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The Record Shelf Guide to Classical CDs and Audiocassettes: Fifth Revised and Expanded Edition (Insider's Guide to Classical Recordings)
 
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The Record Shelf Guide to Classical CDs and Audiocassettes: Fifth Revised and Expanded Edition (Insider's Guide to Classical Recordings) [Paperback]

Jim Svejda (Author)
4.7 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

Insider's Guide to Classical Recordings August 30, 1996
Jim Svejda has done it again! In this fully revised and expanded edition of The Record Shelf Guide to Classical CDs and Audiocassettes, the irreverent and opinionated author guides readers to more of the best in classical music.
Host of the long-running American Public Radio show The Record Shelf, Svejda has assembled this comprehensive guide alphabetically by composer. Meant to be used as a reference manual, Svejdaa concentrates mainly on what he feels is the classical music people actually listen to most.In his opinion, this consists of music produced from the middle of the eighteenth century to roughly the middle of the twentieth.This book is filled with Svejda's own brand of unusual, acerbic comments and sugary prose. It includes feisty reviews such as ". . . Pachelbel was a third-rate baroque non-entity who occasional rose to the level of second-rate in some of his organ music." And praise of favorites such as Fritz Kreisler, ". . . one of the greatest violins in history whose recordings of Beethoven, Brahms, and Mendelssohn concertos remain unsurpassed in their Romantic daring and philosophical depth . . ."About the Author:
Jim Svejda
hosts the popular weekly American Public Radio show The Record Shelf, as well as the CBS Radio program On Film. In addition to his radio programs, he is the station manager for KUSC in Los Angeles.


Editorial Reviews

Amazon.com Review

If you're interested in building or maintaining a classical music recording library, want advice on what to buy, and like the format of your recommendations to be on the breezy side, this may be your book. Jim Svejda's picks are sound ones, although he tends to favor older recordings over newer ones and leaves out some outstanding efforts in the process. Still, he gives you the straight scoop as he hears it, and he hears it pretty well.

Review

"The best, most searching and fascinating reiew of music around." — Dudley Moore

Product Details

  • Paperback: 880 pages
  • Publisher: Prima Lifestyles; 5 Rev Sub edition (August 30, 1996)
  • Language: English
  • ISBN-10: 0761505911
  • ISBN-13: 978-0761505914
  • Product Dimensions: 8.9 x 6 x 2.3 inches
  • Shipping Weight: 2.8 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #518,965 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.7 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

12 of 12 people found the following review helpful:
5.0 out of 5 stars Hilariously fun and educational experience, June 27, 1999
By A Customer
This review is from: The Record Shelf Guide to Classical CDs and Audiocassettes: Fifth Revised and Expanded Edition (Insider's Guide to Classical Recordings) (Paperback)
How many classical music afficionados do you know with a sense of humor, and a willingness to use it even in regard to the music they love? In all of my years of studying music I have come across only one (and he's not an academic) : Jim Svejda, one of the funniest men to ever write about music. For his incredible humor alone this book is easily recommendable enough. Where the problem starts for me is in Svekda's personal tastes -- they are quite conservative. How ironic that such an iconoclastic and irreverent guy can be so orthodox in his tastes in music, but then again that is part of the charm I guess that makes him so inimitable; you never can predict him, and if you try you are inevitably wrong! That is how I found the experience anyway due to the paradox that Svejda represents. Case in point: despite loathing just about every bit of modern music he comes across, he praises almost everything Schoenberg ever did. If there is one point of contention I would have with The Record Shelf it would be this phobia of modern music. Missing from the book are names like Cowell, Crumb, Riley, Partch, Reich, and scads of others who I had hoped would receive at least a passing remark given the book's 800-page length. It wasn't that he was required to like it - a guy as outspoken as this could easily tell us why these composers don't deserve recognition. Even Ligeti is left out, at the expense of scores of people of whom I have never heard. But Svejda's objective here, was to present music that one is likely to HEAR; not necessarily names that one is likely to know. So you can expect to find out about some composers you don't know, but ought to try. In addition, he does not take the stance so common in academic circles, whereby innovation is the only prerequisite for quality. So for example, composers such as Roy Harris, or John Field -- who get little more than an obstinate grunt of arrogant and self-satisfied disapproval from all the professors I have ever met -- get good remarks for the engaging elements of their music overlooked by scholars. I marvel at the man's super-human ability to actually remember so much data about so many recordings, performers, composers; anecdotes about performances, conductors, and yet still have enough brain matter leftover to make references to literature and more. He must have a photographic memory. I have almost nothing in common with Svejda on a musical level, and yet still every page is a revelation of some sort or another. Absolutely recommended to anyone except those afraid to enjoy themselves.
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6 of 6 people found the following review helpful:
3.0 out of 5 stars Outdated 1996 version still useful, March 23, 2005
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This review is from: The Record Shelf Guide to Classical CDs and Audiocassettes: Fifth Revised and Expanded Edition (Insider's Guide to Classical Recordings) (Paperback)
While what music-critic Jim Svejda writes is informative, funny and interesting, the survery of available recordings in this 1996 is limited and misses the last decade of newer recordings, reissues and compilations. But it will cost you a bundle more to have the latest edition. However, this is the type of guide that "distills" the more legendary recordings from the pack - at least in terms of Svejda's viewpoint - so is loaded with tons of experience. Generally, such a guide is not recommended as one's primary source of review/opinion but more as a second or third source. For this it is helpful and certainly entertaining given his often irreverant tone (unlike Penguin Guide's overly-prim-and-proper tone). His descriptions of the major works are interesting too. While the most comprehensive guide is Penguin and my favorite other source is "The Third Ear Essential Listening Companion for Classical Music, " Jim Svejda offers a fresh, highly opinionated perspective that often gives new insights the other guides did not.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars The best guide to the best classical recordings, July 19, 1998
By 
Jeffery L. Smith "Jeffery Smith" (New Orleans, LA United States) - See all my reviews
(REAL NAME)   
This review is from: The Record Shelf Guide to Classical CDs and Audiocassettes: Fifth Revised and Expanded Edition (Insider's Guide to Classical Recordings) (Paperback)
Of all reviews of classical music, I trust only the American Record Guide (a periodical) and this book. The author has a wry wit and a wonderful feel for what is and isn't good. Face it; there are many pieces of classical music (particularly 20th century) that just sound bad. Svejda essentially says "don't let anyone tell you that this sounds good...it doesn't", and he's right. Perhaps his tastes are mine are alike. It's uncanny just how much they are alike, so I attribute it to telling it like it is.
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