The Renaissance Album (Windham Hill)

Italian Anonymous (Composer), French Traditional (Composer), Jean-Baptiste Besard (Composer), Guglielmo Ebreo da Pesaro (Composer), William [Composer] Byrd (Composer), Claudio Monteverdi (Composer), Robert [2] [Composer] Ballard (Composer), Orlande de Lassus (Composer), Orlando Gibbons (Composer), Various Composers (Composer), Anonymous (Composer), John Bull (Composer), Tomas Luis de Victoria (Composer), John Dowland (Composer), Alonso de Mudarra (Composer), English Traditional (Composer), The Renaissance Band Piffaro (Performer), The Angels of Venice (Performer), Ex Umbris (Performer), Medici Ensemble (Performer) | Format: Audio CD

Product Details

• Performer: The Renaissance Band Piffaro, The Angels of Venice, Ex Umbris, Medici Ensemble
• Composer: Italian Anonymous, French Traditional, Jean-Baptiste Besard, Guglielmo Ebreo da Pesaro, William [Composer] Byrd, et al.
• Audio CD (May 19, 1998)
• Number of Discs: 1
• Label: Windham Hill Records
• ASIN: B000006NMT
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.9 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #98,389 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars A lovely combination of old and new!, May 26, 2003

By 

Brianna Neal (USA) - See all my reviews

This review is from: The Renaissance Album (Windham Hill) (Audio CD)

When I first saw this CD in the New Age rack of a local bookstore, I thought it had been mis-filed from the Classical section. Then I took a look at the combination of modern and early music performers listed in the credits and realized I had discovered something delightfully new. For centuries musicians have been drawing inspiration from Renaissance and medieval music, reinventing it to suit their own eras. And today, ensembles seeking to authentically recreate early music sometimes choose to stretch their boundaries as well, exercising their own creativity and appealing to modern sensibilities. So why not combine the two on one recording? Windham Hill's "Renaissance Album" brings together "straight" early music offerings from esteemed groups like Piffaro and the Baltimore Consort with whimsically inventive modern interpretations from New Age artists like the Angels of Venice, Lisa Lynne, Liz Story and David and Diane Arkenstone. The selections fit quite well together, weaving a tapestry across the centuries that is quaint, courtly, delicate and at times lively and even humorous. Lovers of both ends of the spectrum will find something to enjoy here, and will have a chance to discover a variety of artists whose work they may wish to explore further. If you enjoy Windham Hill's "Rennaissance Album", you may also like another of their compilation albums, "Celtic Christmas 3"; not necessarily either Christmassy or Celtic in tone, it nonetheless features some of the same artists as "The Renaissance Album", and in some ways sets a similar tone.

12 of 13 people found the following review helpful:

5.0 out of 5 stars A fine introduction to early music, August 7, 2002

By 

James Jones (Clive, IA United States) - See all my reviews
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This review is from: The Renaissance Album (Windham Hill) (Audio CD)

Fans of any kind of music or literature often have an evangelical bent. "Come on! Just try this one little bit of theater of the absurd/Captain Beefheart/cyberpunk/whatever..." we say to people. I'm that way about early music. In the old days, there was an inexpensive vinyl compilation that I'd always urge on people as an introduction to early music.

With this CD I think I've found a more recent replacement for that vinyl disc. It has some very well-known names in the early music field (e.g. Piffaro, the Baltimore Consort), various performers who tend to get the "new age" label, whether they want it or not :), and some people who, with all due respect, one wouldn't at all expect to see on an early music collection, such as Ann and Nancy Wilson, formerly of Heart, or slack key virtuoso Keola Beamer.

If you're hard core about authentic instrumentation, much of this album will set your teeth on edge--but IMHO, all the performers here acquit themselves very well indeed. High points for me were Lisa Lynne's performance of Monteverdi's "Si dolce e'l tormento," Michael Hedge's sprightly take on a de Mudarra fantasia, and Keola Beamer's breathtaking performance of Dowland's "If My Complaints Could Passions Move."

The CD's irritants for me are few: "My Thing Is My Own" is a one-joke song that way overstays its welcome, and the graphic artists at Windham Hill must've been trying to make the insert just as hard to read as they possibly could have!

If you're new to early music, give this CD a try. If you're heavily into it, you'll most likely still enjoy it, and you'll have something you can lend out to spread the habit to your friends--if we get enough people started, we can have the Waverly Consort playing stadiums instead of the latest boy band! :)

10 of 11 people found the following review helpful:

4.0 out of 5 stars A delightful surprise, December 7, 2004

By 

R. Josef (New Haven, CT United States) - See all my reviews
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This review is from: The Renaissance Album (Windham Hill) (Audio CD)

I had a few qualms about picking this one up. Being a Windham Hill release, I was wondering if I was going get a lot of synthesized New Age mush. But this is a wonderful album. Some of the pieces are played pretty straight on traditional instruments, while others stretch the boundaries (Hawaiian guitar, Peruvian flutes). Even when a synthesizer makes an occasional appearance, it doesn't intrude. Although purists may disagree, the performers very much capture the spirit of Renaissance music.

Among the highlights are the previously mentioned piece using Native American and Indian flutes, "O Vos Omnes", by Barry Stramp; the Hawaiian guitar piece, "If My Complaints Could Passions Move"; George Winston playing guitar instead of his usual piano on the French "Villanelle"; and the late Michael Hedges's "Fantasia", which gets a slightly harsh, jazz-rock feel which actually works.

There are only two vocal numbers. David Arkenstone and his wife provide some absolutely stunning vocal harmonies to Claudio Monteverdi's devotional prayer "Domine ad Adjuvandum". The concluding track, the baudy "My Thing is My Own", is arguably the weakest thing here. Performed by Ann and Nancy Wilson, the vocal melody is a bit outside of Ann's singing range. But it's fun.

A relaxing, entertaining CD recommended for everyone.