PROS
· The method Heisig uses, creating and memorizing a cute little story involving the parts of a Kanji, is probably the most efficient out there. Pictographs and rote learning are the other two methods I'm aware of. These will work, but will take much longer. I know of no other book on the market that uses Heisig's method.
· This book, plus vol. 2, is organized for learning all 2000+ basic Kanji as quickly as possible. Other books have you "master" characters in smaller numbers. There are many short cuts that can be made when all 2000+ are handled at once, so if it's your goal to learn all of them, Heisig is more efficient.
For the above reasons, I highly recommend using this book for learning the Kanji, and give Heisig five stars. But the book is far from perfect. I hope the following information will not dissuade you from buying Heisig, but help you use the book.
CONS
· Typos and mistakes are a part of all language books, for some reason. I'm sure I've missed some, but here are a few. Some descriptions contain wrong keywords for primitives (981,1321,1418,1714,1836,1840). Sometimes Heisig creates a new keyword for a kanji when it is used as a primitive, but doesn't tell us (1271,1573,1720). Kanji 1480 has the right description, but is drawn wrong. Kanji 1733 uses primitive "rice" instead of the expected "grains of rice". Kanji 1999 contains a new primitive, but it is called out as if it has already been established. There are two kanji with the keyword "storehouse" (589,850). In the description of kanji 58 he states that "olden times" is not used as a primitive in any other kanji, but it is in 910.
· Heisig may have finished learning the material in this book in 4 to 6 weeks. If he did, I'm guessing he is at the very top as far as memory goes. That would require 8 to 10 hours per day. Even if one has the schedule to study kanji full time, the point of diminishing returns for most is probably closer to 2 or 3 hours per day. For the average person, finishing this book in 6 months would be ambitious, and one year more likely. FYI - I'm an average learner, and it took me 300 hours in 30 weeks.
· There are some warning phrases throughout the book that you are better off just ignoring. Examples are "don't confuse kanji A with kanji B", "I know I said never to do this in a story, but..."
· Using "big" words for key words. Sometimes this is merited to distinguish kanji with like meanings, but other times I felt like I was getting unnecessary practice with my English dictionary.
TIPS
· Use adult themes in your stories.
· If the price seems too high, try some auction sites.
· My study program. This is what I did in my 300 hours.
On a macro-scale (30 weeks, approximately 10 hrs/week)
Weeks 1-5: learn 1-500
Week 6: review 1-500
Weeks 7-11: learn 501-1000
Weeks 12-13: review 1-1000
Weeks 14-18: learn 1001-1500
Weeks 19-21: review 1-1500
Weeks 22-26: learn 1501-2042
Weeks 27-30: review 1-2042
On a weekly scale
Learn weeks: learn 20 per day, Monday thru Friday, review all 100 Saturday
Review weeks: review 100 per day, Monday thru Friday, repeat toughest sets on weekend
On a daily scale
Learn days:
(a) During breakfast, read the day's 20, making up stories (or just reading the stories if you're still in part 1 or 2) for each per the author's instructions. Don't move on to the next Kanji unless you feel the story is going to stick.
(b) Without taking a break, go back to the first kanji, hide everything except for the key words, and create your 20 flashcards per the author's instructions. I recommend a fine black felt tipped pen on blue 3 by 5 index cards, available at office depot. This should be the first time you draw these 20 Kanji. You should be able to draw them without peaking. If you miss 2 or 3, don't be too hard on yourself. If you miss a lot, maybe read what the author says about improving your stories.
(c) Still without taking a break, take your stack of flashcards, keyword up, and restack them so that they are in the order you learned them. Beginning with the first one, "imaginary finger paint" the characters on a flat surface, repeating the story, out loud if possible. You should be able to draw them without peaking. If you miss 2 or 3, don't be too hard on yourself. If you miss a lot, maybe read what the author says about improving your stories.
(d) About supper time, take the 20 flash cards, shuffle and mix them up, making a neat pile, keyword up. Repeat the finger painting.
(e) Repeat step (d) for cards 1-20 at breakfast time of day 2, after you have done steps (a) thru (c) for kanji 21-40.
(f) Repeat step (d) for cards 1-20 at supper time of day 2 day, after you have done step (d) for kanji 21-40.
(g) Retire cards 1-20 until Saturday. You have learned them, written them 1 time, and reviewed them 4 times.
Review days:
(a) Shuffle the 100 kanji to review. Make a neat pile, keyword up. Draw the kanji on notebook paper, repeating the story as you draw (draw them small enough to fit all 100 kanji on one side of one sheet). Try to make the overall size consistent and the area close to square. After you write one, turn the card over to confirm it's correct. If it's correct, put the card on the "correct" stack, keyword up. If it's incorrect, review your story until you think it will stick next time. Then put it on the "incorrect" stack, keyword up.
(b) If you're having trouble remembering one, don't torture yourself for more than a minute. If you still can't think of it, turn it over and review your story until you think it will stick next time. Then put it on the "incorrect" stack, keyword up.
(c) When you have gone through the whole stack, count the number you missed. Keep a record of your misses in a table so that you can pinpoint your trouble sets of 100.
(d) Take the "incorrect" stack, and repeat (a) and (b).
(e) Repeat (d) until you have no more cards.
Notes
The first time I had a review week, I had three sets that I missed more than 50. One was about 70 misses out of 100. After all those hours I'd put in, I was totally discouraged. But I reviewed again on Saturday, and missed in the 20's. That was with no additional studying, just another review. Because I have an easily bruised ego, I've devised a way to avoid terrible initial scores. The night before reviewing, I read the 100 kanji in the book, going over the stories if I'd forgotten. This usually takes me about 45 minutes, and I haven't missed more than 25 the following day after doing this.
GOOD STUDYING!!!