Customer Reviews

Renaissance And Renascences In Western Art (Icon Editions)

5 star:		(2)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

Just in case you are looking for a book that puts to rest, once and for all, the debate over whether there was one "Renaissance" or multiple renascences in western art, Prof. Panofsky is here.

Though written in the 50's, this book retains its relevance. After all, he's covering a period of time from the 10th to the 15th century. His basic answer is that there were "reanscences" prior to the Renaissance, but that the Renaissance was unique in that it was akin to a cultural "mutation" whereas the earlier renascences were more like revivals.

Panofsky is not afraid to quote latin without translation, nor is he afraid to put greek in the text without providing the alphabetical version of the word or words. Also, he quotes books from at least four different languages in his subtitles.

I understand that one does not read Panofsky for his easy accesibility, one reads him for his mastery. None the less, the "readability" issues in this book prevent me from giving the full five stars;; just as his obvious mastery of the subject prevent me from giving it three stars. Truly, it was the longest 200 page book I ever read, and I doubt I shall dabble further in the Renaissance (or renascences), but at least now I have a firm idea of the parameters surrounding the long running debate.

I had the occasion to reread this book during a recent trip to Florence, Rome, etc. and I was pleased to find even more interesting and relevant then the first time. Truly a five star book.

E. Panofsky's book about the antique reviewal is excellent reading by the leading art historian. The book is based on the lectures he held after the war.
Our concept of renaissance is still based on that times writers and historians who strongly emphasized their own times supremacy over the "dark ages" they so much loathed.
Panofsky takes under the focus in his book the Carolingian renaissance and the 12th century proto-renaissance when prooving that the world of antique ideals were still among the painters, sculptors, writers and architects.
I will strongly recommend the book to everyone who is interested in renaissance and its roots.