Red Dirt Girl

Emmylou Harris | Format: Audio CD

Product Details

• Audio CD (September 12, 2000)
• Original Release Date: September 12, 2000
• Number of Discs: 1
• Label: Nonesuch
• ASIN: B00004WZOJ
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Music
• Average Customer Review: 4.1 out of 5 stars  See all reviews (209 customer reviews)
• Amazon Best Sellers Rank: #41,242 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Consider this Emmylou Harris's emancipation proclamation--an album that confirms that 1995's adventurously atmospheric Wrecking Ball wasn't an aberration, but a preview of more radical changes to come. Long the godmother of alternative-country's traditionalist wing, Harris here writes songs with Luscious Jackson's Jill Cunniff, sings a duet with Dave Matthews ("My Antonia"), and recruits Bruce Springsteen and Patti Scialfa to provide harmonies on the album's most compelling ballad ("Tragedy"). The production by Malcolm Burn applies sonic treatments of drum machines, shimmering guitars, and echoed vocals to a song cycle by Harris that is largely original and deeply personal, filled with dream imagery and evocations of a spiritual quest. While material such as "Michaelangelo" and "Bang the Drum Slowly" suffers from an arty ponderousness, it's doubtful that Harris has ever recorded an album that means more to her than this one. --Don McLeese

Product Description

No Description Available.
Genre: Country & Western
Media Format: Compact Disk
Rating:
Release Date: 12-SEP-2000

Most Helpful Customer Reviews

35 of 37 people found the following review helpful

5.0 out of 5 stars Arresting and Hypnotic September 13, 2000

By A Customer

Format:Audio CD

It's unfortunate that this is going to get stuck in the country section of the music store, because like it's predecesor "Wrecking Ball" (one of the few undisputed GREAT albums of the 90s), Emmy's new music is beyond any classifications. Is it rock? Is it folk? Is it tribal? Is it country? None of the above, but all at once, really.

After flexing her songwriting muscles again with "The Western Wall" album with Linda Ronstadt (a skill which had more or less remained dormant for over a decade), Emmylou manages to come up with 11 new songs of her own for this release, and they don't pale beside the great tunes she recorded on "Wrecking Ball." In fact, it makes it even more poignant that these words are coming FROM her rather than just THROUGH her like last time around, and on previous 90s outings.

While Daniel Lanois provided a rejuvination in Emmylou's creativity, he's absent her -- stuck somewhere in the studio with U2 far far away, a band that takes a notoriously long time to finish an album. His "Wrecking Ball" partner in crime, Malcolm Burn, takes over instead -- and pushes the sound they were going for last time even further. And while some complain that the Lanois sound is muddy or difficult to wade through, I say "Too bad for you!" Lanois has coaxed some of the best work out of artists as wide ranging as Peter Gabriel, Willie Nelson, Bob Dylan, U2, the Neville Brothers, Robbie Robertson and many others.

Burn, who participated on many of those artists albums, had a few of his own tricks as well. He seems to have learned quite a few things from Lanois and the latter's sometimes-partner Brian Eno. "Bang the Drum Slowly" features a beautiful Eno-esque soundscape.... "I Don't Want to Talk About it Now" is a mean wall-of-sound groove featuring looping polyrythms and telephone answering machines. Background vocals from Kate McGarrigle, Julie Miller, Bruce Springsteen and others are layered into the mix to make everything blend together into a harmonious blend rather than isolated parts. The results are magnificent.

The playing of Daryl Johnson, Ethan Johns and Burns is magificent, and accents from Buddy Miller and others only add to a rich mix.

While she might not be selling millions of records any more, I'm glad Emmylou Harris is being brave enough to make the music she wants to make, regardless of commercial appeal.

The only song on this album which could remotely work on radio is the closer "Boy from Tupelo," but even that one presents an audio challenge as the mix isn't quite a straightforward as conventional radio would like.

"Your last chance Texaco, your sweetheart of the rodeo, a Juliet to your Romeo, the border your cross into Mexico . . ." Emmy, you can be all those things to me. Read more ›

25 of 26 people found the following review helpful

5.0 out of 5 stars Emmylou does it again... October 6, 2000

By E. M. Carey

Format:Audio CD

I didn't think Emmylou could come up with another album as haunting and captivating as "Wrecking Ball." Of course, I was wrong. "Red Dirt Girl" shows Emmylou again at her best, with wonderful songs, melodies and lyrics that highlight her other-worldy voice. From the opening beats of 'The Pearl,' I was totally hooked. So much of the music is totally hers, very distinctly Emmylou. She does an intriguing cover of Patty Griffin's 'One Big Love' and makes it her own. There's also a terrific duet with Dave Matthews as well that is, as is so much of her music, hauntingly beautiful.

I used to say that I hated country music. Well, Emmylou was one of the first to reveal to me the depth and breadth of 'country' and she is now among my all-time favorites. And this is a remarkable album from a great artist, one that will appeal to anyone who simply likes good music. I highly recommend it to everyone, even those who think they don't like country - Emmylou's music defies all characterization except that it's wonderfully unique.

26 of 28 people found the following review helpful

5.0 out of 5 stars Poignant journey of the soul September 18, 2000

By Maudeen Wachsmith VINE™ VOICE

Format:Audio CD

Emmylou Harris's first solo CD in five years is a beautiful, thought-provoking and emotional CD. That said, it is certainly does her and her fans a disservice to call it "country." This CD while appealing to fans of "alternative country" might be better labeled, if you want to put a label on it at all, as "folk rock" appealing to those who like Sarah MacLachlan rather than those who like Faith Hill.

Emmylou wrote or co-wrote 11 of the 12 cuts on this CD and one can't help but think they are at least partially autobiographical. Particularly poignant is "Bang the Drum Slowly" which is about her father and includes the line, "were you deceived by the likes of me" suggesting perhaps that her father didn't exactly support her choice of careers or perhaps to her political views. With "My Baby Needs a Shepherd" she continues on her poignant journey of the soul. The arrangement of the duet with Dave Matthews, "My Antonia" is as good as any she's ever done. The background vocals of "The Boss" (Bruce Springsteen) on "Tragedy" add to its emotional message. Also enjoyable are the background vocals of the understated but oh so beautiful voice of Julie Miller on several of the cuts.

I love this CD and can't stop listening to it nearly a week after its release. In fact, I like it more and more with each listen. It's highly recommended by this long time (25+ years) Emmylou fan.

15 of 15 people found the following review helpful

5.0 out of 5 stars An absolutely stunning effort.... December 10, 2000

By paul g

Format:Audio CD

I write this review from the perspective of being a long term Emmylou fan, having bought much of her material on vinyl in the '70s (Elite Hotel, Blue Kentucky Girl, Last Date etc), and latterly having bought Wrecking Ball and the wonderful Spy Boy on CD. I also had the pleasure of seeing Emmylou in concert with the Hot Band in Auckland in the early '80s. Which brings me to "Red Dirt Girl". In a word - stunning. Has her voice ever sounded more pure and angelic than on Michelangelo? Have more poignant songs than the title track and Bang The Drum Slowly been written in recent times? This CD has many highlights, including the lovely New Orleans feel of J'ai Fait Tout, a real departure of style for her. Unlike some writers, I enjoy the production on this CD, which is, if anything, sparer than it was on Wrecking Ball. On my system, at least, the vocal sound is well separated and sitting over the top of most of the arrangements. I don't even mind the drumloops! A "must buy" for any fan of Emmylou and I only hope she tours again down this part of the world so I can enjoy her, Buddy Miller and the superb rhythm section in a live environment.