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26 of 26 people found the following review helpful:
5.0 out of 5 stars
superb all round effort, September 23, 2000
This review is from: Relaxin' with the Miles Davis Quintet (Audio CD)
Along with Steamin, Workin, and Cookin, "Relaxin" offers an up close and personal look at Miles' group ca. 1955, in their transition phase between Prestige and Columbia records. From the opening chimes of "If I were A Bell," Miles dominates the proceedings as only he can- his tone, sense of time, style, and the use of his famous Harmon Mute never better. He was definitely a man on a mission, and his leadership on his trumpet is simply astounding. The band also cooks on saxophonist Sonny Rollins' staple "Oleo" (as in oleo margarine, for the kids out there..a simple form of clarified margarine), with Chambers' fast walking bass complimenting Philly Joe Jones' incomperable drumming, complete with his famous "Philly Licks" (playing rim shots versus the snare to keep the beat going). "I Could Write a Book" is highlighted by great interplay between Miles, drummer Jones, and bassist Paul Chambers. The rest of the lp comprises slower, more laid back numbers, right for, well..relaxin, I suppose. A wonderful lp of great material, "Relaxin," like the other 3 lps of the series, showcase Miles and the group enjoying themselves greatly. The results show as much.
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18 of 18 people found the following review helpful:
5.0 out of 5 stars
A very pleasant album, December 2, 2004
This review is from: Relaxin' with the Miles Davis Quintet (Audio CD)
Relaxin' is one of the four albums released from an especially elongated recording session the Miles Davis Quintet recorded to fulfill out Miles' contract with the Prestige Label. The other albums are Cookin', Steamin' and Workin' and in my opinion, Relaxin' is the best.
Anyone who knows anything about jazz knows what a stellar rhythm section is on this album. Philly Joe Jones, one of the leading drummers of the 50's, Paul Chambers, probably the leading bassist, and Red Garland, who, although not one of my favorite pianists, is good enough that I cannot complain. With these three, almost ANY horn player would sound good. Making it even better, we have two of the best in Miles and 'Trane.
The album is a mix between ballads, light swingers, and up-tempo bebop numbers...a great mix. Miles is on muted trumpet throughout (save for the last track) and his melodic, spacious concept of soloing is finer than almost any album save Kind of Blue (and that's saying a lot,) especially on "If I were a Bell," and "If I could write a book." Coltrane, on the other hand, is still developing...not quite at the top of his "sheets of sound" phase yet. But does that matter? Of course not. His solos are every bit as exciting as Miles, and make an excellent counterweight to the trumpeter's work.
This album really is good because, while not necessarily innovative or "inspired," there are no bad measures. Every minute is just GOOD...these people knew what they were doing, and thus excell at swinging. It's an easy listen, and an extremely pleasant one, because everyone is on the same level, doing exactly what they do best. It's deffinitely one of my favorite Davis albums.
An interesting sidenote is this album contains more studio chatter than almost any other album, and has some rather funny moments, like Miles saying "I'll play it and tell you what it is later," instructing Red how to begin a tune, and 'Trane asking for the beer opener. This is jazz history, folks. Couple that with the fact that this music is sublime, and extremely "relaxin," makes me give this 5 stars and order you to buy it.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
Warm & witty, the most accessible Miles album, December 29, 2003
This review is from: Relaxin' with the Miles Davis Quintet (Audio CD)
If you are a serious aficionado or just want one or two Miles albums to add dimension to your collection this is by far and wide the best choice for your Prestige LP and for the Columbia LP you might choose Kind of Blue or Milestones. In my humble opinion. The door opens wide as this is by far the most accessible Miles album I have heard so far. Warm notes and friendly rhythms similar to Stan Getz's Jazz Samba. Not as in-depth or cavernous as Kind of Blue tending to stay on the terrestrial plane. The members of the Qunitet are some of the most cohesive jazz has ever seen. The trio of Paul Chambers, Philly Joe Jones, and Red Garland along with master of masters John Coletrane make each song flawless yet wholesome and bright. The album starts warm and witty then dabs in the experimental but is all and all one of the most well rounded albums in my 500+ `collection. Many opinion lists will pull you into thinking the Columbia releases are the be all of Miles but this couldn't be further from the truth. The titles done for Prestige simply can't be overlooked and Relaxin is proof of that. This is a solid pick and a keeper for a lifetime!
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