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Representing Calcutta
 
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Representing Calcutta (Kindle Edition)

by Swati Chattopadhyay (Author)
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Editorial Reviews

Review

'Representing Calcutta provides a new and exciting look into the burgeoning capital of the Raj in the early nineteenth century. Chattopadhyay powerfully weaves together architecture, space, and culture to describe a city of 'blurred boundaries', in which British and Bengali each play a part in the creation of a distinctively colonial culture. From the layout of the bungalow to the ideas of Bengali reformers, Chattopadhyay gives us a living Calcutta in place of the usual stereotypes derived from Kipling and contemporary image-making' - Thomas R. Metcalf, Professor of History Emeritus, University of California, Berkley


'Representing Calcutta offers a wide ranging and fluent interpretation of the literature, art, and urban landscape of the colonial city that uses each to illuminate and sometimes to undercut the others. Chattopadhyay's great talent is to lay out large issues in concrete ways, creating a vivid and memorable portrait of colonial Calcutta's life and landscape and offering a fresh perspective on one of the world's great cities.' - Dell Upton, School of Architecture, University of Virginia




Representing Calcutta provides a new and exciting look into the burgeoning capital of the Raj in the early nineteenth century. Chattopadhyay powerfully weaves together architecture, space, and culture to describe a city of blurred boundaries, in which British and Bengali each play a part in the creation of a distinctively colonial culture. From the layout of the bungalow to the ideas of Bengali reformers, Chattopadhyay gives us a living Calcutta in place of the usual stereotypes derived from Kipling and contemporary image-making - Thomas R. Metcalf, Professor of History Emeritus, University of California, Berkley


Representing Calcutta offers a wide ranging and fluent interpretation of the literature, art, and urban landscape of the colonial city that uses each to illuminate and sometimes to undercut the others. Chattopadhyays great talent is to lay out large issues in concrete ways, creating a vivid and memorable portrait of colonial Calcuttas life and landscape and offering a fresh perspective on one of the worlds great cities. - Dell Upton, School of Architecture, University of Virginia



Product Description

This major new postcolonial study addresses the questions of modernity and space that haunt our perceptions of Calcutta.

This book explores the politics of representation and the cultural changes that occurred in the city as its residents negotiated the idea of being 'modern'. Its dynamic range encompasses Asian Studies and History, Architecture and Urbanism

The text responds to two inter-related concerns about the city. First is the image of Calcutta as the worst-case scenario of a Third World city -- the proverbial "city of dreadful nights. Second is the changing nature of the city's public spaces - the demise of certain forms of urban sociality that have been mourned in recent literature as the passing of Bengali modernity. Drawing on its postcolonial and spatial theory, it examines the city under British colonial rule as well as its later incarnations and explores issues such as gender, identity and nationalism.

We begin with an analysis of the British attitudes that produced a dominant image of a problem-ridden city in the nineteenth century, and then proceed to explore other ways of envisioning it, emphasizing various modes of Bengali spatial imagination and practice. The crafting of a nationalist identity was central to modern Bengali spatial imagination and was animated by the conflicting responses of Bengali residents to city life as they attempted to work out the ethics of their public and private selves in literature, art, residential design, and in the creation of new urban spaces.

This new text problematizes the idea of representing the city - both colonialist and nationalist. It argues for models of urbanism, nationalism, and modernity that cannot be fathomed by neat renderings into black/white, spiritual/material, but must be understood in terms of strategic "translations" between cultural and political domains. An essential and challenging new work from this leading author.


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