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The Return [Abridged] [Audio Cassette]

Dinah McCall (Author)
3.9 out of 5 stars  See all reviews (24 customer reviews)


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Book Description

June 2000
As a legacy of hatred erupts in a shattering moment of violence, a dying mother entrusts her newborn daughter to a caring stranger…. Now, twenty-five years later, Katherine Fane has come home to Camarune, Kentucky, to bury the woman who raised her, bringing a blood feud to its searing conclusion.

At the cabin in the woods where she was born, Katherine is drawn to the ravaged town and its violent past. But her arrival has not gone unnoticed. A stranger is watching from the woods, a shattered old man is witnessing the impossible, and Sheriff Luke DePriest's only thoughts are to keep Katherine safe from the sleeping past she has unwittingly awoken….

--This text refers to the Mass Market Paperback edition.

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Editorial Reviews

From Publishers Weekly

When schoolteacher Catherine Fane travels to rural Kentucky to fulfill her guardian's last wishes by burying the woman's body near the cabin where she lived years before, she unwittingly stirs a sleepy town into an ugly fervor. Although Catherine wasn't a blood relation, kindly Annie Fane had taken her in after her parents were mysteriously murdered. But the superstitious townsfolk of Camarune used to consider Annie a witch, and they immediately apply the label to Catherine as well, menacing the schoolteacher's plan to stay in the isolated cabin while she tries to make sense of her life. Then she meets Luke DePriest, the area's sexy sheriff, who tries to protect her, all while hunting a thief who's been leaving strange wooden carvings in the place of the goods he steals. When a deranged farmer shoots Catherine in the back, the townsfolk are jolted back to their senses, Luke and Catherine are forced to confront their love for each other, and Catherine finally discovers the long-lost truth of her past. McCall's (Touchstone) opening is intriguing and her locale appealingly stark. Unfortunately, cursory characterization and plot development (the homicidal farmer is introduced only a single scene before he attacks) give the book a blandness not redeemed by a lackluster romance. (May)

Copyright 2000 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

Excerpt. © Reprinted by permission. All rights reserved.

Rural Kentucky, 1973

The night was cold—the moon full. A faint hint of wood smoke stirred in the air, while tortured shadows lay upon the decaying forest floor like puddles of spilled ink.

On a nearby hill, a cougar slipped between an outcropping of rocks on his way to his lair, dragging his prey as he went. Tomorrow, a farmer would find his best goat had gone missing, while down in the valley below, animals of the dark abounded. The night seemed no different from any other as they scurried about, intent upon the simplistic routine of their existence. Then, without warning, everything stilled.

A raccoon paused at a creek bank, tilting his head toward the forest behind him before dropping the minnow he had been about to eat and shinnying up a nearby tree. A fox, who had been lying outside her burrow letting her kits nurse, suddenly bolted to her feet and hustled them back inside. An owl abruptly took to the air from a nearby tree, moving through the forest on silent wings. On the heels of his flight, a primordial shriek shattered the silence, hanging on the air like mist, then echoing within the valley.

Over a mile away, and on another mountain, a woman up tending to her sick child heard the faint cry and shuddered as she glanced toward the partially opened window. Even though she knew it was most likely a cougar, the similarity between that sound and a woman's scream was all too eerie—especially at this time of night. She pulled the covers back over her child, then walked to the window and pushed it the rest of the way shut.

Back down in the valley, another cry followed the first, weaker in intensity, but more distinct in sound. There was no mistaking it for that of an animal. It was the cry of a newborn baby, shocked by the abruptness of its entry into the world.

Flames from the campfire burning at the back of the cave flickered weakly, shedding little light on the drama playing out within the cavernous depths. A thin column of smoke spiraled upward, escaping through a small hole in the high domed ceiling, forming a natural chimney. It dissipated without notice in the outside air.

Nineteen-year-old Fancy Joslin lay only a few feet from the fire on a makeshift cot. The last spasms of childbirth had passed, leaving her weak and weary. Cradling her newborn child upon her belly, she cleaned the babe and herself as best she could. She wouldn't let herself think of the lack of sanitation in which her child had been born. For now it was enough that they had both survived.

A suitcase near the mouth of the cave held all of her worldly goods. It wasn't what she'd planned to take to her home as a bride, but it would have to do. All of the Joslin heirlooms that should have been hers had burned up over a month ago in the fire that destroyed their home. She couldn't prove it, any more than her family had been able to prove any of their losses over the past one hundred years, but in her heart, she blamed Jubal Blair.

Uncle Frank was dead because of him. They'd called it an accident, but everyone knew it was just part of the ongoing feud between the Joslins and the Blairs. And, truth be told, over the years, the Joslins had done their fair share of keeping the hate between the two families alive. There were plenty of Blairs resting six feet below the rich Kentucky earth who could attribute their passing to an angry Joslin.

Even in Fancy's lifetime, she'd heard the men in her family talking about things that they'd done in the name of justice, but there wasn't anything fair about a feud. It was revenge, pure and simple.

She rolled her baby up into a blanket, then set her jaw. It did no good thinking about the hate that had destroyed her family and, ultimately, her home. As long as Joslins and Blairs still lived on the mountain, it would continue.

And that was the reason she was in hiding. She was the last of the Joslins, but she would not risk her life or her child's by staying in this place any longer.

With a weary sigh, she lay back on the pillow. In a way, she'd already fallen victim to a Blair. Turner. But not in the way Jubal would have imagined. She couldn't remember a time when she hadn't loved Turner Blair. But it was only after she got pregnant that panic set in. This was a secret she wouldn't be able to hide forever. Turner's joy in the news had lessened her fears, and when he'd insisted on a moonlight wedding ceremony beneath the overhang of Pulpit Rock, Fancy's anxiety had lessened even more. The fact that it had been less than proper hadn't mattered to either of them. In their hearts, they were man and wife.

And they'd made plans to run.

But then Turner's mother had taken sick. Running away in the midst of her last days had been more than he could do. So they'd waited. And they'd waited. It had taken Esther Blair six months to die, and with each passing month, Fancy Joslin's condition had become more and more apparent. Her uncle Frank had been shocked and then incensed, demanding each day for her to name the man who'd wronged her. But giving up Turner's name would have been the end of them both, so she'd remained silent, suffering Uncle Frank's condemnation instead.

And then came the fire. After that, she'd been certain that Turner would come and take her away. He'd come, all right, but not as she'd expected. He'd hidden her in this cave, asking her to trust him for a few days. He had some money coming to him from a job he'd just finished and they would need it when they left. Telling him no was impossible, which was most of the reason she was in the shape she was in. So, two months from delivery, she hid. But the days had turned into weeks, and now it was too late.

Weak and aching from the trauma of the birth, Fancy raised up on one elbow, looking at her baby through a blur of angry tears, then fell back onto the makeshift cot, clutching the child against her belly. Damn Jubal Blair. She and Turner should have been in Memphis by now.

The baby's weak cry stopped her thoughts. She raised herself up again in sudden panic. But the baby had stopped crying and her eyes were fixed upon the dancing shadows of the dwindling fire. Fancy stroked the tiny head and the cap of thick black hair, marveling at the sheer perfection of her and Turner's love. Her sweet Kentucky drawl broke the silence in the cave.

"You listen to me, baby girl. Your daddy and I are going to get you out of here. I swear on my life that you will not be raised in this hate."

The baby turned toward the sound of her mother's voice, as she must have done many times within the womb. Fancy's heart contracted with a sweet ache she wouldn't have believed. With shaking hands, she traced the shape of the baby's face and knew the power of a mother's love. And, in that moment, she also knew a great shame. She closed her eyes against tears, wondering how she'd come to this—married in secret, hiding in an abandoned cave like some animal, instead of living in a home like normal people.

And therein lay her problem. Normalcy had no place in her life—not as long as she stayed in Camarune.

Something moved beyond the shadow of the firelight. She clutched the baby in fright, staring fearfully into the shadows. Suddenly a small possum waddled past on its way toward the mouth of the cave. She dropped back onto the pillow with a shudder and clasped the baby close to her breasts.

"My God, little girl, what have we done to you?"

Then she rolled the baby more tightly into the blanket and snuggled her close. With a pain-racked sigh, she stretched out upon the cot.

"I need to rest," she said, more to herself than to the baby. "Daddy will come, and then we'll get you out of this awful place."

The dark and absence of sound within the cave where mother and baby lay must have been reminiscent of the womb that the baby had just exited. With hardly more than a squeak, the tiny girl turned toward the steady beat of her mother's heart and slept.

Turner's suitcase was under his bed. His money was in his pocket. On a normal day, Jubal Blair wouldn't have been anywhere close to the house, but for some reason, today had been different. Turner felt less than the man he should have been for not standing up to his father. But he'd been raised too many years under the looming shadow of Jubal's wrath to break free from it so easily now. To make matters worse, he was worried sick about Fancy. Keeping her hidden in the cave like an animal shamed him. God had decreed that man should protect the woman who was his wife. He should feed her and care for her. Stand by her side in the day and lie by her side in the night. But Turner didn't just have a wife to consider. There was the feud.

He'd been raised on hate. Hate for anyone with the name Joslin. Only the first time he'd seen Fancy Joslin, he'd fallen in love. As he remembered, she'd been nine years old to his eleven. Even then, they'd known to keep their friendship to themselves. By the time Fancy was sixteen, Turner had known she was the woman for him. But sneaking the occasional meeting in the woods was dangerous. Their love had stayed true, but their meetings had been sporadic. Until Fancy told him about the baby.

Anger at their situation had spurred him to a daring he might never have achieved otherwise. One night, long after midnight had come and gone, they met on the mountain beneath the overhang of Pulpit Rock and pledged their lives and love. After that, leaving was a foregone conclusion.

He shivered with excitement, thinking about their child. By this time next month, they would have a whole new life. He imagined himself bathing her, watching her learn to walk and talk, hearing her laughter, protecting her as he would protect her mother.

A raucous shout startled him, and he quickly moved to the window. It was his brother John. John's hounds were in the back of the truck. That explained why Jubal had stayed close to the house today. They were going to run the dogs.

He turned, staring nervously at his bed and picturing the packed suitcase hidden beneath, then smoothed sweaty palms down the front of his jeans. Coon hunts were nothing new. Just a part of... --This text refers to the Mass Market Paperback edition.


Product Details

  • Audio Cassette
  • Publisher: Dh Audio; Abridged edition (June 2000)
  • Language: English
  • ISBN-10: 1552042189
  • ISBN-13: 978-1552042182
  • Product Dimensions: 7 x 4.7 x 0.9 inches
  • Shipping Weight: 1.6 ounces
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #5,230,570 in Books (See Top 100 in Books)

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Customer Reviews

24 Reviews
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4 star:
 (3)
3 star:
 (4)
2 star:
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Average Customer Review
3.9 out of 5 stars (24 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

16 of 17 people found the following review helpful:
5.0 out of 5 stars Dramatic romance, April 21, 2000
This review is from: The Return (Mass Market Paperback)
The Kentucky hills run red with the flow of blood from the victims of the deadly Blair-Joslin feud. A witch stands aloof as the savagery of the clan warfare leaves devastating results in its wake. Herbalist Annie Fane's life dramatically changes when a dying Fancy Joslin pleads with her to take her infant daughter Catherine away from the violence. Annie agrees to Fancy's deathbed wish. The Blairs set their dogs on Fancy, finally killing her. Her now insane husband, Tanner Blair murders his brothers and severely injures his father for what they did to his wife. Annie and Catherine leave town. They do not return until Catherine comes back to bury her grandmother Annie at Pulpit Rock where most of the massacre occurred years ago.

Though she knows that her ties to Annie are by love not blood, Catherine refuses to allow anyone to denigrate her "grandmother." Her return stirs up the fears of the townsfolk who believe that Catherine is a witch who has come to town to take revenge on the townsfolk who reviled Annie. As someone stalks Catherine, Sheriff Luke DePriest is determined that no one will get hurt, especially the woman he now loves.

THE RETURN is a poignant work of romantic suspense that tugs on the heartstrings of the reader. The lyrical prose gives the audience a feel of a ballad rather than just another suspenseful plot. The lead protagonist is a delightful combination of strong independence and charming vulnerability. Catherine fights for what she believes in even if it seems to her that Don Quixote had better odds of winning. This steamy tale will have fans returning to the bookstores seeking other works by Dinah McCall.

Harriet Klausner

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9 of 10 people found the following review helpful:
5.0 out of 5 stars I liked this book, June 14, 2000
By 
K. Lininger (FOUNTAIN VALLEY, CA United States) - See all my reviews
(REAL NAME)   
This review is from: The Return (Mass Market Paperback)
Years ago a girl and a boy from feuding families fall in love. Tragically they are not to be together. The girl gave birth to a baby girl and with her dying breath handed the baby to a "witch" to love and raise as her own. Twenty some odd years later the girl returns to bury her grandma, whom the town claims to be a witch. the girl Catherine takes the town by storm and has a town wake up and face their bigotry and ignorance. A beautiful story.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars I cannot believe this book received such bad reviews., July 18, 2001
This review is from: The Return (Mass Market Paperback)
I thought this book was very good. In fact, it was so good, that I went out and bought other Dinah McCall books. I also love her writings as Sharon Sala. Believe me, if you buy this book, you WON'T be sorry. It is excellent.
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