Recorder Player's Handbook [Paperback]

Hans-Martin Linde (Author), James C. Haden (Translator)

Book Description

ISBN-10: 0930448111 | ISBN-13: 978-0930448110 | Publication Date: June 1974

The Recorder Player's Handbook is a comprehensive survey of the instrument, its history and its music and deals extensively with the following subjects: The instrument: its design, structure and mechanics with detailed information on historical models and materials; advice on the choice and care of the instrument * Playing the recorder: advice on breathing, tone production, fingering and articulation; practice and performance * Recorder music and its performance: a survey of recorder music from the early Middle Ages to the Baroque period, and with a valuable consideration of the recorder in the twentieth century.

--This text refers to the Sheet music edition.

Product Details

• Paperback
• Publisher: European Amer Music Dist Corp (June 1974)
• Language: English
• ISBN-10: 0930448111
• ISBN-13: 978-0930448110
• Product Dimensions: 9.5 x 6.8 x 0.5 inches
• Shipping Weight: 12 ounces
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #1,605,126 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars A very thorough reference work on the recorder, April 14, 2000

By A Customer

This review is from: Recorder Player's Handbook (Paperback)

This book is a classic recorder reference. It was originally published in 1962. Be forewarned - this book is targeted to a musically sophisticated reader. The book begins with a section on the mechanics of sound production with the recorder; and offers suggestions on selection and care of an instrument. This is followed by the weakest part of the book; a somewhat unsatisfactory covering of recorder technique. Much of what is explained in this section is quite basic; despite that, it is rather confusing and hard to follow. This is followed by a truly excellent and complete discussion of the history of the recorder, and its place in music. This is divided into two sections: recorder practice and stylistic problems prior to 1600, and practice and problems 1600-1750. These sections cover such topics as articulation, ornamentation, notation, tempo and rhythm, and place the recorder in context with composers of the era. The text occasionally awkward, reflecting difficulties in translation from the original German; and the bibliography is quite out of date.