Renaissance

The Village People | Format: Audio CD

Product Details

• Audio CD (January 26, 1999)
• Number of Discs: 1
• Label: Polygram Records
• ASIN: B00000HXFB
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.2 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #564,515 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

4 of 5 people found the following review helpful:

3.0 out of 5 stars JUMPING ON THE NEW WAVE TREND? HMM, LET'S THINK ABOUT IT..., January 3, 2001

By 

Claude Bouchard Jr. "Eurodancemix" (Frederick, MD) - See all my reviews
(REAL NAME)   

This review is from: Renaissance (Audio CD)

Definitely NOT your typical Village People album...the word "surreal" comes to mind. Originally released about a year after their film "Can't Stop The Music" bombed royally at the box office, and after disco had officially "died", this album shows what happens when a producer latches onto a musical trend with no prior experience in the field. The cover photo alone is enough to scare anyone away with the outlandish makeup and the pseudo-New Romantic clothes. Other than for a couple of excellent tracks, the rest is mere New Wave-wannabe music that teeters on the edge between Devo and completely ridiculous. The album starts with the two best tracks: "5 O'Clock In The Morning" and "(Do You Wanna) Spend The Night". Both of these are mid-tempo disco/pop and are presented here in their original extended album versions. The sound isn't typical VP disco but the album *is* worth buying for these two tracks alone. Play them loud and play them often because it's all downhill from there. "Fireman" is a passable attempt at funk. It's fairly catchy and I suppose we should be grateful it isn't as bad as the putrid funk tracks on the "In The Street" album that would follow a year later. "Jungle City" can best be described as dance rock VP-style. "Action Man" is a carbon copy of Devo's "Whip It". I suppose it had a few people doing the pogo back in 1981, but it's otherwise nondescript. The last three tracks are about food. They are so immensely ridiculous that you'll stare at your CD player in amazement at the sounds coming from it. Even the songs' themes are at odds with each other. "Big Mac" is, simply, a McDonald's commercial about the joys of eating at the Golden Arches. "Diet" is an ode to dieting (no, I'm not kidding). As much as I dislike it, I find myself hitting the repeat button a few times because, darn it, it's catchy. One of those stupid awful songs you love to hate. And finally, "Food Fight" is an insane pseudo-punk song that has none other than David Hodo screeching his lungs out to lyrics about hitting a teacher with apples, bananas, and pies. Truly juvenile and downright insulting to the VP's longtime fans.

I'm very ambivalent about this album because I want to condemn it and the VP so much for foisting this garbage on us. True fans of this group deserve *much* better. On the other hand, the first two tracks are excellent and, while they don't exactly redeem the whole thing, they do make this a must-have if you're a VP fan. Without these two songs, the album would rate one star.

3 of 4 people found the following review helpful:

3.0 out of 5 stars For fans only, September 20, 2003

By 

Peter (Halifax, Nova Scotia, Canada) - See all my reviews

This review is from: Renaissance (Audio CD)

I'm a huge Village People fan, and my friend sent me a video tape of every video they have ever done. I saw the two videos from this cd: Do You Wanna Spend The Night, and Five O Clock In The Morning. Both songs are excellent, but the videos are cheese at its best. You'll find it hard not to laugh. What perplexes me most about this cd is why the crazy change in direction? I heard that the guy who played the cowboy dropped out of the group when their manager decided on this weird direction. The cowboy wanted no part in the hideous makeup and Shakespearian costumes and so he smartly left. As for the music, the first five tracks are great, and the rest of the tracks are just unbelieveably bad. McDonalds should be paying them royalties for their song about Big Macs. That song, and the songs called Diet and Foodfight are bad writing at its most juvenile. I doubt any of the Village People wrote those songs. It's hard to believe that the group that put out such great songs as YMCA and In The Navy ended up with what is on the second half of this cd. It's so bad it's worth owning this cd just for the cheese factor alone. The first two songs are the best on the whole cd. I don't know why Do You Wanna Spend The Night wasn't promoted more as a single because it's a solid track and is as catchy and great as any of their other hits. That song, and Five O Clock In The Morning are the only two reasons to buy this cd. I'm rating this cd 3 stars for those songs alone. I'd actually rate them much higher. The rest of the cd is all downhill. It's too bad that this cd is what officially killed their career and popularity. No, actually i think it was the movie called Can't Stop The Music that killed them. WHich is too bad because they are a very entertaining novelty act.

6 of 9 people found the following review helpful:

5.0 out of 5 stars A masterpiece of musical innovation and underground experimentation, December 3, 2005

By 

Harry Wang - See all my reviews

This review is from: Renaissance (Audio CD)

This is one of the most challenging and original musical documents ever recorded. Basically, after topping the charts with YMCA, Go West, and a bunch of other pop fluff, the Village People decide that the road was getting too much for them, and the limitations of live performance were too constraining for their broad musical vision. So they set about recording experimental tracks with no backing band, and agonized in the studio for over a year over the songs that would be eventually released as "Renaissance". The painstaking elements of musical innovation are obvious, because it sounds nothing like the 70's pop throwaway hits. This album eventually went on to influence bands across the entire punk rock spectrum, and is said to have had a direct influence on post-punk bands such as Joy Division, Depeche Mode, and Gang Of Four.

NOTHING can prepare you for the amazingly abstract, deep, well-crafted and top-notch songwriting here, let alone the revolutionary production and icredible musical talent of this group in pulling it all together. I mean, anyone can be "experimental" for the sake of experimenting, but it requires a depth of skill and talent and know-how to translate those minimalist urges into something truly revolutionary. "Jungle City" anticipates house and techno experimentalism by about 7 years, and adds a twist of Kraut-rock noodling that reminds one of early Can or the intrepid post-funk of Kraftwerk. "Food Fight" has a rhythm that calls to mind the eclectic new-wave of early Siouxsie & The Banshees, with a wall-of-sound guitar that channels everything ever done by Robert Smith's best work with The Cure. The unbelievably dense polyrhythms found in "Food Fight" and "5 O'Clock in the Morning" sound like they were peeled from the first side of Talking Heads' masterpiece "Remain In Light", except here the songwriting is even more abstract and aggressive. "Do You Wanna Spend The Night" is, without question, one of the greatest singles of the entire early punk era, up there with "Love Will Tear Us Apart". And just to show that they haven't forgotten their roots, "Fireman" updates their disco sensibilities, incorporating an almost Phil Spector-ish echo with a backing beat that calls to mind the minimalist reggae of Sly and Robbie.

Look at the cover. Do you honestly think something like this deserves the terrible ratings it has gotten here? No way. But apparently there are some people who don't understand the importance of artists breaking out on their own and redefining an entire genre of rock. Major artists have done it, and like Brian Wilson's incredible song cycle from "Pet Sounds", here is another similar exaple of a generation-defining moment in rock history that is understood by the few who really appreciate a radical musical vision.