where little Cinderella really does marry the handsome prince and lives in the mysterious castle, but things have a nasty habit of going bump in the night. Joan Fontaine gives a breathtaking performance, convincing us she really is crippled with feelings of inadequacy, despite being a flawless beauty. Judith Anderson is the sneering, contemptuous housekeeper whose devotion to her former mistress turns to madness. Laurence Olivier makes a properly snobbish and mysterious Maxim and manages to be the hero despite a fatal flaw. The title character, Rebecca (the first Mrs. de Winter), is never seen but is a powerful force, as is the imposing house of Manderley. If you like gothic romances filled with 1940's elegance and lots of creepy atmosphere, you'll enjoy Rebecca.
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19 of 20 people found the following review helpful:
4.0 out of 5 stars
Hitchcock's first American film!, July 19, 2000
Rebecca, Alfred Hitchcock's first American film, is a classic suspense thriller and his only film to win an oscar for Best Picture. It is a haunting story about a young woman (Joan Fontaine) who marries a rich widower (Laurence Olivier) and who begins to learn dark secrets about his first wife, Rebecca. I liken the tone of the film to that of Vertigo, which is probably my favorite Hitchcock film. The story has an almost supernatural, gothic feel to it, and one almost expects a ghost to appear. It is a chilling story that works very effectively and is a good demonstration of why Hitchcock is considered one of the greatest suspense-thriller directors ever.The performances are quite good. Olivier's character is like a caged animal, and one can practically feel his frustration boiling under his cool exterior. Fontaine plays her usual mousy screen persona, which is very effective at portraying the uncertainty and low confidence of the young wife. And the character of the maid....brrr. Very chilling. Those who have seen this movie before will enjoy the DVD. The transfer is quite good, and the film shows only a few minor signs here or there of its age. The image is a tad bit soft but nothing that distracts in any way from the movie. Sound, of course, is monophonic. My only real complaint about the DVD is that it is quite bare-bones. It is just the movie and nothing else. Still, this movie is a worthy addition to any collection and is a strong testament to how "they used to make 'em."
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