12 of 12 people found the following review helpful:
4.0 out of 5 stars
Good but limited by unfortunate circumstances, November 19, 2003
Ed Ricketts had an important influence on the developing science of marine ecology during the 1930s and 40s. Even if John Steinbeck had never met or written about Ricketts, his work Between Pacific Tides (co-written with the forgotten Jack Calvin) would stand as a significant contribution to biology. But Ricketts also was a close friend of Steinbeck's, and so Ricketts himself (as he appears in the Log from the Sea of Cortez) and the caraciture "Doc" (Cannery Row) overshadow his written accomplishments. For better or worse, Ricketts now is remembered mainly as Steinbeck's friend. Besides reading and thinking about his scientific work, we want to know what it was like to hang around Pacific Biological Labs and drink with Ricketts, listen to music, and talk about big or small things.
Ricketts was a hard-working and prductive biologist (without a college degree), a struggling small businessman, a father separated from his two daughters and wife, but close to his son, a serial monogomist, a drinker, a reader, a music fan, and by all reports a very appealing guy. Someone who almost anyone would enjoy spending a few hours talking to.
Ricketts important previously unpublished writings were collected in The Outer Shores (2 vols.), edited and with biographical notes by Joel Hedgepeth. Hedgepeth knew Ricketts and wrote in an entertaining iconoclastic style. It's long out of print and hard to find, but provides greater insight into Ricketts than this collection of letters can. Readers willing to wait should be encouraged from an NPR news report a few months ago that Ricketts son, Ed Jr., is editing a collection of writings which presumably will include much of the same material.
Ricketts wasn't a great philosopher, but he wrote 3 essays of philosophy that he was proud of. He was interested in music and poetry and felt he knew what characterized really good work. His ideas wouldn't fit into today's postmodern world, where a basketball in an aquarium can pass for art. Fans of Robert Pirsig's Zen & the Art of Motorcycle Maintenance might find Ricketts philosophy appealing.
Katharine Rodger has collected about 100 letters, written to various friends, family members, professional contacts, and John Steinbeck. She also has written a bare bones outline of Ricketts life, with little insight into his thoughts. We can fill these in ourselves from the letters, assembled mainly from Ricketts own papers (he kept carbons of his correspondence). Sadly, they cover only his later career, because his lab and its contents burned down in 1936. There are no letters addressing Ricketts marriage and how he came to spend both his nights and days at the lab instead of home with his family. Further, after Ricketts was killed, Steinbeck went through Ricketts files and destroyed most of their correspondence.
I found most of the letters here unsurprising. Most of the really revealing letters are the ones to Steinbeck, but there aren't many of them. I wasn't rivited to the book until the last few pages, when Ricketts (near) step-daughter dies, his long-time partner Toni Jackson leaves, and he suddenly takes up with 25 year old Alice. The emotional impact of these changes all within a short time must have been immense, but we get only a hint of it in the last letters to Steinbeck and Jackson.
A worthwhile read, but it doesn't leave you feeling like you know him any better than you did before. I hope for a more comprehensive biography some day.
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5 of 5 people found the following review helpful:
3.0 out of 5 stars
A charming, decent guy, with a charming decent mind..., May 18, 2005
This review is from: Renaissance Man of Cannery Row: The Life and Letters of Edward F. Ricketts (Alabama Fire Ant) (Paperback)
...and that's it.
There is little penetrating biographical detail in the short essay that begins the book, and the failures of action and inconsistencies of thought are shrugged off. Everyone has failings and Ricketts's were substantial; but they are also what make us interesting, and are what often create the context in which greater aspects of character can be realized. There is little critical analysis of Ricketts's thought and work (which is probably not a bad thing), but we are left thinking, "Wow, what a nice clever guy; wish we could have shared a beer." Which is about right.
The letters are about as engaging as such collections go, and do sort-of flesh out the evolution of the man and his thoughts. But Ricketts was careful, as we all are, about the manner in which he projects and portrays his character. He is at a distance, more often than not, and somewhat armored.
Not a bad read at all, mind you, and I am grateful the editor has pursued the project. Pull up to a tidepool, have a beer, and do some non-tele(ological) thinkin'.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars
About Time!, November 13, 2002
Renaissance Man of Cannery Row finally puts flesh on a real person who has been perceived as a caricature for too many years. In this book Edward Ricketts, a father, a marine biologist, a hard-working figure found for two decades along Cannery Row in Monterey in California (shades of Steinbeck?), and the persona found in at least six of Steinbeck's novels and short stories comes to life. Katharine A. Rodger has done a masterful job of editing that allows a wonderful insight into Ricketts personality and philosophies. The letters include Ed's correspondence with such figures as John Steinbeck, Henry Miller, Joseph Campbell and Paul De Kruif.
The book is a must read for any student of Steinbeck, Cannery Row or the Monterey area and is beautifully done. As professor Richard Astro stated "to know Steinbeck one must know Ricketts." How true.
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