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  • Red 30th Anniversary Edition Remastered
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Red 30th Anniversary Edition Remastered


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Audio CD, November 22, 2004
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"King Crimson is, as always, more a way of doing things. When there is nothing to be done, nothing is done: Crimson disappears. When there is music to be played, Crimson reappears. If all of life were this simple". Robert Fripp

King Crimson was conceived in November 1968 and born on January 13th 1969 in the Fulham Palace Cafe, London (Fripp/Ian McDonald/Greg Lake/Michael ... Read more in Amazon's King Crimson Store

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Frequently Bought Together

Red 30th Anniversary Edition Remastered + Larks' Tongues in Aspic, 40th Anniversary Edition + In the Court of the Crimson King
Price for all three: $46.86

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Product Details

  • Audio CD (November 22, 2004)
  • Number of Discs: 1
  • Label: Discipline Us
  • ASIN: B00065MDSQ
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (246 customer reviews)
  • Amazon Best Sellers Rank: #4,051 in Music (See Top 100 in Music)

1. Red
2. Fallen Angel
3. One More Red Nightmare
4. Providence
5. Starless

Editorial Reviews

Reissue of 1974 album by the legendary British prog group. Five tracks, including 'Starless'. Discipline. 2005.

Customer Reviews

Red is a King Crimson masterpiece!
Aaron Hardesty
The opening track `Red' is one of KC's finest to date, it chugs and churns its way through fierce guitar riffs, changes in tempo, melody...just a great powerful track.
Tom Chase
I'm willing to bet that after listening to one of the songs from the album you want to buy all their CDs.
Eugenebrand

Most Helpful Customer Reviews

106 of 111 people found the following review helpful By Michael Stack VINE VOICE on November 4, 2005
Format: Audio CD
"Red", in many ways, is the definitive King Crimson album and statement, the song itself as much as the album. The closing statement by the '70s Crimson, "Red", came after much struggle and turmoil within the band, and the recording sessions would be the straw that broke the camel's back-- the band, by this point consisting only of Robert Fripp (guitar, mellotron), John Wetton (bass, vocals), and Bill Bruford (percussion), further augmented by another melody player on most tracks, fell apart compeletely.

The album opens on a dark note-- the title track, an instrumental masterpiece composed by Fripp and generally regarded as one of the great statements of the band, lives up its reputation. Powerful, dark, and with a haunting bridge, it grabs hold and pulls the listener with it. Unlike previous Crimson albums, when the mood evolved, a state of darkness remains on this one-- "Fallen Angel", alternating between ballad form verses (featuring some totally stunning guitar work from Fripp) melts into a dark chorus (featuring a riff Fripp first tossed around in an improv when this band first came together) where several layers of guitars are added together with a positively haunting cornet solo by Mark Charig on top of all of it. The piece shows how far this band has come-- the musicians are pretty much psychic in their playing, and Wetton's vocal resonates a condidence he's never displayed.

Speaking of confident delivery, on "One More Red Nightmare", Wetton sings the piece, which runs at a breakneck pace, flawlessly. One of my complaints on the previous record was that his vocal sounded rushed, here again completely self-assured, there's no rushing. The piece also features jaw-dropping drumming from Bill Bruford and a monster sax solo courtesy of former band member Ian McDonald.
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79 of 84 people found the following review helpful By A Customer on June 16, 1999
Format: Audio CD
So much could be said for this album in spite of these reviews and the many liner notes accompanying King Crimson box sets. Not only is this an excellent album that represents all that is Crimson, it might also be the last word that slammed the door shut on what was once the most maligned but certainly most intriguing genre of rock music in its storied history - progressive rock. Even though the term made Robert Fripp cringe, King Crimson was (from their lofty beginnings with "In the Court of the Crimson King" to their harsh excursions through "Larks ..." and "Starless ..." ) a progressive band, because hardly a single song followed the verse/chorus/verse/chorus/guitar solo/chorus/fade-out formula pervasive throughout what passes as popular music today. Each Crimson excursion explored beyond the boundaries most bands feared to cross. While some fared not as well ("Formentera Lady"), most succeeded (esp. "Larks Tongues in Aspic, Part II").
Red, once thought to be the end of the band after the top of Robert Fripp's head blew off (read said liner notes!), revealed a troubled mind (Fripp) in conflict with the music business, his own muses and his ambitious bandmates John Wetton and Bill Bruford. Wetton's vocals developed with such conviction and delivery - his bass fretwork fast and heavy (second to only Chris Squire at the time); and lest anyone might still have been questioning Bruford's startling decision to leave Yes at their peak, Bruford, with drumming agile, intricate and heavy, emerged with such force and abandon (to make up for the departed Jamie Muir) that John Bonham and Keith Moon must have returned to the drawing board.
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37 of 38 people found the following review helpful By Stuart Southerland on October 24, 2009
Format: Audio CD
I will focus on the 5.1 surround mix, because to me, that is the reason to purchase this set. I first listened to the MLP lossless version on a NAD t585 universal player with B&W CM series speakers. The sound was fantastic. Steven Wilson, who did the surround mix, understands surround as well as or better than just about anyone, and he deliberately put King Crimson "in the room" with the listener. There are different ways to go about a surround mix; in this case, Mr. Wilson chose not to attempt to recreate a "live" feel which would place the listener in the audience. With Red in 5.1, you feel as though you are right there - on stage or in the studio.

The music surrounds you, but the mix is not too gimmicky. To me, it is a perfect balance of restraint and creativity. Some songs benefit more from surround than others; I thought that the "in your face" power of "Red" was perhaps the least interesting (as a surround experience). "Starless" was a different matter. I've listened to it several times in each format, and the 5.1 MLP lossless is a revelation. The clarity of the bass and John Wetton's voice in 5.1 lossless was wonderful. Once again, the mix benefits from Steve Wilson's experience; Wetton's voice is in the center-left channel rather than floating in the center, as is common in other surround mixes. Too me, this is a more natural choice.

I mentioned my equipment because I think that it makes a difference in the listening experience. Obviously, if you do not have a DVD-Audio player, you will have to listen to the DTS surround version. I was impressed with the DTS sound as well. I prefer the MLP lossless, but if I did not have the ability to directly compare, I am sure that I would have been quite satisfied with the DTS version. There is no Dolby Digital surround mix.
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King Crimson Red to be released in 5.1 surround, March 2009
I can't believe nobody's responded to this yet!
This is the greatest news of the year, and I thank you for relaying it!
Apr 16, 2009 by Brooks Smith |  See all 5 posts
King Crimson Red CD/DVD-Audio
Awesome. I preordered my DVDA (mixed by the totally awesome Steve Wilson of PT)!!
Jul 21, 2009 by Mark Montoya |  See all 6 posts
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