Restless Nights [Paperback]

Dino Buzzati (Author), L. Venuti (Translator)

Editorial Reviews

Language Notes

Text: English, Italian (translation) --This text refers to an out of print or unavailable edition of this title.

Product Details

• Paperback: 180 pages
• Publisher: Littlehampton Book Services Ltd; New edition edition (February 19, 1987)
• ISBN-10: 0856356840
• ISBN-13: 978-0856356841
• Shipping Weight: 1.1 pounds
• Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #9,193,104 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

5.0 out of 5 stars Concise and often Marvelous Stories, November 7, 2003

By 

Doug Anderson (Miami Beach, Florida United States) - See all my reviews
(VINE VOICE)   

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This review is from: Restless Nights: Selected Stories of Dino Buzzati (Restless Nights Ppr) (Paperback)

"Deep inside Tibet a native guide offered to accompany me if by chance I wanted to see the walls of the city of Anagoor. I looked at the map, but there was no city of Anagoor." Thus begins Dino Buzzati's "Walls of Anagoor". Buzzati was a journalist and so he writes very succinct sentences which have a matter of fact feel to them. His stories are quite often no more than 4-5 pages long and even though his stories often veer into the uncharted terrain of human desire and fantasy you feel like you are reading a newspaper article and so the events and the characters actions seem perfectly plausible, perfectly within the realm of the possible, even ordinary. And that is Buzzati's style: to make the extraordinary sound ordinary. Even though they are each very short the stories are impossible to paraphrase because Buzzati chooses each phrase so carefully that paraphrasing would be misrepresenting his stories. He might be compared to Kafka but Buzzati writes like no one else. Generally speaking if you categorize Buzzati he would fit in with Kafka or Camus or Borges and if you are familiar with those writers and you come to Buzzati you will be reminded in subtle ways of those others but you will also notice important differences. Kafka often used fantasy in a negative way--to emphasize the dehumanizing nature of modern life. Buzzati uses fantasy to allow his characters a bit of release from the everday world. Even if the fantasy proves to be only an illusion Buzzati shows how people use fantasy to cope with existence. In this way he is not nearly as bleak as Kafka can sometimes be. Buzzati has a lighter touch than Kafka or Camus. You don't get that heavy sense of dread in Buzzati that you get with Camus, instead you get a sense of reality as something that each individual must construct for themselves and no reality is complete without an element of fantasy. Buzzati seems aware that just as children need to to be told stories which challenge their imaginations and allow them to wonder so too do adults need the same thing otherwise existence becomes dull and pointless. Thus when the unnamed protaganist in "The Walls of Anagoor" hears from his guide of a place which may or may not exist he has no choice, he must go.

There are 23 stories in this collection involving everything from Einstein making a deal with death to allow him to continue working on his theories to girls falling from buildings just for fun to a crew who decides to go on building the Eiffel tower until they have risen so high they can see the Alps. O and one particularly brilliant story about a beloved doctor whose death inspires an investigation that he may not have been who he says he was -- an investigation which grows and reveals that perhaps no one is who they say they are.

7 of 8 people found the following review helpful:

5.0 out of 5 stars Kafka + Rod Serling = Buzzati, January 19, 1998

By 

Cynthia J. Conrad (New Haven, CT) - See all my reviews
(REAL NAME)   

This review is from: Restless Nights (Hardcover)

Why don't more people read Buzzati? Perhaps because he's always associated with Camus, whose philosopy-laden novels are forced on all students. Buzzati is existential, but he's a much better storyteller than anyone else burdened with the "existential" label. Restless Nights is a great collection of short stories that should have won awards for its publisher. There are touches of the surreal here, but his style is too clear and concise to fit in with Breton et al. There are many sci-fi and Twilight Zone effects as well, yet with a more profound and, yes, existential, theme. Think of this as Kafka with a good sense of plot, as if Franz were forced to write half-hour tv scripts. I consider this one a classic. Much better than the other DB collections.

7 of 8 people found the following review helpful:

5.0 out of 5 stars Power and the One, February 28, 2001

By 

[e-mail] (PARISFRANCE) - See all my reviews

This review is from: Restless Nights (Hardcover)

This collection of stories by the versatile Italian writer, Dino Buzzati, bears a curious resemblance to the stories of Jorge Luis Borges. Borges's argument - and Buzzati's - appears to be with the nature of man.

Like Borges, Mr. Buzzati employs a relative simplicity of language to reveal and conceal the circularity and ineluctability of time and destiny. The longest story in the collection, ''Barnabo of the Mountains'', deals with the fate of a young man who funks his duty as forester and then lives on to the critical moment of reprise, only to discover that the honor he sought to recover has been absorbed in the undifferentiated wholeness of experience.

Another Borgesian device is the assumption that people and events are as well known to the reader as they are to the author. ''The inventor, the famous Aldo Cristofari'' is an invented inventor introduced with an air of universal familiarity.

Preoccupied chiefly with conscience and social decorum, the 14 tales could be described as parables, being short on narrative and long on moral suggestion. A middle-aged man flirts dangerously with the fantasies of childhood. Another story proposes that human imagination has as much to do with reality as any case-hardened fact. A story about a literary doppelg"anger once again demonstrates that one must be careful what one wishes for. And so on...