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8 of 9 people found the following review helpful:
4.0 out of 5 stars
Complete insanity -- BANGIN', October 25, 2001
Some people are just not ready for Ol' Dirty Bastard.NO ONE was ready for him when this album came out. They only knew him as the guy who did a little screaming and a little rapping on "Enter the 36 Chambers." Little did they know that Russell Jones would go on to become the next Clown Prince of Hip-Hop. "Return to the 36 Chambers: The Dirty Version" is bangin', offensive, noisy and hilarious all at the same time. Almost entirely RZA-produced, the tracks on this album are unlike any other. Melodies shift and mutate into one another, sometimes changing into totally different entities. Some beats roll along; others are choppy and distorted. Similarly, Dirty's flow goes from sing-songy to balls-out roaring in seconds. He pays homage to soul-crooners of the past on "Drunk Game (Sweet Sugar Pie)," name-checking Gladys Knight, the Temptations and Marvin Gaye while he rants and raves and practically has an orgasm mid-song. He leads insane sing-along chants in songs like the single, "Shimmy Shimmy Ya" and the BANGIN' "Brooklyn Zoo," where he lets you know, "Shame on you/When you step through to/The Ol' Dirty Bastard/BROOKLYYYYYN ZOO!" There are plenty of great songs here. "Baby C'mon" shifts from hardcore and grimy to a slick bass loop midway through, and "The Stomp" is just what its title suggests: a hardcore, concrete-breaking beat and some typical Ol' Dirtyisms: "Baby girl/Tell me why, tell me so/I ask you to go hiiiigh, you ask me to go low/So I go low/*SLURRRRP*/Taste the sheeeeit/*SLURRRRP*/Taste it again, I like it!" ...what do you say about lyrics like that?? Some of the best songs pair Dirty with fellow Clan members, however. On the nasty "Damage," ODB mixes it up with Raekwon and Method Man. He gets with Meth again on one of my favorite tracks, the short and low-key "Dirty Dancin'." And he teams up with the RZA on the "Clan In Da Front"-in-reverse, "Cuttin' Headz," tag-teaming some great lines with the Clan's uber-producer. There are a couple of low moments, where either the production could use a little shoring up, but for the most part, "Return to the 36 Chambers" is an off-kilter, offensive, chauvinistic, mysogynistic, hilarious album, and well worth your money if you like hip-hop, comedy and skills.
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