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Rent (Widescreen Two-Disc Special Edition)


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Product Details

  • Actors: Taye Diggs, Wilson Jermaine Heredia, Rosario Dawson, Anthony Rapp, Adam Pascal
  • Directors: Chris Columbus, Jeffrey Schwarz
  • Writers: Jonathan Larson, Stephen Chbosky
  • Producers: Chris Columbus, Allan S. Gordon, Geoffrey Hansen, Jane Rosenthal
  • Format: Special Edition, Dubbed, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 5.1), French (Dolby Digital 5.1)
  • Subtitles: English, French
  • Dubbed: French
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 encoding (US and Canada only)
    PLEASE NOTE:
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 2.40:1
  • Number of discs: 2
  • Rated: PG-13 (Parental Guidance Suggested)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: February 21, 2006
  • Run Time: 135 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (602 customer reviews)
  • ASIN: B000E1YVZU
  • Amazon Best Sellers Rank: #2,657 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Rent (Widescreen Two-Disc Special Edition)" on IMDb

Special Features

  • Feature Length Documentary – No Day But Today
  • Days of Inspiration - Jonathan Larson's formative years.  His childhood through college
  • Leap of Faith - Jonathan's move to NY and the subsequent experiences and projects that led up to writing RENT
  • Another Day - The creation process of the musical RENT. From conception to the final dress rehearsal.
  • Without You - The death of Jonathan Larson, we then follow the show's amazing success story from off-Broadway to worldwide phenomenon
  • Over the Moon - this last portion covers the making of the actual movie with a final tribute to Jonathan Larson
  • Deleted Scenes and Musical Performances
  • PSAs: Jonathan Larson Performing Arts Foundation; National Marfan Foundation
  • Two-disc special edition DVD filled with over 3 hours of extras

Editorial Reviews

Product Description

Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic. RENT is based on Jonathan Larson's Pulitzer and Tony Award winning musical, one of the longest running shows on Broadway. The raw and riveting musical stars Rosario Dawson, Taye Diggs, Wilson Jermaine Heredia, Jesse L. Martin, Idina Menzel, Adam Pascal, Anthony Rapp and Tracie Thoms and is directed by Chris Columbus.

Amazon.com

Rent, the show that in 1996 gave voice to a Broadway generation, has finally become an energetic, passionate, and touching movie musical. Based loosely on Puccini's La Bohème, it focuses on the year in the life of a group of friends in New York's East Village--"bohemians" who live carefree lives of art, music, sex, and drugs. Well, carefree until Mark, an aspiring filmmaker (Anthony Rapp), and Roger, an aspiring songwriter (Adam Pascal), find out they owe a year's rent to Benny (Taye Diggs), a former friend who had promised them free residence when he married the landlord's daughter. Roger has also attracted the attention of his downstairs neighbor, Mimi (Rosario Dawson), while Mark's former girlfriend, Maureen (Idina Menzel), has found a new romance in a lawyer named Joanne (Tracie Thoms). Philosophy professor Tom (Jesse L. Martin) finds his soul mate in drag queen Angel (Wilson Jermaine Heredia). But because this is the late-'80s, the threat of AIDS is always present.

The remarkable thing about Rent the movie is that nearly 10 years after the show debuted on Broadway, six of the eight principals return in the roles they originated. They're a bit older than would be ideal for their characters, but they do have the advantage of having learned the show directly from creator Jonathan Larson (who died of an aortic aneurysm while the show was in previews), plus they started young--we're not exactly talking Sarah Brightman and Michael Crawford here. Alongside a polished performance like Rapp's--sometimes observer-commentator, sometimes participant in two of the score's showstoppers, "The Tango Maureen" and "La Vie Boheme"--the two new additions (Thoms in place of Fredi Walker, Dawson in place of the edgier Daphne Rubin-Vega) slip comfortably into the ensemble; the pivotal Dawson makes a seductive case as Mimi when she tempts Roger in the mesmerizing "Light My Candle" or burns up the stage of the Catscratch Club in "Out Tonight." Moviegoers who have an aversion to people who break into song while walking down the street probably won't have their minds changed by Rent (even if they are singing rock songs), and the gritty subject matter and lack of big-name stars make it unlikely to cross over to general audiences the way Chicago did. But fans of musicals should find "Seasons of Love" as stirring as ever, and the show's passionate admirers--the "Rentheads"--probably couldn't have wished for a more sympathetic director than Rent fan Chris Columbus, or a more faithful representation of the show they love. --David Horiuchi

On the DVD
Three powerful musical numbers cut from the final film are the highlight of the two-disc DVD. In the aftermath of the funeral scene, Anthony Rapp sings "Halloween," and he, Adam Pascal, and Rosario Dawson share "Goodbye Love" (both songs were in the stage version). Then in an alternate ending, the cast finishes "No Day But Today" on the bare stage on which the film began. There are worthwhile arguments for why these scenes were cut or replaced, so it's fortunate that the DVD lets us see these at all. Those musical numbers have optional commentary by director Chris Columbus, Rapp, and Pascal (two other cut scenes have no commentary), including one funny moment in which Rapp explains in great detail the technical challenge of shooting "Halloween" only to have Columbus say, "Yeah, but I don't know if that's the take we used." The three also provide commentary on the film itself, with Columbus discussing various decisions, criticizing the critics, and marveling "I still don't know how we got the PG-13," and Rapp and Pascal occasionally recalling differences in the stage version.

The other whopper of a feature is No Day But Today, a nearly two-hour documentary that uses video clips, still photographs, and interviews with family and friends to celebrate the short life of Jonathan Larson and his creation. Topics include his early interest in musical theater ("I want to write the Hair for the '90s."), the support of Stephen Sondheim, the impact of the AIDS epidemic, the long and difficult road of Rent (casting the show, Larson learning to collaborate, the transfer to a Broadway stage, and the Rentheads), and Larson's tragic death. The last 20 minutes covers the making of the film, director Chris Columbus, the decision to rely on most of the original cast (the only two principals who didn't appear in the movie, Daphne Rubin-Vega and Fredi Walker-Browne, are interviewed in earlier segments, but only mentioned in passing here), recording sessions, and location shooting. If the movie of Rent was a tribute to Jonathan Larson, the DVD is all that and more, a moving and incredibly detailed look at an extraordinary talent whom the world lost far too soon. --David Horiuchi

More Rent


Movie soundtrack

Original Broadway cast recording

Anthony Rapp's Without You: A Memoir of Love, Loss, and the Musical "Rent"

Customer Reviews

This is a great, fantastic movie/musical.
Carmen Jacob
They translated a musical that is perfect for the stage into a likable film, adding certain depth/understanding to certain issues.
CC
So if you're looking for a movie that will make you feel like you're apart of it Rent is that movie.
Penny Lane

Most Helpful Customer Reviews

256 of 286 people found the following review helpful By Kevin Killian HALL OF FAME on November 26, 2005
Verified Purchase
I saw the movie in a beautiful theater in downtown San Francisco on the Saturday after Thanksgiving and was surprised to find so few people in the movie theater--maybe 75 of us, and the theater could have fit 500. I wonder if some of the lukewarm reviews haven't influenced people's decisions to go to RENT. Hope not, for I'm here to tell you, this movie is dynamite and IMHO much, much better than the play. For one thing, in the movie you can hear every word, even with the increased rock instrumentation, for hundreds of sound experts have worked their magic and made sure that even people underwater could hear every single syllable; whereas on stage, it depended from night to night what percentage of the lyrics were going to be coming across the temperamental sound system of the Nederlander (NYC).

I did miss Daphne Rubin-Vega who was incomparably sexy and chilling as Mimi, but I never believed her being in love, and Rosario Dawson looked like she was just 'playing' at being bad and underneath she was ready to fall in love as soon as she saw Roger through the window. Her scenes of addiction are captured in the movie effectively, in a rpaid montage that might disconcert some rentheads but will, I think, be easily understood by those new to the show.

Yes, some of the actors looked older than 20 somethings. But we forget that most of those who died of AIDS in the 1989-90 period were actually in their 30s. What's the big deal? To me, Angel's fate is all the more sad because he seemed to be healthy for so long and then, all of a sudden, well, any more would bring me into spoiler territory.

Idina Menzel is not as over the top as she is on stage, but there's still plenty of fire power there, and she's bigger than anything in the movies since the heyday of Betty Hutton!
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107 of 127 people found the following review helpful By Antoinette Klein on December 2, 2005
Verified Purchase
I was born to love "Rent." Having grown up listening to my mother's record of "La Boheme" playing as she did her housework, I anxiously anticipated seeing the Broadway production when I was in New York in 1999. Although, it was superb, the movie version was so much more enjoyable to me, mainly because the words to the beautiful songs were clear and much more understandable. I realize Broadway is a one-shot deal and a movie can have countless takes on a scene, so I'm not putting down the play I loved in any way, just saying the movie was an easier and more enjoyable viewing experience.

From the spectacular opening scene where the full cast sings the beautiful "Seasons of Love," the stage is set for a glorious celebration of life, living it to the fullest, and enjoying every moment. Yes, there is heartbreak on the screen and many moist eyes in the theater, but this is mainly a joyful story of friendship, love, and reaching out to your fellow man.

The acting is superb, lovingly done by actors who obviously relate to their roles in a profound way. Wilson Jermaine excels as Angel, especially in the show-stopping "Today 4 U." Adam Pascal and Rosario Dawson are believable as the romantic leads and Jesse L. Martin will astound his "Law and Order" fans with his rich singing voice and dancing ability. All the cast is marvelous, the show is electric with its high-energy singing and dancing, and overall, the best movie I have seen in a long, long time. I will definitely get the DVD the day it is available.
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14 of 15 people found the following review helpful By Carl Cannella on February 19, 2006
Format: DVD
Rent will forever be a legend of musical theatre. Jonathan Larson's intimate and incredibly personal musical went on to win rave reviews, phenominal success, several Tony Awards, and the Pulitzer Prize for Drama. Larson never got to see the success of his baby, however, as he died of an undiagnosed aeortic aneurism the night of the final dress rehearsal. Would Rent have earned the success it did had the tragedy of Larson's death not thrust the musical into the headlines? Would Larson have approved of the move from a small Off-Broadway theatre to a full-blown Broadway production? What would Larson have done had he been granted a lengthy career? We can never know, but he has left a legacy that even the most wide-eyed dreamer couldn't imagine.

This film has been sputtering around Hollywood for nearly a decade, with directors from Spike Lee to Joel Schumacher attached to direct at various times. Thankfully, Mirimax couldn't agree on how to approach the project, which catapulted no less than four directors from behind the camera, leaving room for the vastly underappreciated Chris Columbus to make his first truly great film. His vision for Rent was one that embraces the show's theatrical roots as opposed to masking them, as in 2002's Chicago. He utilizes no tricks to bring the musical numbers inside the characters' heads, and yet his film manages to be the best movie musical in decades, and yes, that is including the aforementioned razzle dazzle Catherine Zeta-Jones vehicle.

The story itself is rather insignificant. It follows the basic outline of Puccini's classic opera, La Boheme, updated to include drug abuse, AIDS, homosexuality, drag queens, and most importantly rock music.
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