From Publishers Weekly
The little-known world of art theft is compellingly portrayed in Dolnick's account of the 1994 theft and recovery of Edvard Munch's iconic painting
The Scream. The theft was carried out with almost comical ease at Norway's National Gallery in Oslo on the very morning that the Winter Olympics began in that city. Despite the low-tech nature of the crime, the local police were baffled, and Dolnick (
Down the Great Unknown;
Madness on the Couch) makes a convincing case that the fortunate resolution of the investigation was almost exclusively due to the expertise, ingenuity and daring of the "rescue artist" of the title: Charley Hill, a Scotland Yard undercover officer and former Fulbright scholar who has made recovering stolen art treasures his life's work. Hill is a larger-than-life figure who seems lifted from the pages of Elmore Leonard, although his adversaries in this inquiry are fairly pedestrian. While the path to the painting's retrieval is relatively straightforward once some shady characters put the word out that they can get their hands on it, the narrative's frequent detours to other crimes and engaging escapades from Hill's past elevate this work above last year's similar
The Irish Game by Matthew Hart. 16 pages of b&w and 8 pages of color photos not seen by
PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Adult/High School–A compelling account of the 1994 theft of one of the world's most famous paintings,
The Scream. Dolnick focuses on the hero of the case, Scotland Yard's Art Squad specialist Charley Hill. Because of Hill's earlier success in retrieving stolen art treasures, he was charged with the difficult job of locating the painting and successfully retrieving it in its original condition. While the author keeps readers in suspense as he digresses frequently to tell the story of other notorious art thefts and art thieves, diligent readers will be treated to a nail-biting, edge-of-your-seat account of the painting's rescue. Along the way, Dolnick imparts a great deal of information not only about Edvard Munch, but also about the art world's surprisingly lax security measures and the lack of motivation on the part of authorities charged with retrieving art treasures. In spite of the asides, this is a tightly woven, fast-paced story. Teens interested in art and/or investigative journalism will enjoy this real-life whodunit.
–Catherine Gilbride, Farifax County Public Library, VA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
