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Representing Agrippina: Constructions of Female Power in the Early Roman Empire (American Philological Association American Classical Studies) [Hardcover]

Judith Ginsburg (Author), Eric Gruen (Editor)

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Book Description

December 1, 2005 0195181417 978-0195181418
Agrippina the Younger, wife of the emperor Claudius and mother of his successor Nero, wielded power and authority at the center of the Roman empire in ways unmatched by almost any other woman in Roman history. Such, at least, is the portrait of Agrippina delivered by our sources and perpetuated in modern scholarship. In this posthumous work, Judith Ginsburg provides a fresh look at both the literary and material representations of Agrippina. Unlike previous treatments, she seeks neither to condemn nor to rehabilitate Agrippina. Nor does she endeavor to exhume the "real Agrippina" from the embellished or fabricated portraits found among the ancients. Ginsburg trains her focus on the representations themselves. Her painstaking dissection of the portrayals by historians exposes the rhetorical tropes, the recurrent motifs, and the craft that shaped the literary image of Agrippina. The designs, as Ginsburg shows, were more than literary flourishes. They aimed to blur the boundaries between the domestic and the imperial realms, deploying the image of Agrippina as domineering wife and mother to suggest the flaws and instability of the regime, a dysfunctional family entailing a dysfunctional system of governance. Gender inversions at home played themselves out on the public scene as imperial rule compromised by female ascendancy. Distorted stereotypes of the "wicked stepmother," the domineering woman, and the sexual transgessor were applied to underscore the violations of status and disruption of gender relations that characterized the imperial administration. Ginsburg has as keen an eye for visual (mis)representations as for literary ones. The depictions of Agrippina on coinage and statuary provide a stark contrast with the written evidence. She appears as matron and priestess, emblematic of domestic rectitude and public piety, and a central figure in the continuity of the dynasty. Ginsburg incisively demonstrates the means whereby Agrippina's imagery was molded both to serve the interests of the Julio-Claudian regime and to advance the ends of its critics.

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Editorial Reviews

Review

There is much to be praised here. Kristina Milnor, Barnard College [The editors'] decision to publish the text with only the lightest editorial intervention is entirely justified by the quality of Judith Ginsbury's work. But it is also, in its unfinished state, an affecting memorial to its author, dramatizing in its loose ends the loss of the discipline that her death represents. Llewelyn Morgan, TLS

About the Author


Judith Ginsburg, 1944-2002, was Associate Professor of Classics at Cornell University. Eric S. Gruen is Professor of Classics at the University of California, Berkeley

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Inside This Book (learn more)
First Sentence:
THE LITERARY RECORD ON AGRIPPINA THE YOUNGER IS SHAPED WITH CALCULATION to produce a portrait-or portraits. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
saeva noverca, corona spicea, jugate busts, imperial woman, imperial women, provincial coinage, incestuous woman, togate figure, deified predecessor, rhetorical stereotypes, dux femina, official coinage, sexual transgressor, corona civica, draped bust, provincial issues, imperial coinage, statuary groups, imperial heirs, oak wreath, ruling emperor, imperial house, statue groups
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Agrippina the Elder, Julia Livilla, Divus Augustus, Divus Claudius, Agrippina the Younger, Greek East, Salus Augusta, Santoro L'Hoir, Agrippa Postumus, Mars Ultor, Poppaea Sabina, Cabinet des Médailles, Domitius Ahenobarbus, Fabius Rusticus, Lollia Paulina, Tacitus's Agrippina, Temple of Concord, Antonia Minor, Bibliothèque Nationale, Brian Rose, Lepcis Magna, Roman Provincial Coinage, Susan Wood, Tacitean Agrippina
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