This study places the entire body of Rembrandt's self-portraits in their cultural and historical setting and in the context of the artist's life. The author argues that these portraits represent a conscious and progressive quest for individual identity in a truly modern sense.
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Editorial Reviews
From Library Journal
This closely argued text interprets Rembrandt's many self-portraits as a manifestation of the emerging concept of self-identity in 17th-century Holland. Like Svetlana Alpers ( Rembrandt's Enter prise: The Studio and the Market, LJ 6/15/88), Chapman argues against certain established notions of earlier Rembrandt scholarship, contributing to the current lively debate in this field. This will be a significant addition to research collections in art and history and is likely to be of interest to scholars and specialists in the field.
- Kathryn W. Finkelstein, M.Ln., Cincinnati
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
- Kathryn W. Finkelstein, M.Ln., Cincinnati
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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