For courses in Renaissance Art. This text offers an incisive and original account of fourteenth- and fifteenth-century Florentine art in its social, cultural, political, geographic, economic and religious settings. Ranging in scope from monumental and public artworks to the intimacy of the domestic interior, it explores artistic patronage and the working conditions of artists in a way that is fully accessible to the inexperienced reader.
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Editorial Reviews
From Library Journal
Turner's (arts and humanities, New York Univ.) introduction to early Renaissance Florence neatly articulates the economic, political, and religious milieu of the city's artistic efflorescence. Within that context, he artfully limns an image of the expanding urban fabric of the 14th and 15th centuries. Besides evoking the problems of artistic function, patronage, and the training and professional life of the artist, the author articulates the intricate stylistic byways that mark the onset of the new Renaissance approach in sculpture, architecture, and painting, including a survey of the interior decoration of monasteries and homes and a contextual overview of some of the key monuments of the later 15th century. While unsurprising in its approach and conclusions, this carefully etched work is more than adequate as a primer to the study of the early Renaissance in Florence. Welch (Art and Authority in Renaissance Milan, Yale Univ., 1995) casts his investigative net over all Italy. Giving particular emphasis to the social ambiance in which art is produced and consumed, his discussion is marked by its scholarly breadth, clarity of argument, and willingness to include objects not within the canonic corpus. Readers should derive a deeper appreciation of the way contemporaries may have experienced works of art and the historical, religious, and intellectual environment from which they emerged. Along with keen analyses of the materials and the making of objects, workshop practices, and the relationship of artists and patrons, the context and function of sacred, public, and domestic works are vividly delineated here. While largely eschewing the formal analysis of traditional art history, Welch's deeply informed and wide-ranging synthesis is a significant and welcome addition to the literature.?Robert Cahn, Fashion Inst. of Technology, New York
Copyright 1997 Reed Business Information, Inc.
Copyright 1997 Reed Business Information, Inc.
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28 of 29 people found the following review helpful:
5.0 out of 5 stars
Explaining Florence,
By A Customer
This review is from: Renaissance Florence: The Invention of A New Art (Trade Version) (Perspectives) (Paperback)
As an art lover and architect, who has been reading extensivelly about Italy and spent three weeks exploring the city, I define this book as comprehensive, delicious to read and excellent in contents. Turner explains how the city has achieved such a moment in human civilization, not only by its art, but by its economics, technology, geography, historic context, social behavior. This book is one to fall in love with, and I would put it as a must read together with Kenneth Clark's Civilization.
10 of 10 people found the following review helpful:
5.0 out of 5 stars
Beautiful book!,
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: Renaissance Florence: The Invention of A New Art (Trade Version) (Perspectives) (Paperback)
The book is very well done. The photographs are of high quality; the coverage complete. I purchased the volume as background information for an art history survey course I'm enrolled in (I already hold a post-grad degree), and found it to be an excellent supplement to the cursory review my textbook offered.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Fantastic for Florence,
This review is from: Renaissance Florence: The Invention of a New Art (Perspectives Series) (Paperback)
Renaissance Florence by Turner is an absolute must for Florence. The book has a plethora of information that will enhance anyone's trip to the city.
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