While engaging a wide spectrum of Native American writing, Teuton focuses on three of the most canonized and, he contends, most misread novels of the era—N. Scott Momaday’s House Made of Dawn (1968), James Welch’s Winter in the Blood (1974), and Leslie Marmon Silko’s Ceremony (1977). Through his readings, he demonstrates the utility of tribal realism as an interpretive framework to explain social transformations in Indian Country during the Red Power era and today. Such transformations, Teuton maintains, were forged through a process of political awakening that grew from Indians’ rethought experience with tribal lands and oral traditions, the body and imprisonment, in literature and in life.
Sean Kicummah Teuton is Associate Professor of English and American Indian studies at the University of Wisconsin-Madison. He received his BA from the University of Colorado-Boulder in 1990 and his PhD from Cornell University in 2002. Since arriving at UW in 2001, he has taught Native American literature at every level, from graduate seminars to introductory lectures with over 300 students. He has published in multiple anthologies and journals including American Indian Quarterly, American Literary History, and Wicazo Sa. He is the author of Red Land, Red Power: Grounding Knowledge in the American Indian Novel (Duke 2008) and co-author of Reasoning Together: The Native Critics Collective (Oklahoma 2008). Recent publications include essays on New World travel, intellectual risk, and teaching Native American literature in the predominantly white classroom. Teuton's new book project, Cities of Refuge: American Indian Literary Internationalism, was awarded fellowships from the Woodrow Wilson Fellowship Foundation, the School of Advanced Research, and the UW-Madison Graduate School Research Competition. He is a member of the editorial board for American Literature and sits on the Coordinating Team and the Summer Institute Executive Committee for the Future of Minority Studies. Teuton is a citizen of the Cherokee Nation.
