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3 of 3 people found the following review helpful:
5.0 out of 5 stars
A funny, sad, hardened, compassionate, romantic, erotic, political portrait of East LA, painted beautifully by Rodgriguez, April 5, 2008
This review is from: The Republic of East LA: Stories (Paperback)
This is my second Rodriguez book, following Always Running, and I think I'm hooked on him, now. Each short story is impossible to turn away from, and each represents a different sub culture of East LA's Chicano and Mexican cultures. Most importantly, however, each represents a different character and personality, within each of these subcultures. Modern American entertainment tends to lump all minority characters into one revolving cyborg, as if they're all connected to the same brain. Rodriguez's answer to that is introducing us to the real people of East Los Angeles and their real feelings, not only toward America, but toward each other. About as far as mainstream American folkore goes with the latter is the drive by gang war. Rodriguez doesn't leave that out either. But he gives us a different look, one from the "locas", or the women. The issues they face, ranging from violent to romantic to family neglect, will not give you the time to wonder, "what do they see in these guys, anyway?". And to think, we're distracted from this question just reading the book; imagine being in their shoes...
It's this kind of writing that makes people like Rodriguez so important to America today, as unfortunately, stories of culture in places like East Los Angeles die on a vine before reaching the American mainstream household or entertainment venue, which leaves the role of messenger to Hollywood film producers and book publishers, who more often than not give us their own version. What else could explain most mainstream productions of Latino, black, or Asian culture?
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4 of 5 people found the following review helpful:
5.0 out of 5 stars
Our Republic, April 4, 2003
This review is from: The Republic of East LA: Stories (Paperback)
Luis J. Rodriguez once again has painted a vibrant and complex picture of those who work, live, love and die in "The Republic of East L.A." Rodriguez's prose is straight-forward yet poetic as he tells us about the varied struggles of cholos/as, a budding journalist, a limousine driver, immigrants, working people, all sorts of gente. My favorite story is "Sometimes You Dance with a Watermelon," where forty-year-old Rosalba (an immigrant living in poverty and already a grandmother) needs to escape her crowded home to get a momentary bit of joy. She rouses her favorite granddaughter, Chila, and they drive to Grand Central Market where they buy a watermelon. Rosalba balances it on her head and starts to walk swaying "back and forth to a salsa beat thundering out of an appliance store." She and Chila get caught up in this joyous dance: "Rosalba had not looked that happy in a long time as she danced along the bustling streets of the central city in her loose-fitting skirt and sandals. She danced in the shadow of a multi-storied Victorian -- dancing for one contemptuous husband and for another who was dead. She danced for a daughter who didn't love herself enough to truly have the love of another man. She danced for her grandchildren, especially that fireball Chila. She danced for her people, wherever they were scattered, and for this country she would never quite comprehend. She danced, her hair matted with sweat, while remembering a simpler life on an even simpler rancho in Nayarit." This is a powerful, beautiful collection.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Interesting Barrio Stories, August 31, 2009
This review is from: The Republic of East LA: Stories (Paperback)
I live in East LA, so the title alone caught my attention. Each chapter is a short story and depicts the lives of Chicanos in and around East Los. Some stories were sad, others happy but all of them made me smile when they referenced streets or buildings in the neighborhood. I'm very much into Chicano/Latino literature and would highly recommend this book.
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