Customer Reviews

Rehearsal from Shakespeare to Sheridan

5 star:		(3)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

Tiffany Stern's groundbreaking book will revolutionise your view of Shakespeare in a fascinating discussion of day to day life in the theatre. Read how actors had copies only of their own parts - many didn't know the story of the whole play until performance. Learn about ad libbing clowns and heroines who fall in love, literally, on cue. The Shakespearean sections combine ingenious archival research (from coal bills to prompt books) with sensitive textual analysis. The Restoration and seventeenth century sections are alive with comic anecdote and original insight, not to mention Garrick's mechanical wig. This book will change your perceptions of drama in the past, but will also raise questions about theatrical practice today. Invaluable to all who love the theatre.

An important part of appreciating (and teaching) plays from the Renaissance period involves understanding the relationship between the poet and the acting company, and the extent to which rehearsal practices of the period placed a large burden on the poet to include acting instructions within the play's text.

Drawing clues from a broad array of sources, Professor Stern provides a detailed look at rehearsal practices from the late sixteenth century and onward.

Especially as regards Shakespeare, understanding the very limited rehearsal time, especially when compared to modern day practices, employed by companies that put on essentially a different play every afternoon, offers a valuable new insight into the importance of rhetorical and metrical structure as well as many kinds of imbedded stage directions.

Tiffany Stern's book offers revelations about the theater based on her extensive research into the rehearsal processes of each period. Her writing is also accessible for those who may not love lit. crit. speak.