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Most Helpful Customer Reviews
72 of 73 people found the following review helpful:
5.0 out of 5 stars
Brilliant international crime novel - mordant yet seductive,
By RachelWalker "RachelW" (England) - See all my reviews
This review is from: The Return of the Dancing Master (Hardcover)
I don't know what it is that has suddenly caused this rise in recognition of foreign writers, but it can only be a good thing. Jose Carlos Somoza, Boris Akunin, Karin Fossum, Carlo Lucarelli, and the Dark Wintry King of them all, Henning Mankell, who is increasingly a phenomena. His books fly off the shelves on mainland Europe, he's mobbed in the streets in his native Sweden, in Germany he apparently outsells J.K. Rowling (it's about time someone did), and half-Swedish Ruth Rendell has taken the trouble to read all the novels in their original language, admiring the fascinating procedural detail, which is just one of Mankell's strengths. He never shies from portraying the dull of aspects of routine police-work, but somehow manages to put such a spin on them as to make them interesting. And although The Return of the Dancing Master is a departure from his ever-better Kurt Wallander series - although it may as well not be, for how similar and ominously gloomy the two different protagonists are, it is just as excellent, and probably even better.Retired policeman Herbert Molin lives a hermetic existence in a lonely house in the middle of a North-Sweden forest. Whatever he's hiding from, he's eluded it for 11 years, occupying himself with his fears, his jigsaw puzzles, and his dancing. Then, one day he is found beaten and lashed, lying dead in the snow on the edge of the wood. In his house, bloody footprints pattern the floor, marking out the steps of his favourite dance, the tango. When Stefan Lindman, on sick-leave and obsessed with death having recently been diagnosed with cancer, reads of his old colleagues murder, he ventures north to the forests of Molin's retreat in order to try and find out more about who killed him, and in doing so places himself into a bleak investigation that stretches itself back to the evil acts of the second world war, and forces him to confront uncomfortable truths about his modern-day Sweden. I can well see how Mankell's books, this one in particular, may not be suited to all. The Return of the Dancing Master - this title has quickly jumped to the top of my "Favourite Book Titles" list - is a dark, bleak and intense book with a heavy, dark atmosphere. There is little sunlight to be glimpsed anywhere, literally or metaphorically. So this is not for people who like their fiction light and happy, but more melancholy and affecting. Sweden is evoked brilliantly, which is important as setting is one of the three necessary factors required in order to make a crime book effective, the other two being plot and character, where Mankell succeeds as well. The vast lonely forests of Northern Sweden contribute effectively to the bleakness (as you can tell, "bleak" is very much a watch-word here) of the book, and it is clear that Mankell has a very good handle on his country, and although is fond of it, shows us the things which worry him about modern Sweden, which he has said he thinks is a "pretty average" society. Here we are treated to bigotry, racism and neo-Nazism in pretty heavy doses, which makes for some disturbing scenes, and along with the atmosphere and the morbidity-obsessed lead character, it all correlates into a pretty dark book. Dark but brilliant, though. Mankell is an incredibly powerful writer, and that gift is on display here right from the beginning. The prologue gives us a vision of the executions of Nazi war criminals in 1945, and then in the first chapter we read terrified yet gripped by the throat as a scared, lonely old man's isolated home is assaulted in the dark, the windows shot out and he himself slaughtered. The Return of the Dancing Master is bleak, yes, but it is fascinating, chilling, with the traditional flawed-hero (just what IS it about these kinds of people???) and it's refreshingly unformulaic. The plot is not once predictable, and constantly shifts beneath the reader to create a kind of gutsy suspense and a great pace. It's not quite perfect (there are a couple of kinks in the translation, I think, but that's forgivable) but apart from that it nearly is! A dark, excellent story by an incredibly talented writer, and I am absolutely sure that this will end up as one of my favourite reads of the year. If you want to try Mankell, start here. Whatever the price, the experience of this is well-worth it.
23 of 23 people found the following review helpful:
5.0 out of 5 stars
An examination of life within a crime drama,
By
This review is from: The Return of the Dancing Master (Hardcover)
Henning Mankell's "The Return of the Dancing Master" is an outstanding piece of literature written in a manner that parallels its desolate, foreboding and depressing setting central and northern Sweden. Through the eyes of Mankell's main character 37 year old police officer Stefan Lindman we see a profound deliberation of life values and ideologies.Lindman a bachelor working in the southern Swedish town of Boras has been stunned to learn that the lump on his tongue has been diagnosed as a malignant lesion. Bewildered, he espies a dated newspaper in the hospital cafeteria. He reads that a former colleague Herbert Molin, a retired 76 year old had been found murdered, bullwhipped to death at his isolated cottage in the northern forests of Harjedalen. Lindman already absent on sick leave is due to start radiation therapy in 3 weeks. He becomes introspective while confronting his believed mortality and decides to escape from that reality and take a trip to Molin's locale to find out what happened. Based in a hotel in the small town of Sveg, he begins unofficially investigating the circumstances of Molin's death. He soon meets Giuseppe Larsson the local officer investigating the crime, who gives him leeway and eventually allows Lindman to become part of the investigation. Eventually it is discovered that Molin left Sweden during WW2 to join with Hitler's SS troops and always harbored strong Nazi sentiments. It was determined that the murder was retribution for horrid acts committed by Molin during the war. We also meet the murderer, Aron Silberstein, a German Jew now living in Argentina, who has vowed revenge against Molin. Shockingly during the probe, a retired and elderly neighbor of Molin's is also found murdered, killed by a shotgun blast. As the inquest goes forward Lindman and the provincial police officers become confronted with a vast network of neo-Nazis operating under the cloak of the Strong Sweden Foundation. All the while, Lindman comes in contact with older people who are coming to grips their their own mortality which forces Lindman to do the same. He also uncovers some secrets which calls into question the basis of his own ideologic beliefs. Mankell is an important new find for me as an author who goes beyond the confines of a mystery writer to provoke deep thought pertaining to the meaning of life.
15 of 17 people found the following review helpful:
4.0 out of 5 stars
A Haunting and Intricately Plotted Story,
By Bookreporter (New York, New York) - See all my reviews
This review is from: The Return of the Dancing Master (Hardcover)
I've always loved a mystery, but I'm picky. A lot of authors who regularly make the bestseller lists leave me as cold as the corpses they write about (I'm not naming names for fear of casting aspersions on anyone else's taste). My pantheon includes the British classics (Wilkie Collins, Conan Doyle, Agatha Christie, Josephine Tey, Dorothy Sayers) and their heirs (P.D. James and her ilk), but also some less decorous titles, like really good serial-killer yarns. And I'm partial to complex, gritty police procedurals with a European flavor --- like THE RETURN OF THE DANCING MASTER.Summarizing this novel, it sounds pretty melodramatic: War crimes. Neo-[Nationalsozialist]. A torture-murder. A second murder that looks like an execution. But like all Henning Mankell's mysteries, it is also powerfully matter-of-fact. The book is as much about the daily obsessions of Stefan Lindman --- a police officer with a cancer diagnosis, troubled memories of his father and an ambiguous relationship with an older woman --- as it is about getting shot at in the dark Swedish woods (though there is plenty of action, too). Lindman is a kind of an anti-hero: surprisingly earthy ("Of all the joys that life had to offer, peeing at the side of the road was the best"), relentlessly unglamorous, with the combination of intelligence and persistence that gets crimes solved. In this he is very much like Kurt Wallander, the protagonist of an earlier series of suspense novels by Mankell. They are both smart, rather isolated men struggling to make connections, and their flawed humanity is endearing. Making connections, to solve a case and/or to save one's soul, is the essence of THE RETURN OF THE DANCING MASTER (if you're wondering about the title, I'll say only that tango steps are an important clue). Partly to escape his fear of death (he's on sick leave, awaiting radiation treatments), Lindman leaves his home in the south of Sweden and goes north to investigate --- unofficially --- the murder of an older police officer he once worked with. He forms a friendly alliance with a local cop, Giuseppe Larsson (who blames his opera buffa name on his mother's major crush on an Italian crooner), and what started as a quick trip stretches into an obsessive pursuit of a murderer . . . or is it two murderers? You think I'm going to tell? Not a chance. In any case, the thrill of chasing a killer is not the only attraction of THE RETURN OF THE DANCING MASTER; there are larger issues here. The novel challenges the popular image of Sweden as irreproachably anti-[Nationalsozialist](or at least neutral) during World War II and suggests that the country harbors secret (...)organizations even today. The alertly political aspect of Mankell's work reminds me of the wonderful mysteries written in the 1960s and '70s by a Swedish couple, Maj Sjöwall and Per Wahlöö (some have been reissued by Vintage): they share a fundamental decency, a penchant for social criticism and a strong sense of history. Mankell's prose, like his characters, is plain rather than fancy, and the translation (by an Englishman, Laurie Thompson), not always in the American idiom ("take it with a pinch of salt"; "a bolt from the sky"), can seem stilted at first. But after a while it grows on you, like a foreign accent. And if your knowledge of Sweden is limited to Ingmar Bergman films, THE RETURN OF THE DANCING MASTER gives a visceral sense of the country: frozen lakes, deep forests, piercing cold, people who keep to themselves and stay warm as best they can. I must confess, though, that I missed Kurt Wallander. Now that I've read seven mysteries featuring this irresistible cop, he and I have a history: the details and texture of his life carry over from book to book. If you're new to Mankell, get acquainted with Wallander first. You won't be sorry. --- Reviewed by Kathy Weissman
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