Red Clay

Freddie Hubbard | Format: MP3 Download

Product Details

• Original Release Date: June 18, 2002
• Label: Epic/Legacy
• Copyright: Originally Recorded 1970 & Released 2002, Originally Released 1970 Sony Music Entertainment Inc.
• Total Length: 1:08:10
• Genres:
• ASIN: B00138J62Q
• Average Customer Review: 4.8 out of 5 stars  See all reviews (29 customer reviews)

Customer Reviews

Most Helpful Customer Reviews

58 of 60 people found the following review helpful:

5.0 out of 5 stars Probably his best form the 70s and beyond, December 22, 2002

By 

MurrayTheCat (upstate New York) - See all my reviews

This review is from: Red Clay (Audio CD)

This was recorded in January of 1970. Many jazz musicians had been feeling the pressures of rock's popularity. Freddie Hubbard had occasionally experimented as early as 1966 with rock (or soul) rhythms. "Red Clay" was his first album for CTI, but it's not like his other, rock-oriented output for the label. The title cut is the only original-album tune with a rock beat. But even then, Lenny White contributes interesting stuff with quality, real-jazz interaction. Other than the organ on "Delphia," a 6/8-swing tune, Herbie Hancock plays electric piano throughout. Joe Henderson stays more in the background on those first two cuts, but the band stretches out and swings wonderfully on "Suite Sioux" and "The Intrepid Fox." Joe's solos--as usual--balance perfectly between "in" and "out." Freddie soars in typical fashion; often, it's of the can't-believe-yer-ears nature.

This music--largely because of Herbie's light touch--has an airy lilt to it: a fresh, liberated feel. The electric piano (that classic Rhodes sound) is part of it, as is Ron Carter's heady, understated bass. "Cold Turkey" (a bonus cut) gets an imaginative, and yes, groovy treatment. It's hard to sit still to it. Another bonus cut, an alternate take of "Red Clay," is added this time around, but if you already own the previous CD incarnation, I don't think you need to buy this--unless you strive for completeness. Great music, folks. This wonderful album gets my unqualified recommendation, and should please both hard-core jazz fans and those who just dabble in it.
Cheers,
Murray

11 of 11 people found the following review helpful:

5.0 out of 5 stars No Feet Of Clay Here, August 17, 2007

By 

Thomas Magnum (NJ, USA) - See all my reviews
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This review is from: Red Clay (Audio CD)

Freddie Hubbard's Red Clay starts off arguably the finest stretch of trumpeter's career. The album hints at jazz-rock fusion that would take over the 1970's, but still is strongly rooted in hard bop. The title track is a beautiful piece of music with Mr. Hubbard and saxophonist Joe Henderson perfectly melding their instruments together over the top of a slithering electric piano riff from Herbie Hancock. "The Intrepid Fox" is another classic with Mr. Hancock driving the song with some superb piano work and drummer Lenny White providing a sturdy backbeat. There is also a strong funk sound throughout the album and that is a sound Mr. Hubbard would move more towards as the decade progressed.

21 of 24 people found the following review helpful:

5.0 out of 5 stars "Red Clay" Is Red Hot., August 9, 2005

By 

The Groove (Boston, MA) - See all my reviews

This review is from: Red Clay (Audio CD)

Some records epitomize cool, while others help define it. "Red Clay" falls into both categories, but more so the latter. Freddie Hubbard's 1970 recording for CTI records is an incredible melange of progressive jazz, old-school soul, and a dash of blues. Like many of his peers, Hubbard's taste leaned more towards raw funk, and he adopted a "fusion" sound that was apparently very popular in that era. Although the music and production here somewhat reveals its era, it's still very much fresh and relevant. Freddie bursts into a passionate solo at the opening of the title track, before it develops into a smooth and confident instrumental, replete with a kickin' bassline from Ron Carter, and a keyboard solo from Herbie Hancock. "Suite Sioux" is a more traditional bop piece that has Hubbard and saxophonist Joe Henderson in solid form, and we also get a bold re-working of John Lennon's "Cold Turkey." But the disc's peak is saved for last: the bonus track which is an alternate version of the title cut. Performed live, this version is loose, less constructed, and more free-flowing than the original studio recording. For any lover of jazz with a progressive edge, "Red Clay" should be a no-brainer of a purchase.