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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Excellent Performance and Price, October 20, 2000
This review is from: Respighi: Gli Uccelli /Vetrate Di Chiesa; Scarlatti & Tommasini: Le Donne Di Buon Umore (Audio CD)
This is a charming and very well performed CD. Respighi's "The Birds" has been recorded quite a bit, but I can't see any need to ever look farther than this recording for a good account. The orchestra sounds great from the contrabasses up through the harp and celeste. I can get a sense of the Baroque style that Respighi is emulating, but with the performance resources of the more modern symphony orchestra. The Church Windows performance is also excellent and very expressive. All of the parts can be heard cleanly, and I particularly liked the woodwinds (especially the oboe) and the harp. The brass fall a little short of the more recent Lopez-Cobos recording, but they are still very good. The off-stage piccolo trumpet in II is beautifully played, but the brass throughout the movement don't have the punch that Cincinnati does on Telarc (this is a big battle, after all). The percussion are also very good, although today's technology has given us bigger sounding equipment for the most dramatic moments. Recording quality is excellent and I don't think that many people would know that these performances were done roughly 30 years ago. This is a great, enjoyable CD at an unbeatable price.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Excellent recording of Respighi's lesser known works., December 8, 2004
This review is from: Respighi: Gli Uccelli /Vetrate Di Chiesa; Scarlatti & Tommasini: Le Donne Di Buon Umore (Audio CD)
After hearing three different recordings of the Church Windows (this being one of them) I have come to the conclusion that this is the finest recording out there of Respighi's lesser known works. The lush string section of Philadelphia is the definite selling item of this album. They show (as they always have, considering they were one of the finest string sections on Earth during the time of the actual recording) a warmth that makes the performance even more-so welcome and enjoyable. They play very cleanly and display a discipline to follow the conductor's every whim. The organ in Church Windows also is well balanced with the ensemble and, when played loudly, can raise the hairs on the back of this listener's neck. Pedals that can shake rafters and cause weak hearts to flutter. I have yet to understand why this work is not a standard orchestral warhorse. With few available recordings, each being well done, but this one, currently unavailable, surpassing them, I can say this is a real find. I hope that Sony reissues this, as another poster has said. It is worth the investment. The Birds and The Good-Humored Ladies are also performed excellently on this album. If you can find this recording, grab it. It's worth every penny you spend on it.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Soaring, Majestic Compositions, November 14, 2002
This review is from: Respighi: Gli Uccelli /Vetrate Di Chiesa; Scarlatti & Tommasini: Le Donne Di Buon Umore (Audio CD)
I am falling in love with the music of Respighi. Introduced to him at a Mannheim Steamroller concert where they played some selections from his Pines of Rome, I have slowly purchased more of his works. This latest addition is such a great find! The Birds are so mellow and pleasant to listen to. The winds are magnificent here from the Philadelphia Orchestra in this legendary recording. Especially delightful is the playfulness of The Cuckoo. Respighi's Church Windows shifts moods to won of emulating in various phrases of the music Gregorian chant. The pipe organ kicking in on The Matins was especially moving. The excellent liner notes accompanying were very helpful in explaining how Respighi and Tommasini were throwbacks in their day to the previous musical styles, here resurrecting several of them with adaptation. Scarlatti's harpsichord sonatas are here adapted to a delightful orchestral piece "The Good-Humored Ladies." Played eloquently by the Cleveland Orchestra under Louis Lane.
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