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Representing: Hip Hop Culture and the Production of Black Cinema
 
 
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Representing: Hip Hop Culture and the Production of Black Cinema [Paperback]

S. Craig Watkins (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0226874893 978-0226874890 November 1, 1999
In this engaging and provocative book, S. Craig Watkins examines two of the most important developments in the recent history of black cinema—the ascendancy of Spike Lee and the proliferation of "ghettocentric films." Representing explores a distinct contradiction in American society: at the same time that black youth have become the targets of a fierce racial backlash, their popular expressive cultures have become highly visible and commercially viable.

"Watkins is at his most sophisticated and persuasive when he explains the surprising success of hyper-talented, entrepreneurial, and energetic black artists."—Archon Fung, Boston Book Review

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Representing: Hip Hop Culture and the Production of Black Cinema + White Screens/Black Images: Hollywood From the Dark Side + Artificial Africas: Colonial Images in the Times of Globalization (Reencounters with Colonialism: New Perspectives on the Americas)
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Product Details

  • Paperback: 330 pages
  • Publisher: University Of Chicago Press (November 1, 1999)
  • Language: English
  • ISBN-10: 0226874893
  • ISBN-13: 978-0226874890
  • Product Dimensions: 9 x 6 x 0.8 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #374,147 in Books (See Top 100 in Books)

More About the Author

S. Craig Watkins writes about youth, media, technology, and society. He is an Assoc. Prof. of Radio-TV-Film at the University of Texas at Austin.

 

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2 of 3 people found the following review helpful:
5.0 out of 5 stars An excellent accessment of Hip-Hop Culture and Black Film., December 24, 2000
By A Customer
I highly recommend this book. It is very enjoyable and informative reading that is right on target for insight into the Black Urban Culture, the rise of Hip Hop and it's influence on Black produced American film. It was used as a main text for a Rap and Black Cinema university course successfully. Although very sociology based, it was understood by college students of other majors who appreciated the book's honesty of a much maligned topic.
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Inside This Book (learn more)
First Sentence:
It is difficult to think or write cogently about the popular cultures of black youth without considering the material world young African Americans inhabit. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
ghetto action film cycle, postindustrial ghetto life, youth expressive cultures, ghettocentric imagination, black youth popular culture, popular film production, ghetto dislocation, music videoclips, imitative cycle, ghetto action films, rap music production, popular cultural formations, popular media products, popular cultural landscape, black cultural producers, moviegoing population, repetitious production, popular film industry, youth marketplace, youth cultural practices, urban ghetto life, black moviegoers, black cinema, independent film distributors, commercial film industry
Key Phrases - Capitalized Phrases (CAPs): (learn more)
African American, Spike Lee, School Daze, United States, Warner Brothers, New Hollywood, World War, Los Angeles, New York City, John Singleton, Matty Rich, Republican Party, Public Enemy, Middle America, New Line Cinema, Week Box Office, Black Filmmaker Foundation, Democratic Party, George Wallace, Krush Groove, Samuel Goldwyn, Tricia Rose, Cornel West, Island Pictures, Lawrence Grossberg
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