Redneck Wonderland [Import]

Midnight Oil | Format: Audio CD

Product Details

• Audio CD (September 26, 2006)
• Number of Discs: 1
• Format: Import
• Label: Columbia
• ASIN: B00007JRD2
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 3.9 out of 5 stars  See all reviews (66 customer reviews)
• Amazon Best Sellers Rank: #900,596 in Music (See Top 100 in Music)

Track Listings

1. Redneck Wonderland

2. Concrete

3. Cemetery in My Mind

4. Comfortable Place on the Couch

5. Safety Chain Blues

6. Return to Sender

7. Blot

8. The Great Gibber Plain

9. Seeing Is Believing

10. White Skin Black Heart

11. What Goes On

12. Drop in the Ocean

Editorial Reviews

Amazon.com

Meet the new Oils, same as the old Oils. Well, sort of. On Redneck Wonderland, the Australian group's 12th long player, Peter Garrett & Co. conjure a brave new sound, employing heavy distortion, synths, and clanging metallic percussion to drive home their proclamations on race, ecology, and national policy. When rock & roll mixes with politics, the music often suffers, but the Oils have always been at their best when speaking directly from their hearts, as on "White Skin Black Heart," "What Goes On," and the title track. Certainly Aussie-centric screeds such as "The Great Gibber Plain" will have more resonance Down Under but, more often than not, the Oils speak plainly, pointedly, and with a sense of urgency missing from their music since their landmark albums Diesel and Dust and Blue Sky Mining. --Daniel Durchholz

Product Description

1998 album for Columbia by the veteran Australianalternative rock act. 12 tracks, including the singles'White Skin Black Heart', 'Cemetery In My Mind' and 'RedneckWonderland'. The album's sound is reminiscent of their 1983album '10,9,8,7,6,5,4,3,2,1'.

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

4.0 out of 5 stars Oils Bring Back The Rock!, June 11, 2007

By 

A.B. (Los Angeles, CA) - See all my reviews

This review is from: Redneck Wonderland (Audio CD)

I have read several of the reviews here and just had to comment on them. Those who like it seem to refer to it as a new direction for Midnight Oil that works. Those who don't like it complain that the melody is missing. It seems that these folks like the more acoustic/mellow sound of Midnight Oil ("Earth and Sun and Moon," "Diesel and Dust," "Blue Sky Mining," etc.).

I have been a Midnight Oil Fan since about '82, when "10. . .1" was released (their first US release). It was like nothing I'd ever heard. I found the music a bit disturbing, yet beautiful. By the time "Red Sails. . " was released I was in love with this band and excited to hear the more experimental sounds of "Red Sails in The Sunset" (What is that brass woodwind interlude all about?). Those two albums form the core of my love for this band. In the decades since that time, I have collected every album and EP the Oils have released, but those two remain the benchmark by which all others are judged (yes, I know that's a personal thing - music is subjective, after all).

When "Diesel and Dust" was released I was happy that the group had found success stateside and it gave me about a year of "I told you so. . ." conversations with friends who always wondered why I was so in love with this quirky Australian band. "D&D" is a great pop album and is an amazing achievement. It contains some of my favorite songs by the group (however, "Beds are Burning" ranks with my least favorite), but it was very commercial and I was a bit sad that my "secret band" was now being played all over the radio. But again, I was glad to see them reap the rewards of over a decade slugging it out in the underground (at least in the US).

The two albums after "Diesel and Dust" found the Oils softening their sound further. Even the rockers featured thin guitar sounds (hear "Blue Sky Mine") with too much chorus and not enough "balls." Great songs, with wimpy, sterile execution. Not bad, but certainly not the rock I'd come to love on the first two albums I'd heard by these guys. And the weirdness had all but vanished by the time "Earth and Sun and Moon" was released.

I recently viewed their video compilation DVD and watched the videos in chronological order. This really gave me a sense of how the band progressed from a scrappy Aussie surf/bar band to a skilled, powerful, experimental political band to a commercial arena rock band with a message ("the Australian U2"). From the first videos where Peter Garret dances around like a madman to the later ones where he's riding on the back of a jeep and the entire band is outfitted in dated 80s-wear, I really got a sense of how they had changed both musically and physically.

It reminded me of why I started to lose interest around the time of "Blue Sky Mining," was disappointed by "Earth and Sun. . ." and didn't even bother to purchase "Breathe" until about a year or two after it was released. These guys had peaked and I could feel the decline. The question was how long would they stick it out.

I got a promo copy of "Redneck Wonderland," just prior to its release. I still listened to their earlier work on a regular basis and was curious to see if this one would be yet another trek into the mellow acoustic sound they'd grown into, but didn't work for me.

I was happily surprised to see that this album was not more of the same. It harkened back to the sound that made me fall in love with them in the first place. The guitars were heavy and raw. Peter Garrett was angry. In fact, the whole band sounded pissed off.

In addition, they brought back a lot of foreign sounds - noises that were a bit uncomfortable, but somehow made sense.

I've always thought that Midnight Oil recognized how they had lost their way and that this album was their attempt to get back to their roots. To me it's the hardest (rock) album they had released since "Red Sails. . ." It is rare for a band that has been around for over 20 years (as the Oils had been at the time this was released) to release something this energetic, raw and "new" sounding - especially following their less challenging output from the late-80s through the mid-90s.

Obviously, I am a big fan of this band. But if your experience with their music is similar to what I have described above, you may want to pick this up. If you're a fan of their softer side, (e.g. turn it up every time "Beds Are Burning," comes on the retro station) then perhaps you should stay away from this one.

Those who call this album garbage either love the mellower side or must not be too familiar with their earlier work (or perhaps we just hear this one differently), because the early stuff is a bit awkward, disturbing and difficult. And that's when I like them best.

Unfortunately, they released "Capricornia" after this, which might as well have been called "Earth and Sun and Moon Part 2." But for a moment, they awoke and created one last rocker that is the quite enjoyable "Redneck Wonderland."

4 of 4 people found the following review helpful:

4.0 out of 5 stars I hope this doesn't represent the Oils' last album, June 14, 2000

By 

Doc Sarvis - See all my reviews

This review is from: Redneck Wonderland (Audio CD)

I'm a longtime Oils fan; I believe I own everything they ever released, even the EPs. I saw them once in concert, and they'd be tops on my list of bands to see again if I ever got the chance.

When this album was released, it took me a while to get used to the new sound...it's different from anything the Oils have ever done (and anything else in your collection for that matter). The groove is metallic and incisive, updating the political intensity of their best music to a new set of listeners. It's impossible to ignore the anger of this album, obviously reflecting the Oils' disgust at the direction of Australian politics at the time. But above all, the music rocks...turn it up to eleven and see if your system survives!

My greatest concern is that this will represent the Oils' last effort...I hope I'm wrong. The last decade has seen them grow more and more disaffected with the music industry in general; I believe that "Breathe" was an intentional slap at Sony face, designed to give the label exactly what it didn't want...a low key collection of garage band tunes...when Sony was looking for another "Diesel and Dust" (the best part, though, is that "Breathe" is actually a very effective - though noncommercial - album). I think that "Redneck Wonderland" ends their recording commitment, and they may be tempted to surf off into the sunset. I hope not.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Challenging, edgy, tech music speaks from the heart..., January 24, 2000

By 

jEREMIAj (madison, wi United States) - See all my reviews

This review is from: Redneck Wonderland (Audio CD)

With Redneck Wonderland Midnight Oil have pushed the sounds and tweaked the knobs to update their sound. It works on every song. They sing of concrete and technology, as always, but this time they are using more technology to attain new guitar sounds, more interesting keyboards, fuzzed bass, and even weird vocal effects. The Oils have always talked of how technology takes us away from nature and our humanness but the technology employed here only adds to the human urgency. The first song employs an 'airy-drive' to it. 'Concrete' employs some interesting arrangements. 'Cemetery' really does get close to my heart. 'Comfortable' may be the only song that took me a bit to get into. All of the other songs are right on with the lyrics and the edgy-tech music. Over the entire album the Oils stay close to enviro-concerns and music that pushes and evolves, all the while retaining the MO sound. Excellent and Challening!