Red CD+DVD, Extra tracks, Original recording remastered, Special Edition
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The album opens on a dark note-- the title track, an instrumental masterpiece composed by Fripp and generally regarded as one of the great statements of the band, lives up its reputation. Powerful, dark, and with a haunting bridge, it grabs hold and pulls the listener with it. Unlike previous Crimson albums, when the mood evolved, a state of darkness remains on this one-- "Fallen Angel", alternating between ballad form verses (featuring some totally stunning guitar work from Fripp) melts into a dark chorus (featuring a riff Fripp first tossed around in an improv when this band first came together) where several layers of guitars are added together with a positively haunting cornet solo by Mark Charig on top of all of it. The piece shows how far this band has come-- the musicians are pretty much psychic in their playing, and Wetton's vocal resonates a condidence he's never displayed.
Speaking of confident delivery, on "One More Red Nightmare", Wetton sings the piece, which runs at a breakneck pace, flawlessly. One of my complaints on the previous record was that his vocal sounded rushed, here again completely self-assured, there's no rushing. The piece also features jaw-dropping drumming from Bill Bruford and a monster sax solo courtesy of former band member Ian McDonald.Read more ›
Red, once thought to be the end of the band after the top of Robert Fripp's head blew off (read said liner notes!), revealed a troubled mind (Fripp) in conflict with the music business, his own muses and his ambitious bandmates John Wetton and Bill Bruford. Wetton's vocals developed with such conviction and delivery - his bass fretwork fast and heavy (second to only Chris Squire at the time); and lest anyone might still have been questioning Bruford's startling decision to leave Yes at their peak, Bruford, with drumming agile, intricate and heavy, emerged with such force and abandon (to make up for the departed Jamie Muir) that John Bonham and Keith Moon must have returned to the drawing board.Read more ›
The KC lineup in 1974 is considered by many to be the finest progressive rock lineup to record and included Robert Fripp (electric and acoustic guitars; mellotron); John Wetton (bass and lead vocals); master drummer/percussionist Bill Bruford; along with David Cross (violin); Mel Collins (soprano saxophone); Ian McDonald (alto saxophone); Robin Miller (Oboe); and Marc Charig (cornet). I think it goes without saying that the guys in KC during the 1973-1974 timeframe were some of the finest musicians around. The ensemble work is simply out of this world, and Bill Bruford once again demonstrates how to properly use the drum kit. What is missing from this lineup are softer acoustic textures - this record seemed intent on blasting the VU needle all the way into the "Red". This is a good thing by the way.
The five pieces on Red range in length from 6'00" to 12'18". Musically, the pieces on Red present a thunderous wall of sound that is menacing and at times somewhat violent. Jagged and frantic guitar parts, heavily distorted bass parts, and wall shaking drumming dominate the album, with comparatively delicate woodwind parts scattered throughout. The ensemble work is unbelievable and the Bruford/Wetton rhythm section never ceases to amaze.Read more ›
Most Recent Customer Reviews
Crimson was, in many ways, a horse of a different color when compared with many of their progressive peers. Read morePublished 3 days ago by Joey Joe Joe Jr. Shabadoo
good album. good 5.1 mix. if you like king crimson and 5.1, it is one to getPublished 1 month ago by ...
Heard this Crimso' offering as a high school nymph when it was first released and fell in love with it forever. Read morePublished 2 months ago by Bill Rednight
My favorite KIng Crimson album which is saying a lot consider their impressive discography.Published 2 months ago by Tony
This was a birthday present for my boyfriend and he loves it. Great sound quality, great price, great album.Published 4 months ago by Amanda
Decent, but not the amazing bit of prog that it is made out to be by many folks.Published 4 months ago by RENJ
It is great, specially "Red", but then it's so familiar (as in, "it's Crimson"), that it left me some kind of underwhelm feeling. Maybe it's just me. Read morePublished 5 months ago by Carlos F. Santos
|Topic||From this Discussion|
|New 40th Anniversary Edition - DVD-A + CD||
I sure wish the Amazon info gave me a clue whether or not this is the CD/DVD-A pressing?? It is not clear. As a huge fan of both KC and SW, this is the greatest musical gift in years. I just HOPE it is the right one. Over the years, I've had RED on 2 vinyls, both Cd editions, and now this? I'm... Read More
Sep 1, 2009 by Thomas E. Stazer | See all 55 posts
|Something is wrong!||
I'm having the same problem...sending it back. The disk plays on the computer which makes me think that maybe the disk is PAL and not NTSC. Also, my version of Red is glitchy; Court is perfect.
Jan 14, 2010 by Nathan Shock | See all 4 posts
|Correction on audio for King Crimson Red||
According to the back of the Red packaging, the DTS 5.1 is also 48/24.
Sometimes when people see DTS 5.1, they may automatically think 96/24 (like the Genesis albums are).
So if you're all about high fidelity, note that King Crimson's Red album in 5.1 is 48/24 for both MLP Lossless and DTS, and... Read More
Oct 6, 2009 by BingoMosquito | See all 3 posts