The Reptile Room
begins where Lemony Snicket's The Bad Beginning
ends... on the road with the three orphaned Baudelaire children as they are whisked away from the evil Count Olaf to face "an unknown fate with some unknown relative." But who is this Dr. Montgomery, their late father's cousin's wife's brother? "Would Dr. Montgomery be a kind person?
they wondered. Would he at least be better than Count Olaf? Could he possibly be worse?"
He certainly is not worse, and in fact when the Baudelaire children discover that he makes coconut cream cakes, circles the globe looking for snakes to study, and even plans to take them with him on his scientific expedition to Peru, the kids can't believe their luck. And, if you have read the first book in this Series of Unfortunate Events, you won't believe their luck either. Despite the misadventures that befall these interesting, intelligent, resourceful orphans, you can trust that the engaging narrator will make their story--suspenseful and alarming as it is--a true delight. The Wide Window
is next, and more are on their way. (Ages 9 and older) --Karin Snelson
--This text refers to the
From Publishers Weekly
"If you are interested in stories with happy endings, you would be better off reading some other book." So cautions Snicket, the exceedingly well-mannered narrator of these two witty mock-gothic novels featuring the misadventures of 14-year-old Violet, 12-year-old Klaus and infant Sunny Baudelaire. From the first, things look unfortunate indeed for the trio: a fire destroys their home, killing their parents along with it; the executor of their parents' estate, the obtuse Mr. Poe (with a son, Edgar), ignores whatever the children have to say; and their new guardian, Count Olaf, is determined to get his hands on the Baudelaire fortune. But by using their individual gifts (Violet's for inventing, Klaus's for reading and researching and baby Sunny's for biting) the three enterprising children thwart the Count's planAfor now. The author uses formal, Latinate language and intrusive commentary to hilarious effect, even for readers unfamiliar with the literary conventions he parodies. The peril in which he places the Baudelaires may be frightening (Count Olaf actually follows through on his threats of violence on several occasions), but the author paints the satire with such broad strokes that most readers will view it from a safe distance. Luckily for fans, the woes of the Baudelaires are far from over; readers eager for more misfortune can turn to The Reptile Room, for an even more suspenseful tale. Exquisitely detailed drawings of Gothic gargoyles and mischievous eyes echo the contents of this elegantly designed hardcover. Age 9-up. (Sept.)
Copyright 1999 Reed Business Information, Inc.
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