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"Fast-forwarding to the present, he adds, `We're both healthy and f**ked up but plugging along, just like everyone who came up with the `Mats, I suppose...'
"The author's over-identification with one of rock's most famous anti-heroes is a troubling but understandable aspect of this otherwise right-on tale of life in the eye of the rock `n' roll s**t storm. Walsh was in a band of his own (REMs) during Minneapolis' illustrious early-80's heyday, which accounts for the close-but-no-cigar perspective. But it is his reporter's sense and up-close view that is essential to this story. He knows where the bodies are buried, and his interviews with the right scenesters make up the meat of his part memoir/part rock `n' roll testament to pre-`alternative' culture. The Replacements' tumult-fueled story emerges through the vivid recollections of fanzine writers, college radio DJs, record store employees, club bookers, partiers and musicians who transmit the undeniable important of Minneapolis in the `80s, along with the passion and sweetness of their youth.
"Though Westerberg and bassist Tommy Stinson declined to be interviewed and drummer Chris Mars only appears briefly, late guitarist Bob Stinson lives in these tales (and his replacements Slim Dunlap and Steve Foley add their own firsthand color). The band's carefully edited quotes underscore the idea that this story took place in a time when computers were for geeks and rock `n' roll was still do or die. The Replacements is a very necessary document of a time when you could still tell something about a person by their shoes--or by the ultimate test: whether or not they liked the Replacements." -- HARP Magazine
"In [The Replacements], Minnesota's bastard sons get the oral history treatment for a combination of myth building and myth busting. Author Jim Walsh is a longtime Replacements conspirator (his band, Laughing Stock played with them in their early `80s days and he delivered a eulogy at guitarist Bob Stinson's funeral in 1995), and he nakedly approaches his subjects with the thesis that they were the greatest band of their generation. Still, he makes no apologies for the often cruddy way they treated their fans, their friends, and each other. I came away from this book feeling the same way I came in: the Replacements definitely were a great band, but they sure seem like a bunch of d**ks." -- The FADER
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