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13 of 14 people found the following review helpful:
5.0 out of 5 stars Twisted minds and the dark secrets of Edinburgh's other side.
He had wanted to update Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde" for modern times, Ian Rankin writes about his first Inspector Rebus novel, "Knots and Crosses" in the introduction to this 1999 compilation, which contains the first three installments of the series. Oblivious to the mere existence of such a thing as the mystery genre - or so Rankin says - he was...
Published on November 7, 2005 by Themis-Athena

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0 of 1 people found the following review helpful:
3.0 out of 5 stars My expectations might have been too high for such a bargain.
I'll admit my expectations might have been a bit high for a book I got so inexpensively, but past expereinces had been much better. The book I recevied is certainly readable, but it is water-stained and more than a little worn -- not the condition I expected from the seller's description. I would encourage the seller to be a bit more precise in descriptions of individual...
Published 4 months ago by John Thomas


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13 of 14 people found the following review helpful:
5.0 out of 5 stars Twisted minds and the dark secrets of Edinburgh's other side., November 7, 2005
By 
Themis-Athena (from somewhere between California and Germany) - See all my reviews
This review is from: Rebus: The Early Years (Knots & Crosses / Hide & Seek / Tooth & Nail) (Paperback)
He had wanted to update Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde" for modern times, Ian Rankin writes about his first Inspector Rebus novel, "Knots and Crosses" in the introduction to this 1999 compilation, which contains the first three installments of the series. Oblivious to the mere existence of such a thing as the mystery genre - or so Rankin says - he was stunned to soon hear his book described first and foremost as a crime novel. But eventually this characterization prompted him to have a closer look at the work of other mystery writers, and he found that the form suited his purposes just fine; that in fact he "could say everything [he] wanted to say about the world, and still give readers a pacy, gripping narrative."

Bearing in mind the original duality of Jekyll and Hyde, however, Rankin's tales are not dominated by a contrast painted in black and white. While the villains Inspector Rebus faces are certainly every bit as evil as Stevenson's Mr. Hyde, Rebus himself is far from a clean-slated "good guy:" Divorced, cynical, hard-drinking and a former member of the SAS, he is a brother in spirit to every noir detective from Dashiell Hammett's Sam Spade and Raymond Chandler's Philip Marlowe to Michael Connelly's Harry Bosch, James Ellroy's squad of crooked cops and Peter Robinson's Alan Banks. Nor is Rebus's Edinburgh the touristy town of Calton Hill, castle and Summer Festival (although the series has meanwhile sparked real-life guided tours to its most famous locations, too) - as befitting a true detective of his ilk, Rankin's antihero moves primarily in the city's dark and dirty underbelly, which is populated by society's losers and where those who have "made it," those with money in their pockets, only show up if they have shady deals to conduct as well.

In a similar fashion to Michael Connelly's first Harry Bosch novel "The Black Echo," where Bosch is forced to revisit the experiences he made as a Vietnam "tunnel rat," in "Knots and Crosses" Rebus must uncover long-buried memories of his SAS past. For hunting a serial killer whom the tabloids quickly dub "The Edinburgh Strangler," and whose headline-gathering murders at first seem totally unrelated, Rebus eventually makes the connection between those crimes and a series of anonymous letters he receives, and realizes that it is he himself who is the killer's true target, and that the murderer's crimes are based on such a cruel scheme - and executed with such inhuman skill and precision - that only one particular man's thoroughly disturbed mind can have come up with them. And at the same time, Rebus is trying to work out his difficult relationship with his brother Michael, whose life is so different from his own - financially successful and ostensibly happily married and squeaky clean throughout, Michael seems to be on the sunny side of life in every respect labeled a failure in Rebus's own life story - but he soon discovers that even Michael has secrets he is trying hard to keep from coming to light.

The title of Rankin's second Rebus novel, "Hide and Seek," is an even more overt play on Robert Louis Stevenson's famous dual character(s) than the mere juxtaposition of cop and killer. This time, Rebus is on the hunt for the killer of a junkie whose half-naked body is found in a run-down, deserted building in the Pilmuir housing estates - the worst part of town, notwithstanding a nearby construction project involving high-priced luxury condominiums - positioned crucifixion-style and near a drawing possibly hinting at Satanic rituals. And Rebus's only witness seems to be the young woman who had been living with the dead man for the last three months and heard him yell "Hide!" before pushing her out of the door, telling her: "They've murdered me;" but who is now more than just a little reluctant to cooperate, taking refuge, instead, behind an almost unbreakable rebel-against-society-facade, complete with peroxide hair, stud earrings and Attitude with a capital "A."

"Tooth and Nail" finally (originally titled "Wolfman," for the alias that police have given the subject of their hunt) takes Rebus to London, where he is to assist metro CID with the case of another serial killer, this one named for the bite marks he leaves on his victims' bodies. Not overly enthusiastic about his mission to the capital (and thus mirroring once more the feelings of Rankin himself, who did not much like living there, either, and "brought Rebus to London so he could suffer, too"), Rebus soon alienates his metro counterpart by his constant unwillingness to follow protocol, although the two men get along reasonably well on a personal level. Eventually, Rebus so seriously jeopardizes his and - by extension - Edinburgh CID's reputation with the Met that he is about to be recalled home, when he finally makes the crucial connection that unmasks the killer, just in time to save the young psychologist who has offered her help with the case and who is his latest love interest. (As befits a good noir detective, Rebus has a new flame in every book, not without incurring fresh scars from each separation, however.)

While this series had a terrific start already in its first three novels, published between 1987 and 1992, Rebus's character - and Rankin's writing - has evolved significantly over time. Thus, it is probably wise to read it in the order of publication. Contrary to the novels he wrote under the pseudonym Jack Harvey, however, and which he views much more critically in hindsight, Ian Rankin overall still seems to be happy with his early Rebus books, commenting: "I can't read them without thinking back to my own early years, my apprenticeship as a crime writer. Read and enjoy." I have nothing to add to that ...

Also recommended:
Rebus: The Early Years (Knots & Crosses / Hide & Seek / Tooth & Nail)
Rebus - The St Leonard's Years
Rebus: The Lost Years (Let It Bleed / Black & Blue / The Hanging Garden)
Rebus: Capital Crimes (Dead Souls / Set in Darkness / The Falls)
Ian Rankin Inspector Rebus CD Collection: Resurrection Men, A Question of Blood, Fleshmarket Alley (Inspector Rebus) (Inspector Rebus)
Exit Music
Rebus's Scotland
Rebus
The Jack Harvey Novels
Rebus: The Complete Short Stories~Ian Rankin
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Twisted minds and the dark secrets of Edinburgh's other side., August 27, 2008
By 
Themis-Athena (from somewhere between California and Germany) - See all my reviews
This review is from: Rebus: The Early Years (Hardcover)
He had wanted to update Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde" for modern times, Ian Rankin writes about his first Inspector Rebus novel, "Knots and Crosses" in the introduction to this 1999 compilation, which contains the first three installments of the series. Oblivious to the mere existence of such a thing as the mystery genre - or so Rankin says - he was stunned to soon hear his book described first and foremost as a crime novel. But eventually this characterization prompted him to have a closer look at the work of other mystery writers, and he found that the form suited his purposes just fine; that in fact he "could say everything [he] wanted to say about the world, and still give readers a pacy, gripping narrative."

Bearing in mind the original duality of Jekyll and Hyde, however, Rankin's tales are not dominated by a contrast painted in black and white. While the villains Inspector Rebus faces are certainly every bit as evil as Stevenson's Mr. Hyde, Rebus himself is far from a clean-slated "good guy:" Divorced, cynical, hard-drinking and a former member of the SAS, he is a brother in spirit to every noir detective from Dashiell Hammett's Sam Spade and Raymond Chandler's Philip Marlowe to Michael Connelly's Harry Bosch, James Ellroy's squad of crooked cops and Peter Robinson's Alan Banks. Nor is Rebus's Edinburgh the touristy town of Calton Hill, castle and Summer Festival (although the series has meanwhile sparked real-life guided tours to its most famous locations, too) - as befitting a true detective of his ilk, Rankin's antihero moves primarily in the city's dark and dirty underbelly, which is populated by society's losers and where those who have "made it," those with money in their pockets, only show up if they have shady deals to conduct as well.

In a similar fashion to Michael Connelly's first Harry Bosch novel "The Black Echo," where Bosch is forced to revisit the experiences he made as a Vietnam "tunnel rat," in "Knots and Crosses" Rebus must uncover long-buried memories of his SAS past. For hunting a serial killer whom the tabloids quickly dub "The Edinburgh Strangler," and whose headline-gathering murders at first seem totally unrelated, Rebus eventually makes the connection between those crimes and a series of anonymous letters he receives, and realizes that it is he himself who is the killer's true target, and that the murderer's crimes are based on such a cruel scheme - and executed with such inhuman skill and precision - that only one particular man's thoroughly disturbed mind can have come up with them. And at the same time, Rebus is trying to work out his difficult relationship with his brother Michael, whose life is so different from his own - financially successful and ostensibly happily married and squeaky clean throughout, Michael seems to be on the sunny side of life in every respect labeled a failure in Rebus's own life story - but he soon discovers that even Michael has secrets he is trying hard to keep from coming to light.

The title of Rankin's second Rebus novel, "Hide and Seek," is an even more overt play on Robert Louis Stevenson's famous dual character(s) than the mere juxtaposition of cop and killer. This time, Rebus is on the hunt for the killer of a junkie whose half-naked body is found in a run-down, deserted building in the Pilmuir housing estates - the worst part of town, notwithstanding a nearby construction project involving high-priced luxury condominiums - positioned crucifixion-style and near a drawing possibly hinting at Satanic rituals. And Rebus's only witness seems to be the young woman who had been living with the dead man for the last three months and heard him yell "Hide!" before pushing her out of the door, telling her: "They've murdered me;" but who is now more than just a little reluctant to cooperate, taking refuge, instead, behind an almost unbreakable rebel-against-society-facade, complete with peroxide hair, stud earrings and Attitude with a capital "A."

"Tooth and Nail" finally (originally titled "Wolfman," for the alias that police have given the subject of their hunt) takes Rebus to London, where he is to assist metro CID with the case of another serial killer, this one named for the bite marks he leaves on his victims' bodies. Not overly enthusiastic about his mission to the capital (and thus mirroring once more the feelings of Rankin himself, who did not much like living there, either, and "brought Rebus to London so he could suffer, too"), Rebus soon alienates his metro counterpart by his constant unwillingness to follow protocol, although the two men get along reasonably well on a personal level. Eventually, Rebus so seriously jeopardizes his and - by extension - Edinburgh CID's reputation with the Met that he is about to be recalled home, when he finally makes the crucial connection that unmasks the killer, just in time to save the young psychologist who has offered her help with the case and who is his latest love interest. (As befits a good noir detective, Rebus has a new flame in every book, not without incurring fresh scars from each separation, however.)

While this series had a terrific start already in its first three novels, published between 1987 and 1992, Rebus's character - and Rankin's writing - has evolved significantly over time. Thus, it is probably wise to read it in the order of publication. Contrary to the novels he wrote under the pseudonym Jack Harvey, however, and which he views much more critically in hindsight, Ian Rankin overall still seems to be happy with his early Rebus books, commenting: "I can't read them without thinking back to my own early years, my apprenticeship as a crime writer. Read and enjoy." I have nothing to add to that ...

Also recommended:
Rebus - The St Leonard's Years
Rebus: The Lost Years (Let It Bleed / Black & Blue / The Hanging Garden)
Rebus: Capital Crimes (Dead Souls / Set in Darkness / The Falls)
Ian Rankin Inspector Rebus CD Collection: Resurrection Men, A Question of Blood, Fleshmarket Alley (Inspector Rebus) (Inspector Rebus)
Exit Music
Rebus's Scotland
Rebus
The Jack Harvey Novels
Rebus: The Complete Short Stories~Ian Rankin
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5.0 out of 5 stars Excellent work, June 17, 2011
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This review is from: Rebus: The Early Years (Knots & Crosses / Hide & Seek / Tooth & Nail) (Paperback)
I took a recommendation to read this author from a TV clip about him. I must say I was very impressed and am now a fan. These first three novels introduce the character and set up some background about him. Well constructed stories and excellent capture of Scottish dialects. Highly recommend to read.
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5.0 out of 5 stars great gift, June 7, 2011
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This review is from: Rebus: The Early Years (Knots & Crosses / Hide & Seek / Tooth & Nail) (Paperback)
I bought this as a gift for my mom as she read on of his later books but the library only carried the most recent years. She devoured the first book in two days. She is struggling with the last one (Tooth and Nail). Time to read someone else for a change. Great author
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4.0 out of 5 stars Rebus: The early years, June 5, 2011
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This review is from: Rebus: The Early Years (Knots & Crosses / Hide & Seek / Tooth & Nail) (Paperback)
I bought the early trilogy because the hard backs were out of print. The first three novels came in an easy to hold and read softcover edition.

The book was well worth the money. Knots and Crosses was the first read in the book. It was nicely written, taut, short and a good introduction for Detective Sargent Rebus.

The second book, Hide and Seek was long and not nearly as engaging as the first book.

Tooth and nail found a nice happy medium between books one and two. Well written; more polished.

The softcover edition can be purchased very reasonably, and presents a good value to detective story readers.

G.G.
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4.0 out of 5 stars Rebus is realistic, but........, February 20, 2011
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This review is from: Rebus: The Early Years (Knots & Crosses / Hide & Seek / Tooth & Nail) (Paperback)
..although I have to commend Ian Rankin for a wonderfully-developed and complex character, his protagonist, Rebus, nontheless seems to have settled into the wrong line of work. There's no denying that it is a tough line of work, yet there is at least the possibility that a top-of-class graduate of the famously hard-bitten SAS unit of the British military would be easily a match for this calling. What Rebus displays, on the contrary, is squeamishness, quirkiness, and what might pass as fear in many situations. Perhaps I am somewhat unused to the modern hero, but, as an American and a consumer (primarily) of military histories, I came away a little wary of an individual who displays such varying degrees of capacity to handle different situations.

That consideration aside, I believe the author has hit on a very believable and exciting theme and his reluctant hero, although not up to the standards of, say Fleming's Bond, seems to be a sympathetic character and therefore very enjoyable. Rankin seems to have a jeweler's eye for scene-description and dialogue, so any "adjustments" which need to made are wholly on my part. I do recommend this series.
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0 of 1 people found the following review helpful:
3.0 out of 5 stars My expectations might have been too high for such a bargain., September 15, 2011
Amazon Verified Purchase(What's this?)
This review is from: Rebus: The Early Years (Knots & Crosses / Hide & Seek / Tooth & Nail) (Paperback)
I'll admit my expectations might have been a bit high for a book I got so inexpensively, but past expereinces had been much better. The book I recevied is certainly readable, but it is water-stained and more than a little worn -- not the condition I expected from the seller's description. I would encourage the seller to be a bit more precise in descriptions of individual books. All that being said: I'll enjoy reading it, but I'll likely not proudly put on my shelf. However, since it was such a bargain, that might not have been a realstic expectation. I will say the book was shipped quickly, and arrived before expected -- always a plus. As such, I would probably try the seller again if the occasion presented itself.
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