From Publishers Weekly
In Willis's second novel (after Some Things That Stay), theater director Will Bartlett has invited the actors in his resident theater company to his family's small upstate New York farm, before the opening of their summer production of Steinbeck's Of Mice and Men. It's 1971, resident companies are struggling financially and the theater is changing artistically under the influence of new ideas like Artaud's Theatre of Cruelty. In his late 50s, Will is not avant-garde enough for nude rehearsals, but he does want to try something new. So he asks his cast to "live" their characters while offstage as well as on. The pressures created by this effort, together with the strains imposed by communal life in a small house and decrepit barn, exacerbate problems in the Bartlett family. Will's wife, Myra, a musical comedy actress who retired after a severe bout of stage fright that followed marriage and motherhood, is reexamining her life, while his daughter, Beth, is maneuvering to get her first role. The addition of the sexual and professional tensions that inevitably plague actors adds fuel to the fire. The present-tense narrative creates a sense of urgency, but the potentially combustible ingredients don't come together to create an explosion; the few sparks struck ultimately fizzle. Although dramatically unsatisfying, this is true to life, as are the portrayals of Will and the various members of his personal and professional families, especially the angry and confused 16-year old Beth.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Director Will Bartlett, 60 and irresistibly charismatic, has a great idea. He invites his small Pittsburgh theater company to spend a month at his country place near Lake Chautauqua, where the troupe is scheduled to perform Of Mice and Men later in the summer. The members will immerse themselves in the characters they play, actually becoming them while rehearsing and living on the farm. Unfortunately, Will's family is less than thrilled. The much younger Myra, a thwarted actress, is falling out of love with her oblivious husband and into love with his best friend, Ben, who plays Lenny. The Bartletts' hormonally furious 16-year-old daughter, Beth, is planning to poison her mother. Eight-year-old Mac, sweet, overlooked, and fearful of mostly everything, seeks non-Bartlett nurturing. The actors get into the adventure until the Bartlett family starts seriously unraveling, hurtling everyone toward disaster. Willis, author of the award-winning Some Things That Stay, has nailed the various quirks of the acting world quirks that mightily exacerbate the relationship insecurities of people who spend a great deal of time pretending to be what they are not. A brief refresher of the Steinbeck masterpiece will add to the pleasure of Willis's offbeat tale. Recommended for most public libraries. Beth E. Andersen, Ann Arbor District Lib., MI
Copyright 2001 Reed Business Information, Inc.