This sequel to Faulkner's SANCTUARY written 20 years later, takes up the story of Temple Drake eight years after the events related in SANCTUARY.
From the Trade Paperback edition.
From the Trade Paperback edition.
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Book Description
Editorial Reviews
From the Inside Flap
This sequel to Faulkner's SANCTUARY written 20 years later, takes up the story of Temple Drake eight years after the events related in SANCTUARY.
From the Trade Paperback edition.
From the Trade Paperback edition.
About the Author
William Faulkner was born in New Albany, Mississippi, on September 25, 1897. His family was rooted in local history: his great-grandfather, a Confederate colonel and state politician, was assassinated by a former partner in 1889, and his grandfather was a wealth lawyer who owned a railroad. When Faulkner was five his parents moved to Oxford, Mississippi, where he received a desultory education in local schools, dropping out of high school in 1915. Rejected for pilot training in the U.S. Army, he passed himself off as British and joined the Canadian Royal Air Force in 1918, but the war ended before he saw any service. After the war, he took some classes at the University of Mississippi and worked for a time at the university post office. Mostly, however, he educated himself by reading promiscuously.
Faulkner had begun writing poems when he was a schoolboy, and in 1924 he published a poetry collection, The Marble Faun, at his own expense. His literary aspirations were fueled by his close friendship with Sherwood Anderson, whom he met during a stay in New Orleans. Faulkner's first novel, Soldier’s Pay, was published in 1926, followed a year later by Mosquitoes, a literary satire. His next book, Flags in the Dust, was heavily cut and rearranged at the publisher’s insistence and appeared finally as Sartoris in 1929. In the meantime he had completed The Sound and the Fury, and when it appeared at the end of 1929 he had finished Sanctuary and was ready to begin writing As I Lay Dying. That same year he married Estelle Oldham, whom he had courted a decade earlier.
Although Faulkner gained literary acclaim from these and subsequent novels—Light in August (1932), Pylon (1935), Absalom, Absalom! (1936), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), and Go Down, Moses (1942)—and continued to publish stories regularly in magazines, he was unable to support himself solely by writing fiction. he worked as a screenwriter for MGM, Twentieth Century-Fox, and Warner Brothers, forming a close relationship with director Howard Hawks, with whom he worked on To Have and Have Not, The Big Sleep, and Land of the Pharaohs, among other films. In 1944 all but one of Faulkner's novels were out of print, and his personal life was at low ebb due in part to his chronic heavy drinking. During the war he had been discovered by Sartre and Camus and others in the French literary world. In the postwar period his reputation rebounded, as Malcolm Cowley's anthology The Portable Faulkner brought him fresh attention in America, and the immense esteem in which he was held in Europe consolidated his worldwide stature.
Faulkner wrote seventeen books set in the mythical Yoknapatawpha County, home of the Compson family in The Sound and the Fury. “No land in all fiction lives more vividly in its physical presence than this county of Faulkner’s imagination,” Robert Penn Warren wrote in an essay on Cowley’s anthology. “The descendants of the old families, the descendants of bushwhackers and carpetbaggers, the swamp rats, the Negro cooks and farm hands, the bootleggers and gangsters, tenant farmers, college boys, county-seat lawyers, country storekeepers, peddlers—all are here in their fullness of life and their complicated interrelations.” In 1950, Faulkner traveled to Sweden to accept the 1949 Nobel Prize for Literature. In later books—Intruder in the Dust (1948), Requiem for a Nun (1951), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962)—he continued to explore what he had called “the problems of the human heart in conflict with itself,” but did so in the context of Yoknapatawpha’s increasing connection with the modern world. He died of a heart attack on July 6, 1962. --This text refers to the Paperback edition.
Faulkner had begun writing poems when he was a schoolboy, and in 1924 he published a poetry collection, The Marble Faun, at his own expense. His literary aspirations were fueled by his close friendship with Sherwood Anderson, whom he met during a stay in New Orleans. Faulkner's first novel, Soldier’s Pay, was published in 1926, followed a year later by Mosquitoes, a literary satire. His next book, Flags in the Dust, was heavily cut and rearranged at the publisher’s insistence and appeared finally as Sartoris in 1929. In the meantime he had completed The Sound and the Fury, and when it appeared at the end of 1929 he had finished Sanctuary and was ready to begin writing As I Lay Dying. That same year he married Estelle Oldham, whom he had courted a decade earlier.
Although Faulkner gained literary acclaim from these and subsequent novels—Light in August (1932), Pylon (1935), Absalom, Absalom! (1936), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), and Go Down, Moses (1942)—and continued to publish stories regularly in magazines, he was unable to support himself solely by writing fiction. he worked as a screenwriter for MGM, Twentieth Century-Fox, and Warner Brothers, forming a close relationship with director Howard Hawks, with whom he worked on To Have and Have Not, The Big Sleep, and Land of the Pharaohs, among other films. In 1944 all but one of Faulkner's novels were out of print, and his personal life was at low ebb due in part to his chronic heavy drinking. During the war he had been discovered by Sartre and Camus and others in the French literary world. In the postwar period his reputation rebounded, as Malcolm Cowley's anthology The Portable Faulkner brought him fresh attention in America, and the immense esteem in which he was held in Europe consolidated his worldwide stature.
Faulkner wrote seventeen books set in the mythical Yoknapatawpha County, home of the Compson family in The Sound and the Fury. “No land in all fiction lives more vividly in its physical presence than this county of Faulkner’s imagination,” Robert Penn Warren wrote in an essay on Cowley’s anthology. “The descendants of the old families, the descendants of bushwhackers and carpetbaggers, the swamp rats, the Negro cooks and farm hands, the bootleggers and gangsters, tenant farmers, college boys, county-seat lawyers, country storekeepers, peddlers—all are here in their fullness of life and their complicated interrelations.” In 1950, Faulkner traveled to Sweden to accept the 1949 Nobel Prize for Literature. In later books—Intruder in the Dust (1948), Requiem for a Nun (1951), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962)—he continued to explore what he had called “the problems of the human heart in conflict with itself,” but did so in the context of Yoknapatawpha’s increasing connection with the modern world. He died of a heart attack on July 6, 1962. --This text refers to the Paperback edition.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Yonder comes sin,
By D. Lowbrow (Bohemian Riviera) - See all my reviews
This review is from: William Faulkner Manuscripts 19, Volume IV: Requiem for a Nun: Playscript Materials (Hardcover)
Eight years ago Temple Drake, a privileged young Mississippi debutante, hopped off the back of a train to spend the afternoon with a young man and his motor car. It was a terrible mistake. Her date, Gowan Stevens, drank rather more than he could handle and abandoned his nubile protégée in a remote house crawling with Memphis gangsters. One sexual assault and one murder later, Temple found herself in residence at a Memphis brothel under the tutelage of the monstrous psychopath Popeye. But it wasn't all bad news: not only did Temple have access to funds sufficient to buy the very latest fashions, but she found love with a dashing local thug named Red. By the time she was liberated from her captivity, it was far from clear that she preferred the chaste comforts of home to the meretricious charms of Gayoso Street. Naturally, Temple's adventure caused quite a stir in little Jefferson, Mississippi. But Gowan Stevens, a southern gentlemen born and bred, stepped in to assuage his own sense of guilt and rescue Temple's honour by marrying her, thereby giving them both the chance to put their past behind them.
But "the past is never dead. It's not even past." Worse, "everyone must, or anyway may have to, pay for your past; that past is something like a promissory note with a trick clause in it which, as long as nothing goes wrong, can be manumitted in an orderly manner, but which fate or luck or chance, can foreclose on you without warning". And the past sure has caught up with Mrs Gowan Stevens: her infant daughter has been murdered by her black nurse Nancy, and it appears that Temple is somehow deeply implicated in the crime. `Requiem for a Nun' is about Temple's attempts to confront her responsibility for the concatenation of sin generated by her decision to jump off the back of a train eight years ago, and her desperate search for atonement. But the salvation available to Nancy, who goes to the gallows at peace with her Maker, is denied to Temple. Indeed, it seems the best most of us can do is to accept our moral responsibility for our sins and their consequences and suffer accordingly. If there's a point to anybody's suffering, it's encapsulation by a tendentious reading of a biblical phrase: "suffer little children to come unto Me". Not "permit" little children, but suffer yourself, that they might be "intact, unanguished, untorn, unterrified". It is this injunction that Temple has violated and, paradoxically, it is on this principle that Nancy commits her ghastly crime. Ignore the numpty reviewers on this page. 'Requiem for a Nun' is as accessible as it is philosophically profound. Tell your friends about it today.
2 of 2 people found the following review helpful:
4.0 out of 5 stars
Still a work of a Genius,
This review is from: William Faulkner Manuscripts 19, Volume IV: Requiem for a Nun: Playscript Materials (Hardcover)
Nancy, a negro servant, redeemed from the gutter by Temple Drake, murders her mistresses baby. Only Nancy and Temple know why,and Temple once again tries to redeem herself by saving Nancy from her fate.
The modern day thread is written in the form of a stage play, whilst this is interwoven with the ebb and flow of history and its monuments,legends and flotsam. I've always hated James Joyce.I can appreciate his influence, but I've always felt other writers were better at being James Joyce than James Joyce himself was. And one of those-better by far-is William Faulkner. He always admitted his debt to Joyce, and has turned Joyces style to build up a strong image of the influences of nature and history in the deep south; emphasising how our past always carries with it a promissory note that fate can choose to foreclose on at any time and demand payment in full-particularily resonant in the south- and how we all suffer like Christ on his cross for the sins we commit and for those of our fathers. No, not Faulkners greatest work, it was written towards the end of his career, but there is enough of his genius in this work (The Jail I particularly enjoyed) that you come out the other end a bit wiser; knowing that the history and progress Faulkner wrote about is still relentlessly carrying on; never knowing when fate will produce a promissory for redemption!
7 of 11 people found the following review helpful:
2.0 out of 5 stars
An "off day" for a literary genius.,
By A Customer
This review is from: Requiem for a Nun (Paperback)
I'm gonna make this review short. If you've read "Sanctuary", then this book might be worth reading....once. Don't expect the usual Faulkner greatness, however - it's readable and that's all. There are about, oh, say, 20 or so Faulkner works I would recommend before this one. "Sanctuary" really didn't need a sequel, IMHO.If you haven't read "Sanctuary", don't even bother. I can almost guarantee you'll dislike it and/or be confused by it. Not highly recommended.
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