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Retribution: The Battle for Japan, 1944-45 Hardcover – Deckle Edge, March 18, 2008


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This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Product Details

  • Hardcover: 656 pages
  • Publisher: Knopf; 1st U.S. Ed edition (March 18, 2008)
  • Language: English
  • ISBN-10: 0307263517
  • ISBN-13: 978-0307263513
  • Product Dimensions: 9.5 x 6.5 x 1.6 inches
  • Shipping Weight: 2.9 pounds
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (152 customer reviews)
  • Amazon Best Sellers Rank: #142,671 in Books (See Top 100 in Books)

Editorial Reviews

Review

"Hastings is a military historian in the grand tradition . . . He is equally adept at analyzing the broad sweep of strategy and creating thrilling set pieces that put the reader in the cockpit of a fighter plane or the conning tower of a submarine."
--Evan Thomas, The New York Times Book Review

"Compelling . . . To the broad sweep of military events Mr. Hastings adds myriad human stories . . . and he does not hesitate to offer his own keen analysis along the way."
--Peter R. Kann, The Wall Street Journal

"The great merit of Max Hastings's many books on war is his skill at bringing the numbers, as it were, down to earth. Through the imaginative power of his writing, we get an inkling . . . of what it must have been like to slog one's way up a cliff at Iwo Jima, or be firebombed in Tokyo."
--Ian Buruma, New York Review of Books

"Hastings has another winner . . . This book is first-rate popular history, stiffened with a strongly stated point of view . . . A close-up and personal look at war as it affected real people, and how it felt to them at the time."--Harry Levins, St. Louis Post-Dispatch

"Explosive, argumentative, intensely researched . . . Demands to be read. A book of stunning disclosures."--Tom Mackin, Sunday Star-Ledger

"[A] masterful interpretive narrative . . . Hastings is both comprehensive and finely acute."
--Booklist

"Spectacular . . . Searingly powerful. Hastings makes important points about the war in the East that have been all too rarely heard."
--Andrew Roberts, The Sunday Telegraph

"A triumph . . . The key to the book's success lies not in its accessibility, nor in its vivid portraits of the key figures in the drama--although it has both--but in something else entirely: the author's supremely confident ambition."
--Laurence Rees, The Sunday Times

"Extraordinary . . . Anyone who believes that we're all living through a uniquely troubled time should read this . . . book."
--Georgie Rose, The Sunday Herald

"This is a book not only for military history buffs but for anyone who wants to understand what happened in half the world during one of the bloodiest periods of the blood-soaked 20th century."
--The Spectator

"Highly readable . . . An admirably balanced re-examination of the last phases of a conflict that it is not fashionable to remember."
--Dan van der Vat, The Guardian

"Engrossing . . . Its originality lies in the meticulousness of the author's research and the amazing witnesses he has found."
--Murray Sayle, The Evening Standard

"Hastings is . . . a master of the sort of detail that illuminates the human cost. It is the way he leaps so adeptly to and fro between the vast panorama and the tiny snapshot pictures that makes him such a readable historian."--Mail on Sunday

About the Author

Max Hastings is the author of more than fifteen books. He has served as a foreign correspondent and as the editor of Britain’s Evening Standard and The Daily Telegraph and has received numerous British Press Awards, including Journalist of the Year in 1982, and Editor of the Year in 1988. He lives outside London.

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Customer Reviews

All in all an easy book to read.
Tom Munro
I recommend it highly for anyone with an interest in history in general or World War II in particular.
Steven M. Anthony
Detailed and well researched as are all Max Hastings book.
J. Walker

Most Helpful Customer Reviews

264 of 276 people found the following review helpful By Kerry Walters VINE VOICE on March 18, 2008
Format: Hardcover
With age comes a bit of weariness, and I confess that huge books with small print have begun to intimidate me just a bit. But some of them are so well-written and so interesting that page-anxiety drops away after the first couple of chapters. So it was for me with Max Hastings' Retribution.

Retribution, which chronicles the final year of World War II's Pacific Theatre, is a companion to Hasting's Armageddon, a history of the European Theatre's final year. The new volume begins with General MacArthur's plans to retake the Philippines and ends with a quick summary of the war's effects on Japanese society and culture. In between, Hastings examines the infiltration of total warfare into everyday Japanese life; the battle for control of the sea corridors, the Burma campaign and the Aussies who fought it (which I found particularly fascinating, knowing virtually nothing about it); the air campaign over Japan, masterminded by Curtis LeMay (also an especially intriguing chapter, particularly for those who presume that the only big bomb damage in Japan were the nuclear blasts over Hiroshima and Nagasaki); the unspeakably horrific Japanese treatment of China and Manchuria; the ferocious battles on Iwo Jima (to which Hastings devotes an entire chapter); and the behind-the-scenes negotiations that led up to Japan's final surrender.

Hastings punctuates his history of the Pacific Theatre's final year with dozens of stories about individual people whose lives were affected--GIs, sailors, Japanese infantrymen and pilots, Chinese "comfort girls," generals, admirals, statesmen--and this is part of what makes his book such a fascinating read. Moreover, Hastings doesn't pull any punches in his estimation of the war's leaders.
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114 of 121 people found the following review helpful By Grant Waara VINE VOICE on March 18, 2008
Format: Hardcover
I became aware of this book on the brink of its UK pubication. The UK title is: Nemesis: The Battle for Japan 1944-1945. I ended up getting the UK edition. I just didn't want to wait for the US edition, so I got it (and I live in Wyoming!). I'm glad I did. Hastings brings forth all his formidable powers, both in research, analysis and in his writing abilities.
Hastings praises the US Navy (especially the Submarine Service), condemns MacArthur (or more correctly, his oversized ego), Bill Slim is seen as one of the war's great captains (though Hastings believes Burma did little to contribute to the defeat of Japan), praises the courage of the Japanese, but damns their cruelty and their leadership's poor decisions.

Retribution is the companion volume to Armageddon. As is typical of Hastings, readers probably won't agree with 100% of his judgements and opinions. But the way he organizes his facts and presents his narrative, he presents a formidable case that's hard to deny.

What sets this book apart from the clear majority of Pacific war books, is that Hastings also has chapters on the war's neglected theaters, China and we see the war as both the Communists and Kuomintang, the Australians and of course, the Soviets. It's not just about the Americans, Japanese and to a lesser extent, the British. American readers may not agree with everything Mr. Hastings writes, but part of what makes him so interesting is that he's brilliantly provocative.
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57 of 58 people found the following review helpful By Paul Gill on January 31, 2009
Format: Hardcover
Interested readers should not be put off by Kai Bird's misleading review for the Washington Post, which features on Amazon.com's page for this book, which, incidentally, is published under the title Nemesis in the UK. This is an excellent study of the last years of events in the pacific theatre during the second world war.

Kai Bird says that Hastings "abandons his critical faculties" when it comes to the book's "central theme", namely that the atomic bombing of Hiroshima and Nagasaki was wholly justified.

Bird is mistaken on one account and deliberately misleading on another. Hasting's 600 page book naturally deals with the events at hand in chronological fashion and it is not until the very final chapters that he comes to discuss the dropping of the bombs. Reading the book, I did not identify the contents of these 2 chapters as either presenting or encapsulating a "central theme" in it. In these chapters, Hastings addresses both sides of the argument as to whether the decision to drop Little Boy and Fat Man was justifiable. He is of the opinion that it was, but far from abandoning his critical faculties he reasonably presents the opposing argument and then goes on to expose the holes that he sees in it. While he acknowledges that giving the Russians a display of US might was seen as a very useful added bonus of the atomic drop, to put it crudely, he rejects the argument that this was foremost in the minds of the members of the war cabinet and the top brass when planning the drop. He also shows how, far from there being any soul searching amongs decision makers, the atomic bomb drop was more a military project that had been put in place a few years back and was at this point running its course.
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80 of 93 people found the following review helpful By David M. Dougherty VINE VOICE on August 29, 2008
Format: Hardcover Verified Purchase
The British author Max Hastings normally a creditable job in covering his campaign de june, but this time as with "Armageddon" he attempts to cover larger campaigns and issues of WWII and doesn't succeed. The British slant is present as usual, this time playing up the British campaigns in the CBI theater as important to Japan's defeat. Well, hardly. The fastest the British moved was in steaming to Hong Kong to re-occupy their former colony at war's end before the Americans got there, an item Hastings doesn't mention. Siam was lost to them due the OSS support of the "Black Thais", and that couldn't be allowed to happen again.

The strong points have been covered well in other reviews, but allow me to add a few facts into the debate over the necessity of dropping the atomic bombs. Yes, the Japanese Foreign Office had made an offer (in response to a query) to surrender through the Soviet Union in early July but it was clearly unacceptable to the US. These cables and their decoding through Magic were discussed at length (see Richard B. Frank, "Downfall"), and although the clear Japanese text is sometimes seized upon to prove the revisionists' case that Japan would have surrendered without the atomic bombs being dropped or suffering an invasion, the analysis made at the time clearly held such a possibility to be highly improbable. Nonetheless, we see it again and again by those, often from the now-defunct British Empire, who wish to vilify the US. You can see some of this in the other reviews, including the one done by the Washington Post writer.
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