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Audio CD, August 8, 2006
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Song Title Time Price
listen  1. Hypnotized 4:11$0.99  Buy MP3 
listen  2. Subconscious 3:32$0.99  Buy MP3 
listen  3. In The Margins 3:13$0.99  Buy MP3 
listen  4. Nicotine 4:06$0.99  Buy MP3 
listen  5. Decree 3:43$0.99  Buy MP3 
listen  6. 78% H2O 3:30$0.99  Buy MP3 
listen  7. Millennium Theater 3:14$0.99  Buy MP3 
listen  8. Half-Assed 3:29$0.99  Buy MP3 
listen  9. Reprieve 2:45$0.99  Buy MP3 
listen10. A Spade 4:24$0.99  Buy MP3 
listen11. Unrequited 4:06$0.99  Buy MP3 
listen12. Shroud 4:48$0.99  Buy MP3 
listen13. Reprise 1:34$0.99  Buy MP3 

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Ani DiFranco has written hundreds of songs, played thousands of shows, captured the imaginations of legions of followers, and jammed with folkies, orchestras, rappers, rock and roll hall-of-famers, jazz musicians, poets, pop superstars, storytellers and a martial arts legend. She’s “fixed up a few old buildings” and minimized her carbon footprint before it was trendy – ... Read more in Amazon's Ani DiFranco Store

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Product Details

  • Audio CD (August 8, 2006)
  • Original Release Date: 2006
  • Number of Discs: 1
  • Label: Righteous Babe
  • ASIN: B000G6BLFQ
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #213,649 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Every new album from Ani DiFranco gives listeners a reason to get excited about music all over again, and her latest, Reprieve, is certainly no exception. Across 12 tracks, DiFranco ignites more of her signature blend of poetry, politics and musicianship. Ani and touring bassist Todd Sickafoose are the only two players on the new album - something you'd never guess from it's rich and detailed sound. In addition to the usual array of acoustic and electric guitars, Ani can be heard on keyboards, drums, and other instruments, while Todd contributes bass, wurlitzer, pump organ, piano and "fakey-bakey" trumpet and strings. The album was tracked in her New Orleans studio in early 2005 during a break in her usually heavy touring schedule. Forced to leave the master recordings behind before Hurricane Katrina, she drove back into the city to retrieve them just three days after the levees broke. From there she headed back to overdub in her hometown of Buffalo with whatever instruments happened to be on hand.

Given these tumultuous times, one would expect Ani DiFranco to confront strife head-on, but on this, her 18th album, she tunnels beneath the headlines toward deeper emotional, psychic, and institutional conflicts and causes. She begins by channeling her inner Joni Mitchell, pouring out a quartet of jazzy confessions lightly dusted with electronica, musique concrete, and keyboard drone, but urged forward by Todd Sickafoose's warm acoustic bass. His throbbing, be-bop lines are this spare but somehow atmospheric album's musical soul. As DiFranco's voice bobs and weaves around those rhythms, the personal poetry makes the politics hit harder--and vice versa. She celebrates marginalia and makes peace with a world in flux. She conveys the heat of across-the-café infatuations and grows anxious over her subconscious desires. When she locks her sights on contemporary culture, she sends a scattershot spray against celebrity cults, network news, biotechnology, Yucca Mountain, stolen elections and, of course, patriarchy. But she's a gifted enough poet and musician to keep the album from collapsing into radical rhetoric and psychobabble. The spoken-word title track begins in Hiroshima and ends in a declaration that feminism is not about equality but about "reprieve"--an amnesty from fear and hate, in other words, and an affirmation of life. In the context of a death-driven culture, her decision to bear children, "to split herself in two," becomes the most "radical thing you can do." None of her manifestos, however, would ring true if it weren't for her imaginative, even playful singing and her ever-more accomplished acoustic guitar playing, sometimes classically graceful, sometimes purely urgent. --Roy Kasten

Customer Reviews

If your a true Ani fan, you'll love this album.
Wyatt Tanner
Take it from me, Reprieve is a great album, much different from Knuckle Down; it has sonicscapes similiar to the electronics of 'My I.Q.'.
I love the lyrics- as usual she is a master poet.

Most Helpful Customer Reviews

12 of 15 people found the following review helpful By Rudy Palma on September 28, 2006
Format: Audio CD Verified Purchase
Invariably a looming epitome of political awareness and self-reliance, the very pregnant Ani Difranco is in rare form with her latest studio album "Reprieve." Quite a varied collection, and the first after what has been for her a long absence (the outstanding "Knuckle Down" came out in January 2005), Difranco sounds revitalized and acutely in touch with herself. In each lyric and guitar strum resides a sense of purpose and unquestionable passion.

Romance has never ranked high on Difranco's list of musical agendas, but opening track "Hypnotized" articulates a love story complete with her own wistful, unorthodox style, as she and a handsome stranger suddenly enrapture each other in a country where she does not speak the language. She also nails the feeling of an unhealthy, near-obsessive relationship in "Nicotine," where she cannot help but keep second guessing herself, chiming "you sang that song in my ear, and it tickled those tiny hairs."

The most anthemic moments of the disc, however, are where she wages sharp, articulate criticism on American government and culture, complete with evidence for support. In "Decree," she damns "network yes men" and "the sexed-up strobe of celebrity" for manipulating a vulnerable public, concluding that "the stars are going out, and the stripes are getting bent." In "Millennium Theater," however, she really cuts to the throat of it all.

"Halliburton, Enron/Chief justices for sale/Yucca mountain goddesses/Their tears they form a trail/Trickle down pollution/Patriarchies realign/While the ice caps melt/And New Orleans bides her time."

Further selections glisten and sparkle.
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Format: Audio CD
From the start of "Hypnotized", the opening track on Ani DiFranco's latest album, Reprieve Review: Music: Ani DiFranco: Reprieve, 2006 (Righteous Babe, 2006) you sense an artist slightly out of step and at odds with the world around her, even with those who love her: "I was no picnic / I was no prize / but I had just enough sweetness / to keep you hypnotized." That quote says it Ani or hate her, she's a DIY phenomenon. You have to give her props for doing it the hard way--her own way. She's toured constantly for 16 years, turned out 20 albums (live and studio), 2 DVDs, and 3 EPs, and repeatedly turned down major label deals to run her own label, Righteous Babe.

DiFranco's as famous for her shaved head, pierced and tattooed look as for her anthemic woman-power tunes such as "Gratitude", "Not A Pretty Girl", "Little Plastic Castles", and "The Next Big Thing." She's made a career out of brash, uneven vocals, fast guitar licks, and digs at the existing power structure. As if being pigeon-holed by the music industry, the media, and men in power isn't enough, she also gets put in a box by fans who expect her to be the same old Ani, over and over. (She famously alienated a sizable part of her grassroots following when she married a man.)

DiFranco's look is softer now, and so is this album. Not soft in a wishy-washy way, but the softness of a musician who knows her power and when to hold it in check.

Reprieve is polished and melodic. The album's rhythm amazing, especially when you consider that there are no drums, just Ani's voice, her guitar, and Todd Sickafoose's soulful acoustic bass. (Sickafoose signed on for DiFranco's 2004 second DVD, Trust, as well as her 2005 album, Knuckle Down.
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9 of 11 people found the following review helpful By Katrina on August 8, 2006
Format: Audio CD
I have been listening to the songs on the RBR site for a month or so now, to get a feel for how this new album was going to sound. I wasn't sure what to expect. I didn't really care for Educated Guess (although, I much prefer her live versions on the official bootlegs). Nor did I like much of Knuckle Down. I went to see Ani a few weeks ago here in Edmonton (that's in Canada for those of you who are not familiar). She was amazing, and she sang lots from the new album. The last time I saw her, was in Portland, ME. I drove 6 hrs in freezing rain, from New Brunswick (Canada) to see her. She had a lot of brass instrumentation with her, and even though I really liked Revelling/Reckoning, I am not a fan of the "jazz" sounds. So for me, this is a nice welcomed return to the basic sounds of the acoustic guitar that I love!! I love the lyrics- as usual she is a master poet. I only wish I could use the english language the way she does.

So rambling aside, I really recommend this new album. Even though I refer to it as a return to basics, it isn't like anything she's released before. Ani is forever morphing, yet keeping so much about her the same. Isn't that why we keep coming back for more?
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7 of 8 people found the following review helpful By J. Pearson on August 17, 2006
Format: Audio CD
I give this album five stars because Ani has redeemed herself. The other reviewer that said this one blows Knuckle Down out of the water is right. If you like Ani as I do, you need to get this album. It's the perfect blend of the old and the new. Her guitar playing on this one is reminiscent of some of her early stuff as well as some of the new ones. I would definitely say that Reprieve is one of her best albums in recent years.
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