8 of 10 people found the following review helpful:
5.0 out of 5 stars
Excellent, November 29, 2007
This review is from: Refresh, Refresh: Stories (Paperback)
Benjamin Percy possesses a narrative voice that can only be described as hard, imaginative and haunting. At least two of the stories in this collection are good enough to be among the greatest short stories I've ever read. I highly recommend this book, especially for those who enjoy a very masculine voice that relies heavily on imagery and metaphor and for those who enjoy authors like Cormac McCarthy and Phil LaMarche, who have similar styles.
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6 of 8 people found the following review helpful:
5.0 out of 5 stars
Fasten your seatbelts, June 15, 2008
This review is from: Refresh, Refresh: Stories (Paperback)
"Refresh, Refresh" is rock'n'roll in form of short stories. It is an instant page-turner and you will be re-reading the stories more than once. The only other authors which gave me the same buzz were Stephen King, Ray Bradbury and Raymond Chandler. Percy's language is brutally honest and polished, two qualities that are hard to come by in the space needed to deliver a short story. Don't forget to get "Language of Elk" along with "Refresh, Refresh."
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Tumalo: Where Masculine and Vulnerable Collide, October 9, 2011
This review is from: Refresh, Refresh: Stories (Paperback)
Tumalo, Oregon is the American frontier of today- far different than the John Wayne, plus sized machismo, and tobacco-spitting Wild West of black and white cowboy movies.
Tumalo has many textures. Good and evil don't fight each other in horseback showdowns; they are confusedly linked like a jelly fish's tentacles. Pain and loss live on the surface of daily life.
Percy's Tumalo is firstly a masculine world. A world of omnipresent blood, of knuckle-tearing and sledgehammer-swinging factory work, snot and dirt-filled backyard brawls, Budweiser's consumed in front of nightly Wheel of Fortune episodes, and piles of animal bones.
This western and resourceful frontier brawniness, in all its masculinity, however, never ceases being real.
The turbocharged, big chested, Papa Hemingway manliness serves to merely color the inescapable pains and joy's of everyday life: a father at war, a wife's miscarriage, a father tormented with watching his daughter suffer through a destructive relationship.
The brawny, unshaven gruff, the stand-up freezers of hanging deer carcasses, the vultures, hunting dogs, and pools of deep red blood wouldn't work, just wouldn't work without the counterposed textures of human vulnerability and tenderness: the struggling marriage, an aging man feeling his mortality, a tyrannical and abusive husband, and father and son whom cannot find the words to pierce the silence of a car ride down a quiet country road.
The vulnerability and masculinity in "Refresh, Refresh" interplay in a polyphonic, brilliant way that is above all- authentic. These stories from Benjamin Percy represent life lived honestly, if not perfectly, and in unwavering recognition of the human struggles that befall, in some form, us all.
Take the interior, emotional world of the protagonist in "The Meltdown". It is a sculpture in high relief, set against the backdrop of a nuclear and Chernobyl-like exterior landscape.
This grim setting along with the "numbness" of the Iraqi war veteran protagonist play off each other in a powerful way. The pure desolation of the radiation-filled landscape only draws the reader further and more immediately into the interior world of the story's main character.
Percy, with prose that is as modern and authentically American as the new frontier world he evokes, as hardscrabble and raw as the landscape of Tumalo, and as resourceful and optimistic as the town's most praiseworthy inhabitants, has created a collection of stories not to be overlooked.
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