This collection of multi-authored essays not only refashions and revises critical understandings of the early modern dramatist Ben Jonson and his canon of work, but is also self-reflexive about the process. It includes original essays by both established and emergent Jonson scholars, and employs materialist, feminist, and queer theory in the production of its readings of Jonsonian playtexts and masques, familiar and otherwise. It is intended to encourage new approaches by students to this central figure from the Renaissance.
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About the Author
Julie Sanders is Lecturer in English at the University of Keele. Kate Chedgzoy and Susan Wiseman are both Lecturers in the Department of English and Comparative Literary Studies at the University of Warwick.
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