To the Rescue of Art: Twenty-Six Essays [Paperback]

Rudolf Arnheim (Author)

Book Description

Publication Date: November 25, 1991

Never before published essays by the widely admired psychologist of art. Arnheim spiritedly asserts art's fundamental achievements.
Rudolf Arnheim has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself.
The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms. Included is a series of miniature monographs on a variety of great works of art. In other essays, Arnheim uncovers enlightening perspectives in the art of the blind, in architectural space, in caricature, and in the work of psychotics and autistic children. He also presents new scientific aspects on the psychology of art and widens our range of vision by connecting art with language, literature, and religion.

Editorial Reviews

From Library Journal

This book comprises 25 essays written mostly in the 1980s. Many have never been published; others were reworked or spliced together from previously published articles. The topics covered are quite diverse, although they are mainly centered around the author's specialty--the psychology of art. Here the reader can find insightful investigations into the problems of perception, conceptualization, and epistemology as they relate to visual arts, music, and the written word; the arts of the mentally and perceptually impaired; gestalt psychology; and the religious nature/function of art. As such, this volume is not as polemical as the title suggests. Rather, the essays attempt to demonstrate, positively, how the arts provide meaning for human beings by helping them to sort out satisfactorily the perceptual/conceptual problems we encounter in everyday life. The author is truly at his best when he is exploring these problems in light of their philosophical ramifications. As a whole the book is well written and will complement well Arnheim's other seminal works on the psychology of art. Highly recommended.
- David B. Hegeman, Kings Coll . Lib . , Briarcliff Manor, N.Y.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

About the Author

Rudolf Arnheim taught at Sarah Lawrence College for many years and was the first Professor of the Psychology of Art at Harvard. He taught at the University of Michigan after his retirement and is the author of ten other books, all published by the University of California Press.

Product Details

• Paperback: 243 pages
• Publisher: University of California Press (November 25, 1991)
• Language: English
• ISBN-10: 0520074599
• ISBN-13: 978-0520074590
• Product Dimensions: 9 x 6 x 0.7 inches
• Shipping Weight: 15 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #1,346,137 in Books (See Top 100 in Books)

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14 of 14 people found the following review helpful:

5.0 out of 5 stars Aesthetics of Art, May 3, 2000

By A Customer

This review is from: To the Rescue of Art: Twenty-Six Essays (Paperback)

With this essays in this book, Arnheim discusses art as art, or rather what makes art. One of his theses is that much of the blame for the current decline of art and of art and literary criticism lies with the fin de siecle mood of the general culture, but much of it lies with those who are supposed to be critics.

Many critics, and unfortunately teachers, subscribe to the belief that the criteria by which a work of art deserves to be held in aesthetic and social esteem no longer exist. Thus, one can hardly blame people for arguing that art is anything they chooses to call it if the very people who are supposed to supply the standards by which to judge what is and is not art assert that any kind of objective criteria no longer exist.

On the other hand, artists are always exploring and innovating. But exactly for this reason, critics should discuss what makes art art. It is too easy to indulge in the easy pleasures of relativism just as it is too easy to answer with smug, superior expressions when people ask what is meant by art.

The solution to rescuing the arts consists in discrimination, once the penultimate critical faculty, in pointing out the common core of sensory expression in all its manifestations-what William James calls the "sifting of human creations." What critics need to do is revive and explore the principles of which all productive functioning of the arts is based. As Arnheim states: "If art is indispensable as a psychological, and possibly a biological, requirement of existence, it must be assumed to grow from the very depths of our being. And if so, these roots must be traceable. Therefore, critics must be heralds of the principles they are retrieving."

But, do not be put off by the political nature of this review. Arnheim is not a polemicist. The majority of the book is devoted to what he states critics need do: discuss art as art, not art as politics. And he does that very well.