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Recovery

July 26, 2013 | Format: MP3

$8.99
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Song Title
Time
Popularity Prime  
30
1
4:36
30
2
3:32
30
3
7:23
30
4
6:10
30
5
3:40
30
6
5:13
30
7
4:09
30
8
4:45
30
9
6:07
30
10
3:11
30
11
7:31
30
12
5:26
30
13
3:41
30
14
5:17
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Product Details

  • Original Release Date: July 26, 2013
  • Release Date: July 26, 2013
  • Label: Subterrane Records
  • Copyright: 2013 Subterrane Records
  • Total Length: 1:10:41
  • Genres:
  • ASIN: B00E6LI5QU
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #62,396 Paid in Albums (See Top 100 Paid in Albums)

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Most Helpful Customer Reviews

1 of 1 people found the following review helpful By Gjotwo on September 25, 2013
Format: MP3 Music Verified Purchase
These are not just covers. These songs are re-rooted and become relevant again. Great for parties, gym or anything physical. If you like this buy Creep (cosmic Dan remix)
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2 of 3 people found the following review helpful By bascule on September 16, 2013
Format: MP3 Music
Parralox has done some covers in the past (such as Depeche Mode's Enjoy the Silence) which were faithful imitations of the originals. This album, packed back-to-back with covers, goes beyond that, taking hits from some synthesizer-heavy artists (and some who aren't) and turning up the electro knob on them. The results often sound rather different from the originals, with a poppier, electro-fied sound that some (at least one other reviewer ;) will probably hate, but I for one think is pretty awesome.

One of the most surprising tracks on the album is the first: a cover of Alan Parsons Eye in the Sky. Alan Parsons is not exactly high on the list of songs I would've guessed John von Ahlen covering, but he pulls it off spectacularly. Gone are the guitars, replaced with an all-synthesizer backing track, and a pretty awesome one at that. Most of the other tracks on the album, like Pet Shop Boys - In The Night, Front 242 - Headhunter, and Madonna - Physical Attraction are less of a surprise to see covered by Parralox, and all of them have an electro-fied four-to-the-floor beat that makes you want to get out there and dance.

It was pretty interesting to see what a diverse range of music he chose to cover, and given how much I enjoy all of the people/groups covered, this is an album I definitely enjoy.

I've been doing a few back-to-back listenings of this album so far, and I think that might continue for awhile.
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